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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Il Mercato Del Malmantile"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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653 results for: Title - Il Mercato Del Malmantile

51
21 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'avaro

Dance: End of Act I Il Riposo del Campo, as17830603 with Pas de Deux, as17830603 and Pas de Basque, as17830111; End of Act II Le Tuteur Trompe, as17830506

52
13 May 1800 @ King's Theatre

Performances

Mainpiece Title: il Drammatico Capricioso, Recte Il Capriccio Drammatico

Afterpiece Title: I Due Svizzeri

Dance: End 1st piece: Divertisement, as18000508; End 2nd piece: Laura et Lenza (with alterations), as18000508

53
02 April 1707 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By direction of Sig Francisco Conti, the Consort of Musick-Sig Francisco Conti for her Majesty, and which he had the Honour to perform at court upon the Union-day; Singing-La Signiora Margaretta the Baroness, Il Signior Valentino; and there is to be several Instrumetns, and the said Great Theorbo, La Mandelitta an Instrument hitherto unknown-Signior Conti

54
25 April 1713 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda (acts I And Ii)

Music: An Entertainment of the choicest Songs out of several Operas-; Also a Piece (never perform'd before)-Signior Cavaliero Valeriano; The Songs out of the Opera will be as follows Convezzo luinghiero, Pria che la doglia-Signora Pilotti; Del fallo ful camin, Ti stringo o miodiletto-Signor Valentini; E vano ognipensiero, To Beauty devoted, Love wou'd invade me-Signora Margaretta; Di se senti, Nume Alata-Mrs Barbier; Solo pieta vi chiedo-; Di luci adourno-Mrs Manina; concluding with the Chorus of Clotilda-; a new piece-Signior Cavaliero Valeriano

55
01 May 1714 @ Queen's Theatre

Performances

Mainpiece Title: Arminius (acts I And Ii)

Music: To which will be added the following Songs: S hai pieta, Due pupille-Mrs Robinson; Lusinghe vezzose, Si t'intendo-Signora Galerati; Del fallo ful Camin, Ti stringo o mio diletto-Valentini; Cieco Amor, Ho un non so che nelcor-Mrs Barbier; Care labra, Una speranza-Mrs Manina; E vano ognipensiero, Si lieto e si conteno-Mrs Margarita; a new Trumpet Song-; [With a Sonata upon the Violin-[the wonderful Youth of 11 years old; [Upon the Trumpet-Mr Grannon [Grano?]; [And on an Instrument of Invention [entirely New imitating the Harp and Lute-Mrs Margarita

56
16 November 1726 @ King's Theatre

Performances

Mainpiece Title: Il Mercante Prodigo; Or, Harlequin A Prodigal Merchant, Persecuted By Silvio, Basilisk Of Bernagasso

Dance: As17260928

57
26 November 1726 @ King's Theatre

Performances

Mainpiece Title: Il Matriomonio Disturbato; Or, Pantalon's Marriage Disturbed By The Different Humours Of The Ladies: Nane Gonolier And Brighella Co-rivals In Their Amours With Argentina, And Their Challente, Together With Entertainments Of Masquerades, Serenades, Risings, Songs And Dances After The Ventetian Manner

Dance: Poictiers

58
21 December 1726 @ King's Theatre

Performances

Mainpiece Title: [il Convitato Di Pietra, O sca Don Giovanni Libertino: Viz

Dance: [Grotesque Characters-Poitier, Mrs Anderson, others

59
16 March 1727 @ King's Theatre

Performances

Mainpiece Title: il Proteo Novello: Viz, The New Proteus

Entertainment: The Comical Scene of the Stuttering Master of Musick-Brighella

Dance: End I: +Hornpipe-Cornet, Mrs Anderson; II: Peasant's Dance-Welman, Mrs Anderson; III: The Character of Signora Cattina Venetiana-; IV: Niais and Niaise-; Foolish Man and Woman-; V: Twelve Grotesque Character, viz. Punchanello, Dame Ragonde, Pierrots, Harlequins, Scaramouches, Peasants, Mad Men and Women-

