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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Compromise or Faults on both Sides"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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125 results for: Title - The Compromise: or, Faults on both Sides

26
18 December 1724 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Dance: Three different Characters-Miss Robinson (who never appear'd upon any Stage before), young Rainton, both Scholars of Mr Fairbank

27
02 December 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Music: In which will be reviv'd, The Musick, both Vocal and Instrumnetal, incident to the Play-Leveridge, Legar, Salway, Mrs Chambers, others

Dance: Usual Dances-DuPre, Salle, Nivelon, Lally, Pelling, Newhouse, Lanyon, DuPre Jr

28
09 May 1726 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Abra Mule

Dance: I: Chacone-Mrs Anderson; III: Pastoral Dance-Burny, Mrs Anderson; V: Venetian Dance-Burny, Mrs Anderson, both Scholars to Essex

Song: II: Salway; IV: Salway

29
03 April 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Afterpiece Title: Harlequin's Triumph

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

30
30 October 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

Dance: Dancing Proper to the Play-

Ballet: TThe Cobler's Jealous Wife. Cobler-Boval; His Wife-Roger; Countrymen-Essex, Haughton; Countrywomen-Mrs Brett, Mrs Mills

31
05 May 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Doctor Faustus

Dance: Between the Acts: Variety of new Dances both Serious and Comic-

32
21 November 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Dance: Both Serious and comic Dancing-

33
02 December 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

34
21 September 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Music: With the Musick, both Incident to the Play: Vocal and Instrumental Music-; Vocal Parts-Leveridge, Legar, Salway, Papillon, Thompson, Mrs Seedo, Mrs Egleton, Mrs Cantrel

Dance: Salle, Dupre, Pelling, Newhouse, Lanyon, Dupre Jr

35
16 January 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Phebe

Music: Solo on a Violin, a Point of War on a Side Drum-Ravenscroft

36
12 April 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The School Boy

Dance: II: Highlander and Mistress-Salle, Mrs Laguerre; III: Pastoral-Master Weeks, Miss Rogers, both Scholars to Salle; IV: A new Tambourine-Miss Rogers; V: The Baulk-Salle, Mrs Laguerre; End of Farce: Grand Dance of Momus-; Sailors-Salle, on account of Nivelon's Indisposition

37
11 May 1732 @ Goodman's Fields

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Stage Coach Opera

Music: II: Preamble on the Kettle Drums-Joab Bakeron the Stage; Mr Handel's Water Musick-; V: Tollet's Grounds-Mr Baker on a Side Drum, accompanied with a Violin, the like having never been attempted by any Person before

Dance: III: Tambourine-Miss Wherrit

38
16 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic-Medley-Overture composed by Lampe

Dance: Comic Dance by Master Oates and Miss Oates, both Scholars to Davenport. Scots Dance by Mr and Mrs Davenport. Pierrots by Topham and Davenport

39
08 August 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Honest Yorkshireman

Entertainment: A Mezzo Drama; or, Summer Evening's Variety, Consisting of several Entertainments of Vocal and Instrumental Musick and Dancing, both Serious and Comic

40
18 February 1737 @ Castle Tavern

Performances

Mainpiece Title: Concert

Music: great Concert of Musick-the best Hands from both Operas

41
03 March 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands from both Operas

42
11 March 1737 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

43
19 March 1737 @ Covent Garden

Performances

Mainpiece Title: Volpone

Afterpiece Title: Flora

Dance: In I: Two Pierrots-Nivelon, Lalauze; I: Serious Dance, concluding with a Minuet-two Misses Scott; II: Comic Dance-Nivelon, Mrs LeBrun; IV: Comic Dance-called Punch in Love with Dame Ragonde Accompanied by her Children-Nivelon, Lalauze, both in Wooden Shoes

Song: III: A New Song-Beard

44
10 April 1738 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Cheats of Scapin

Dance: FFrench Sailors-Lalauze, Mlle Roland; Two Pierrots-Lalauze, Nivelon; Punch in Love with Dame Ragonde: Punch-Lalauze; Dame Ragonde-Nivelon; both in Wooden Shoes. Peasant-Nivelon, Mrs LeBrun; Scots Dance-Glover, Mlle Roland

45
27 May 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The King and the Miller of Mansfield

Song: I: Blow Blow-Lowe; II: If Love be a Fault-Lowe; IV: Was Ever Nymph Like Rosamond-Lowe; End Afterpiece: The Noon@Tide Air-Mrs Clive

Dance: III: Le Matelote-Maltere, Mlle Maltere

46
04 June 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Virgin Unmask'd

Song: I: If Love be a Fault-Lowe; IV: Blow Blow thou Winter Wind-Lowe

47
23 August 1749 @ Bartholomew Fair

Performances

Mainpiece Title: The Descent Of The Heathen Gods, With The loves Of Jupiter And Alcmena; Or, Cuckoldom No Scandal

Dance: TThe Drowsy Cobler-M L'Armand, Mad L'Armand lately arriv'd from Paris; Tit for Tat or the Kiss Return'd-Mr Shawford, Mrs Shawford, M L'Armand, Mme L'Armand; An extraordinary Band of Musick [provided from the Opera and both the Theatres [six instruments named]

48
18 April 1750 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Dance: III: (By desire) the Two Pierots, as17500108, but-LaLauze, Dennison his apprentice, being his 1st appearance on the stage; IV: Grand Scots Dance-Cooke, Miss Hillyard; End of Play: Louvre, Minuet-Master Settree, a Young Lady who never appeared before, both scholars of Mr Lalauze

49
11 April 1758 @ Covent Garden

Performances

Mainpiece Title: King Henry Iv

Afterpiece Title: The Devil to Pay

Dance: I: Spanish Dance-Poitier Jr, Sga Banti; II: New Peasant Dance-Master Banti, Miss Wilford, her 1st on the stage, both scholars to Poitier Sr; III: A Dutch Dance-Poitier Jr, Sga Banti; IV: A Wooden Shoe Dance-Poitier Jr, Mlle Capdeville; V: A Minuet-Poitier, Sga Banti

50
01 May 1773 @ King's Theatre

Performances

Mainpiece Title: Il Cid

Dance: I: La Fete du Village, as17730427 II: Pastoral Dance-Asselin, Mlle Grenier; End Opera: A New Grand Ballet both pastoral and serious-; Les Sauvages-Mlle Heinel, Fierville; Conclude: with a New Grand Chacone-other principal dancers