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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The French Cuckolds"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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700 results for: Title - The French Cuckolds

676
26 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Death Of Abel; Judith

Music: I: Concerto on French Horn-Spandau; II: Violin Concerto-Barthelemon

677
29 July 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Il Dilletante

Music: Musical imitations of the French, Italian, and German Style of singing will be introduc'd-Reinhold

678
28 February 1776 @ Covent Garden

Performances

Mainpiece Title: Omnipotence; Judas Maccabaeus

Music: End Part First: A New Concerto on 3 Chromatic French Horns-(being their first performance); After Part Second: a Concerto on the Violin-Lamotte

679
01 March 1776 @ Covent Garden

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: First Violin, as17760223; End Part I: Concerto on 3 Chromatic French Horns, as17760223; End Part II: Violin Concerto-Lamotte

680
08 March 1776 @ Covent Garden

Performances

Mainpiece Title: Samson; Judas Maccabaeus

Music: End I: Concerto on 3 Chromatic French Horns, as17760228; End II: Concerto on Violin-Lamotte

681
27 April 1778 @ Covent Garden

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

682
10 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The London Cuckolds

Dance: As17820409

683
12 April 1782 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The London Cuckolds

Dance: As17820409

Song: End of Act II of mainpiece Auld Robin Grey, as17820409

684
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

685
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

686
27 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

687
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

688
18 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

689
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

690
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

691
20 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

692
07 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Prodigal Son; Redemption 0

Music: End II: concerto on French Horn-Ponto

693
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

694
27 May 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

695
02 October 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

696
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

697
16 June 1795 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Afterpiece Title: Semiramide (Act II only)

Dance: End 1st piece: L'Amant Retrouve, as17950124; End 2nd piece: L'Odio vinto dall' Eroismo, as17950613

Music: End I 2nd piece: Preserving the favourite trio-; and with an additional new song here for the occasion by Bianchi-Mme Banti; accompanied by the English horn-Ferlendis; violoncello-Lindley; French Horns-the Leanders; bassoon obligato-Holmes

698
09 May 1798 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

699
29 April 1737 @ Castle Tavern

Performances

Mainpiece Title: Concert

Music: The best Hands from the Opera House; With several Pieces on French@Horns by the best Masters-; A Solo on the German@Flute-Richardson; And a Voluntary on the Harp-a Gentleman

700
12 March 1741 @ Goodman's Fields

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Contrivances

Entertainment: AA Song in Honour of Modern Masonry (in the Character of Robin Hood)-Mrs Jones; The Punch's Song-Hemskirk, Miss Jones; Scots Dance-Mrs Bullock

Music: The whole to conclude with the celebrated Water@Musick by Handel-; accompanied with Kettle@Drums-; Trumpets-; French@Horns-; the Preamble-Nelson