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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Covent Garden Theatre"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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92 results for: Title - Covent Garden Theatre

51
03 February 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Busy Body

Dance: I: Le Boufon-Fausan, Signora Fausan; II: La Tambourine-Mlle Chateauneuf; IV: Grand Serious Ballet-Maltere, Mlle Maltere; V: Les Jardiniers Suedois, as17401229

Ballet: III: The Enchanted Garden. As17410108

52
20 April 1741 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Barber

Dance: I: Concerto-Mlle Mechel; II: Minuet, French Rigadoon-Mechel the Father, who never appeared in any theatre in England, Mlle Mechel the Daughter; Minuet-Mechel the Son, Miss Polly Woffington, the first time of her appearing on the stage; IV: The Metamorphoses of the Windmills-Mechel, Mlle Mechel, Miss Woffington, Master Ferg, a little French Boy; lately come from France. End Afterpiece: A Wooden Shoe dance called Les Sabotiers de Piemont-Mechel Sr, Mechel Jr., Mlle Mechel, little French Boy

53
08 March 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Virgin Unmasked

Song: I: Sweet Bird, from Milton,-Mrs Arne; III: The celebrated Irish Ballad Elin a Roon-Mrs Clive in Irish, as she perform'd it at the Theatre Royal in Dublin; IV: Singing in Italian and English-Miss Edwards

Dance: II: The Italian Peasants, as17411205; IV: A Ballet-Desse, Baudouin, Leviez

54
29 April 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Contrivances

Song: Between the acts: Mrs Storer from the Theatre Royal in Dublin

Dance: Salomon, Sga Padouana, Salomon's Son

55
23 August 1749 @ Bartholomew Fair

Performances

Mainpiece Title: The Descent Of The Heathen Gods, With The loves Of Jupiter And Alcmena; Or, Cuckoldom No Scandal

Dance: TThe Drowsy Cobler-M L'Armand, Mad L'Armand lately arriv'd from Paris; Tit for Tat or the Kiss Return'd-Mr Shawford, Mrs Shawford, M L'Armand, Mme L'Armand; An extraordinary Band of Musick [provided from the Opera and both the Theatres [six instruments named]

56
19 September 1754 @ Southwark Fair

Performances

Mainpiece Title: Harlequin Conjuror; Or, Pantaloon Disected

Afterpiece Title: The Grand Assembly of Lilliputians

Entertainment: IItalian Fireworks-Benjamin Clitherow who has permission from his Majesty's Officer of Ordinance and was the real Engineer to Cuper's and Marybone Gardens

57
31 January 1756 @ Lecture Room, Robin Hood Tavern, near the Temple Bar

Performances

Mainpiece Title: A Dissertation On Various Theatrical Subjects On Theatres

58
07 September 1759 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Strattaggemma

Dance: PPantomime Dance-Master Callois, Miss Burn will dance every night during the continuance of the Gardens

59
12 June 1761 @ Ranelagh Gardens

Performances

Mainpiece Title: The Judgment Of Paris

Song: Several favourite songs consisting of four intervals

Entertainment: Upon the Octagan Square in said Gardens will be displayed the following curious invention in Fireworks, viz. A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public

60
23 June 1761 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: The Upholsterer

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)

61
30 September 1762 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Old Maid

Song: Miss Polly Young (from theatre Royal Dublin) her 1st appearance on the English Stage

62
18 March 1765 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Thomasand Sally

Entertainment: After: Lecture upon Heads-Shuter (as originally given at the Theatre in the Hay-Market by G. A. Stevens)

63
21 April 1766 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Upholsterer

Dance: II: The Drunken Peasant-Miles (Peasant), Bennet (Clown); IV: A Comic Dance-Master King, Miss Pitt; End: The Village Romps, as17651019; Between acts of Farce: A Double Hornpipe (for this Night Only)-Walker (From Drury Lane Theatre), Miss Pitt, his scholar

Entertainment: End: The Cries of London-Shuter

64
07 September 1767 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mayor of Garratt

Dance: SSerious Dance-; The Gallant Peasant, as17670904

Entertainment: By Desire, Occasional Prologue on opening the Theatre-Mr Foote; in which will be introduced Through the Wood Laddie-the real Blackamoor Lady (Neville)

65
11 May 1772 @ Covent Garden

Performances

Mainpiece Title: Cato

Afterpiece Title: The Cheats of Scapin

Entertainment: End: Interlude taken from Foote's Comedy of Taste: Lady Pentweazle-The Young Gentleman (who performed it last year at Drury Lane Theatre)

Ballet: II: The Wapping Landlady. As17720424[Sixfold Hornpipe, as17720424

66
22 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Register Office

Dance: End II: a New Pastoral Ballet, composed by Helme, The Garden of Love-Helme, Sga Crespi, Miss Armstrong, Sga Ricci; End: Chaconne-Sga Crespi

Song: original Music by Matthew Locke-Bannister, Legg, Kear, Fawcett, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith, Gaudry

67
11 November 1777 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Dance: End: new dance, The Garden of Love-Dagueville, Master Holland, Master Dagueville, Miss Simonet, Sga Tinte

68
28 January 1778 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Two Misers

Dance: End III: The Garden of Love-Dagueville, Sga Tinte; End IV: a new Dance, The Cricketters-Aldridge, Langrish, Master Jackson, Miss Besford, Miss Nichols, Miss Valois

69
27 May 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Mayor of Garratt

Dance: End: Hornpipe-Lady from the Theatre Royal, Drury Lane [unidentified]

70
22 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

71
24 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Kensington Gardens

Afterpiece Title: Ripe Fruit

Afterpiece Title: Tom Thumb

Song: In 2nd piece: As17810822; End of 3rd piece: Moderation and Alteration, as17810817

72
31 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: Kensington Gardens

Afterpiece Title: The Chapter of Accidents

Afterpiece Title: The Hodge Podge

Song: In 1st piece: As17810822; End III 2nd piece: Admiral Benbow, as17810817; In 3rd piece: an Italian Laughing Song-Delpini; Moderation and Alteration, as17810817

73
29 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128, to conclude with The Emperor's Cossac (composed for the Masqued Ball [held at this theatre, 24 Jan.] by Noverre) by Nivelon and Mlle Theodore; End of Act II Divertisement Dance, as17811117; End of Act III Les Petits Riens, as17811211

74
02 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

75
28 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: GRETNA GREEN

Music: Books of the Songs to be had at the Theatre

Song: As17830613