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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Politicks on Both Sides"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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84 results for: Title - Politicks on Both Sides

26
24 February 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The City Politicks

Afterpiece Title: The Stage Coach

Afterpiece Title: The Jealous Doctor

Dance: As17180121

27
06 September 1718 @ Southwark Fair

Performances

Mainpiece Title: Jepthah's Rash Vow; Or, The Virgin Sacrifice

Entertainment: And to give a general Satisfaction to the Town, Mr Penkethman has hir'd Dance after the New French Mode-the Dancing-Dogs lately arriv'd from France, which have been receiv'd both at Hampton-Court and at Richmond, as well as at most Courts of Europe, with wonderful Applause, to perform on his Stage; their Dresses as well as their Dances being entirely after the New French Mode, and only, at the common Prices of the Droll

28
19 March 1719 @ King's Theatre

Performances

Mainpiece Title: L'enfant Prodigue; Or, The Prodigal Son

Entertainment: Singing-; Dancing-; Tumbling-; Scene of the Monkey-; Italian Postures-; the Challenge by Mr Octave Leaping thro' a Cask stopp'd at both Ends-Mr Antonie

29
04 June 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: All the Witches Musick , both Vocal and Instrumental, by the late Mr Barret-

30
02 September 1723 @ Richmond

Performances

Mainpiece Title: Pyramus And Thisbe

Afterpiece Title: The Blind Beggar of Bednal Green; or, The Woman Never Vex'd

Music: Concerto on small Flute-John Baston

Dance: Several surprizing Entertainments of Rope Dancing-a Young Lad lately come from France, who flourishes the Colours, plays on the Violin, and turns several Times on the Rope without a Pole; Ladder Dancing-the greatest Performer in the World, who stands on the Top Round of the Ladder, drinks a Glass of Wine, with his other Hand above his Head in the Middle of the Stage; Dancing , both Serious and Comic,-Monsieur De Long Dents, Monsieur De Long Dents'@two@children , just arrived from Paris; To which will be added, Variety of Tumbling-Mons Tollard, others, just arrived from Madrid

31
29 October 1724 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches' Musick-, both Vocal and Instrumental, composed by the late Mr Barret

32
18 December 1724 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Dance: Three different Characters-Miss Robinson (who never appear'd upon any Stage before), young Rainton, both Scholars of Mr Fairbank

33
02 December 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Music: In which will be reviv'd, The Musick, both Vocal and Instrumnetal, incident to the Play-Leveridge, Legar, Salway, Mrs Chambers, others

Dance: Usual Dances-DuPre, Salle, Nivelon, Lally, Pelling, Newhouse, Lanyon, DuPre Jr

34
09 May 1726 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Abra Mule

Dance: I: Chacone-Mrs Anderson; III: Pastoral Dance-Burny, Mrs Anderson; V: Venetian Dance-Burny, Mrs Anderson, both Scholars to Essex

Song: II: Salway; IV: Salway

35
03 April 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Afterpiece Title: Harlequin's Triumph

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

36
30 October 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

Dance: Dancing Proper to the Play-

Ballet: TThe Cobler's Jealous Wife. Cobler-Boval; His Wife-Roger; Countrymen-Essex, Haughton; Countrywomen-Mrs Brett, Mrs Mills

37
05 May 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Doctor Faustus

Dance: Between the Acts: Variety of new Dances both Serious and Comic-

38
21 November 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Dance: Both Serious and comic Dancing-

39
02 December 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

40
21 September 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Music: With the Musick, both Incident to the Play: Vocal and Instrumental Music-; Vocal Parts-Leveridge, Legar, Salway, Papillon, Thompson, Mrs Seedo, Mrs Egleton, Mrs Cantrel

Dance: Salle, Dupre, Pelling, Newhouse, Lanyon, Dupre Jr

41
16 January 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Phebe

Music: Solo on a Violin, a Point of War on a Side Drum-Ravenscroft

42
12 April 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The School Boy

Dance: II: Highlander and Mistress-Salle, Mrs Laguerre; III: Pastoral-Master Weeks, Miss Rogers, both Scholars to Salle; IV: A new Tambourine-Miss Rogers; V: The Baulk-Salle, Mrs Laguerre; End of Farce: Grand Dance of Momus-; Sailors-Salle, on account of Nivelon's Indisposition

43
11 May 1732 @ Goodman's Fields

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Stage Coach Opera

Music: II: Preamble on the Kettle Drums-Joab Bakeron the Stage; Mr Handel's Water Musick-; V: Tollet's Grounds-Mr Baker on a Side Drum, accompanied with a Violin, the like having never been attempted by any Person before

Dance: III: Tambourine-Miss Wherrit

44
16 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic-Medley-Overture composed by Lampe

Dance: Comic Dance by Master Oates and Miss Oates, both Scholars to Davenport. Scots Dance by Mr and Mrs Davenport. Pierrots by Topham and Davenport

45
08 August 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Honest Yorkshireman

Entertainment: A Mezzo Drama; or, Summer Evening's Variety, Consisting of several Entertainments of Vocal and Instrumental Musick and Dancing, both Serious and Comic

46
18 February 1737 @ Castle Tavern

Performances

Mainpiece Title: Concert

Music: great Concert of Musick-the best Hands from both Operas

47
03 March 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands from both Operas

48
11 March 1737 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

49
19 March 1737 @ Covent Garden

Performances

Mainpiece Title: Volpone

Afterpiece Title: Flora

Dance: In I: Two Pierrots-Nivelon, Lalauze; I: Serious Dance, concluding with a Minuet-two Misses Scott; II: Comic Dance-Nivelon, Mrs LeBrun; IV: Comic Dance-called Punch in Love with Dame Ragonde Accompanied by her Children-Nivelon, Lalauze, both in Wooden Shoes

Song: III: A New Song-Beard

50
10 April 1738 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Cheats of Scapin

Dance: FFrench Sailors-Lalauze, Mlle Roland; Two Pierrots-Lalauze, Nivelon; Punch in Love with Dame Ragonde: Punch-Lalauze; Dame Ragonde-Nivelon; both in Wooden Shoes. Peasant-Nivelon, Mrs LeBrun; Scots Dance-Glover, Mlle Roland