60
25 April 1727 @ King's Theatre

Performances

Mainpiece Title: La Parodia Del Pastor Fido

Dance: Shepherds, Nymphs, Peasants: Myrtillo-Pantalon; Ergastus-Harlequin; Satyr-Brighella; Silvio-Mrs Casanova; Corisea-Mrs Constantine; Amarillis [Daily Courant, Daily Post] or Asparillis [Daily Journal]-Argentina; Dorinda-Miss Rutti

61
26 April 1727 @ King's Theatre

Performances

Mainpiece Title: La Parodia Del Pastor Fido

Dance: As17270425

62
27 April 1727 @ King's Theatre

Performances

Mainpiece Title: La Parodia Del Pastor Fido

Dance: As17270425

63
10 May 1727 @ King's Theatre

Performances

Mainpiece Title: La Parodia Del Pastor Fido

Dance: As17270425

64
26 March 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: Overture in Scipio-; Solitudini Amate, Le mor che per te Sento-Mrs Robinson; Ti con solo-Clarke; Mi Volgo, Si Caro-Mrs Robinson; When Myra Sings-Clarke, Mrs Robinson; Second Entertainment: Overture in Tamerlane-; Padre Amanta, Alla Fama-Mrs Robinson; Solo on German Flute-Wiedeman; La Tigrearde Disdegno-; Un Lampoe-; Cease to Beauty-Clarke; Vedeste Mai Sulprato, Seacciata del suo nido-Mrs Robinson; A Teneri Assetti Duetto-Mrs Robinson; Third Entertainment: Solo-Jones; Ah! Pardre Quel Golsomino-Mrs Robinson; No non Temer-Clarke; Baccia per me la Mana Sgomtra dell Anima-Mrs Robinson; Al Trionfo@Duetto-Clarke, Mrs Robinson

65
06 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Music: Second Musick: First Concerto of Corelli. Third Musick: A Trumpet Overture. I: Concerto for French Horns, the French Horns by Charle and Giay, lately arriv'd from Paris. III: Solo for French Horn by Charle

Dance: Les Bergeries by Essex, Miss Robinson (the first Characters); F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Lempio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Rise Glory Rise, by Miss Arne, accompanied by French Horns

66
19 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

67
04 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Flora

Music: As17331201 for Second and Third Musick. III: The Cuckoo, composed by Vivaldi

Dance: I: La Follette s'cest ravisee by Nivelon and Miss Mann. V: Grand Dance in Momus, as17331231

Song: II: L'empio Rigor del Fato by Miss Arne. IV: Per le parte del Tormento by Miss Arne and Master Arne

68
05 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Devil to Pay

Music: As17331220

Dance: Grand Dance in Momus, as17331231

Song: II: Per le parte del Tormento by Miss Arne and Master Arne. IV: Consolati O Bella sung by Miss Arne, Master Arne, and Miss Jones

69
02 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Dance: The Polonese, as17340401 Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Les Plaisirs-Essex, Miss Robinson; Nymphs-Miss Latour, Mrs D'Lorme, Mrs Davenport

Song: Per le Porte del Tormento by Miss Arne and Master Arne

70
21 August 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones

71
22 August 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Cobler's Opera

Dance: Saraband and Minuet by Miss Brett. End Afterpiece: Harlequin by Miss Brett

Song: In I: Lempio Rigor del Fato by Miss Jones

72
01 January 1737 @ King's Theatre

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore; or, The Gamester

73
04 January 1737 @ King's Theatre

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore

74
15 January 1737 @ King's Theatre

Performances

Mainpiece Title: Merope

Afterpiece Title: Il Giocatore

75
18 January 1737 @ King's Theatre

Performances

Mainpiece Title: Merope

Afterpiece Title: Il Giocatore

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