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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Gli Schivai per Amore"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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177 results for: Title - Gli Schivai per Amore

51
23 November 1726 @ King's Theatre

Performances

Mainpiece Title: Argentina Strega Per Amore; Or, Harlequin Multiplied By Argentina's Witchcraft For Love: With Their Wonderful Flights And Apparations, And The Magick Transformation Of Silvio, Cincio, And Brighella

Dance: In divers Characters-Poitier, others

52
29 May 1714 @ Queen's Theatre

Performances

Mainpiece Title: Arminius

Music: The following songs will be sung in the room of others: Vieni o morte a Consolatmi-Mrs Robinson; Amor pui non Voglieo-Signora Galerati; Ti stringo o mio diletto-Valentini; Amore inflama or To Beauty Devoted-Signora Margarita; Ho un non so che nelcor-Mrs Barbier

53
23 June 1714 @ Queen's Theatre

Performances

Mainpiece Title: Ernelinda

Music: In which the following songs will be sung in the room of others: Rio che tumido ingrossa londa-Mrs Robinson; Lusinghe Vezzose-Signora Galerati; Amore inflame ; or, To Beauty Devoted-Signora Margarita; Ho un non so che nelcor-Mrs Barbier; Una speranza mi dice albore-Mrs Manina

54
01 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

55
04 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

56
08 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

57
11 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

58
20 May 1721 @ King's Theatre

Performances

Mainpiece Title: Cyrus; Or, Odio Ed Amore

59
01 November 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

60
17 November 1722 @ King's Theatre

Performances

Mainpiece Title: Cyrus; Or, Odio Ed Amore

61
19 November 1726 @ King's Theatre

Performances

Mainpiece Title: Le Furbarie Per Vendetta; Or, Brighella's Revenge Thwarted By Argentina: With Divers Transformations Of Harlequin, Viz

Dance: Turkish Men and Women, being the Invention of Mr Poitier

62
07 December 1726 @ King's Theatre

Performances

Mainpiece Title: Le Furbarie Per Vendetta; Or, Bridghella's Revenge Contrariated By Argentina: With Harlequin's Transformation, Viz

63
17 December 1726 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata Da Enea; Or, Dido Forsaken By Aeneas: With The Bloody Battle Between The Trojans And Moors, And The Destruction Of Carthage

Afterpiece Title: La Jenerosita per Forza di Pantalone Economo in Campagna: viz, The Forced Generosity of Pantalone in his Oeconomy at his Country Seat

Dance: Serious and Grotesque Characters-Poitier, Mrs Anderson, Wellman, Mrs Constantin, Gaetani, Mrs Argentina, Chevrier, Mrs Gaetani

64
28 December 1726 @ King's Theatre

Performances

Mainpiece Title: Il Padrone Servo, Ed Il Servo Padrone Pes Impegno D'honore: Viz, The Master Man And The Man Master In Point Of Honour; Or, Harlequin Gentleman Per Force: With His Uncommon Duel

Dance: Mrs Anderson, others

65
23 March 1727 @ King's Theatre

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

66
26 March 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: Overture in Scipio-; Solitudini Amate, Le mor che per te Sento-Mrs Robinson; Ti con solo-Clarke; Mi Volgo, Si Caro-Mrs Robinson; When Myra Sings-Clarke, Mrs Robinson; Second Entertainment: Overture in Tamerlane-; Padre Amanta, Alla Fama-Mrs Robinson; Solo on German Flute-Wiedeman; La Tigrearde Disdegno-; Un Lampoe-; Cease to Beauty-Clarke; Vedeste Mai Sulprato, Seacciata del suo nido-Mrs Robinson; A Teneri Assetti Duetto-Mrs Robinson; Third Entertainment: Solo-Jones; Ah! Pardre Quel Golsomino-Mrs Robinson; No non Temer-Clarke; Baccia per me la Mana Sgomtra dell Anima-Mrs Robinson; Al Trionfo@Duetto-Clarke, Mrs Robinson

67
05 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Devil to Pay

Music: As17331220

Dance: Grand Dance in Momus, as17331231

Song: II: Per le parte del Tormento by Miss Arne and Master Arne. IV: Consolati O Bella sung by Miss Arne, Master Arne, and Miss Jones

68
02 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Dance: The Polonese, as17340401 Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Les Plaisirs-Essex, Miss Robinson; Nymphs-Miss Latour, Mrs D'Lorme, Mrs Davenport

Song: Per le Porte del Tormento by Miss Arne and Master Arne

69
19 December 1740 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

70
26 December 1740 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

71
02 January 1741 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

72
09 January 1741 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

73
12 April 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Song: I: (By Desire) Per Pieta in L'Incostanza Delusa-Mrs Arne; III: Nature Fram'd thee sure for loving, in the Judgment of Paris-Mrs Arne; IV: (Being particularly desir'd by several Ladies of Quality) Rasserena il Mesto Ciglia in the Opera Artemene-Mrs Arne

74
31 December 1753 @ Covent Garden

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217

75
02 January 1754 @ Covent Garden

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217