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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Gli Schiavi Per Amore"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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177 results for: Title - Gli Schiavi Per Amore

51
23 November 1726 @ King's Theatre

Performances

Mainpiece Title: Argentina Strega Per Amore Or Harlequin Multiplied By Argentinas Witchcraft For Love With Their Wonderful Flights And Apparations And The Magick Transformation Of Silvio Cincio And Brighella

Dance: In divers Characters-Poitier, others

52
29 May 1714 @ Queen's Theatre

Performances

Mainpiece Title: Arminius

Music: The following songs will be sung in the room of others: Vieni o morte a Consolatmi-Mrs Robinson; Amor pui non Voglieo-Signora Galerati; Ti stringo o mio diletto-Valentini; Amore inflama or To Beauty Devoted-Signora Margarita; Ho un non so che nelcor-Mrs Barbier

53
23 June 1714 @ Queen's Theatre

Performances

Mainpiece Title: Ernelinda

Music: In which the following songs will be sung in the room of others: Rio che tumido ingrossa londa-Mrs Robinson; Lusinghe Vezzose-Signora Galerati; Amore inflame ; or, To Beauty Devoted-Signora Margarita; Ho un non so che nelcor-Mrs Barbier; Una speranza mi dice albore-Mrs Manina

54
01 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

55
04 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

56
08 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

57
11 February 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

58
20 May 1721 @ King's Theatre

Performances

Mainpiece Title: Cyrus Or Odio Ed Amore

59
01 November 1721 @ King's Theatre

Performances

Mainpiece Title: Arsaces Or Amore E Maesta

60
17 November 1722 @ King's Theatre

Performances

Mainpiece Title: Cyrus Or Odio Ed Amore

61
19 November 1726 @ King's Theatre

Performances

Mainpiece Title: Le Furbarie Per Vendetta Or Brighellas Revenge Thwarted By Argentina With Divers Transformations Of Harlequin Viz

Dance: Turkish Men and Women, being the Invention of Mr Poitier

62
07 December 1726 @ King's Theatre

Performances

Mainpiece Title: Le Furbarie Per Vendetta Or Bridghellas Revenge Contrariated By Argentina With Harlequins Transformation Viz

63
17 December 1726 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata Da Enea Or Dido Forsaken By Aeneas With The Bloody Battle Between The Trojans And Moors And The Destruction Of Carthage

Afterpiece Title: La Jenerosita per Forza di Pantalone Economo in Campagna viz The Forced Generosity of Pantalone in his Oeconomy at his Country Seat

Dance: Serious and Grotesque Characters-Poitier, Mrs Anderson, Wellman, Mrs Constantin, Gaetani, Mrs Argentina, Chevrier, Mrs Gaetani

64
28 December 1726 @ King's Theatre

Performances

Mainpiece Title: Il Padrone Servo Ed Il Servo Padrone Pes Impegno Dhonore Viz The Master Man And The Man Master In Point Of Honour Or Harlequin Gentleman Per Force With His Uncommon Duel

Dance: Mrs Anderson, others

65
23 March 1727 @ King's Theatre

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

66
26 March 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: Overture in Scipio-; Solitudini Amate, Le mor che per te Sento-Mrs Robinson; Ti con solo-Clarke; Mi Volgo, Si Caro-Mrs Robinson; When Myra Sings-Clarke, Mrs Robinson; Second Entertainment: Overture in Tamerlane-; Padre Amanta, Alla Fama-Mrs Robinson; Solo on German Flute-Wiedeman; La Tigrearde Disdegno-; Un Lampoe-; Cease to Beauty-Clarke; Vedeste Mai Sulprato, Seacciata del suo nido-Mrs Robinson; A Teneri Assetti Duetto-Mrs Robinson; Third Entertainment: Solo-Jones; Ah! Pardre Quel Golsomino-Mrs Robinson; No non Temer-Clarke; Baccia per me la Mana Sgomtra dell Anima-Mrs Robinson; Al Trionfo@Duetto-Clarke, Mrs Robinson

67
05 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Devil to Pay

Music: As17331220

Dance: Grand Dance in Momus, as17331231

Song: II: Per le parte del Tormento by Miss Arne and Master Arne. IV: Consolati O Bella sung by Miss Arne, Master Arne, and Miss Jones

68
02 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love Or The World Well Lost

Dance: The Polonese, as17340401 Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Les Plaisirs-Essex, Miss Robinson; Nymphs-Miss Latour, Mrs D'Lorme, Mrs Davenport

Song: Per le Porte del Tormento by Miss Arne and Master Arne

69
19 December 1740 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

70
26 December 1740 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

71
02 January 1741 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

72
09 January 1741 @ Hickford's Room

Performances

Mainpiece Title: Il Trionfo Di Amore

73
12 April 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Song: I: (By Desire) Per Pieta in L'Incostanza Delusa-Mrs Arne; III: Nature Fram'd thee sure for loving, in the Judgment of Paris-Mrs Arne; IV: (Being particularly desir'd by several Ladies of Quality) Rasserena il Mesto Ciglia in the Opera Artemene-Mrs Arne

74
31 December 1753 @ Covent Garden

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217

75
02 January 1754 @ Covent Garden

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217