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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Le Portrait"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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819 results for: Title - Le Portrait

26
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

27
01 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840226, but omitted: Slingsby, Mme Rossi; End of Opera Le Deserteur, as17840520

28
10 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

29
19 June 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Cocq du Village, as17840601 End of Opera Le Deserteur, as17840608

30
29 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Le Deserteur, as17840626

31
03 July 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511, but with the favourite Pas de Deux from Le Reveil du Bonheur by Vestris [Jun.] and Mme Theodore; End of Opera Le Deserteur, as17840626

32
06 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

33
08 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: The Waterman

Song: End II 1st piece: The Race Horse (composed by Dibdin)-Dignum

34
02 July 1789 @ Covent Garden

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

35
10 March 1792 @ Haymarket Theatre

Performances

Mainpiece Title: La Locanda

Dance: End I: La Fete Villageoise-[see17920214]; End Opera: a new Pantomime Ballet, in I act, Le Volage Fixe (composed by D'Auberval [the music by Mazzinghi])-Mlle Hilligsberg, Mme D'Auberval, DeLaChapelle, D'Egville, Les Demoiselles Leonore et Rosine Simonet, Mlle Menage, Laborie; [end Pas de Cinque, entirely new, Le Menuet du Volage-

36
25 May 1797 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Rendez@vous, as17970511; End Opera: an entire new ballet in 2 acts, composed by Barre, Le Triomphe de Cupido,; ou, Les Nymphes Vaincues par l'Amour-Mme Hilligsberg, Mme Rose, Didelot, Gentili, Mlle Parisot

37
12 February 1799 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Le Deserteur-[Louisa-$Mme Laborie (Morning Chronicle, 13 Feb.)]

38
08 May 1777 @ King's Theatre

Performances

Mainpiece Title: Il Geloso In Cimento

Dance: End I: new Comic Dance, Le Culte d'Amour(composed by Vallouy)-Vallouy, Mlle DeCamp, Vallouy@le@cadet; End II: Serious Ballet-Simonet, Mlle Baccelli; , in which the Minuet de la Cour-Mons and Mme Vallouy; End Opera: Les Amans Heureux, as17770104

39
04 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: WithNew Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

40
15 November 1777 @ King's Theatre

Performances

Mainpiece Title: Creso

Dance: End I: Le Devin du Village, as17771104; End II: New Ballet, as17771104; End Opera: a Ballet Demi-caractere, La Clochette-Mons and Mme Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet

41
09 December 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: End I: Le Devin du Village, as17771104; End II: La Clochette, as17771115; End Opera: a grand Serious Ballet-Mons Simonet, Mme Simonet, Mlle Baccelli, Zuchelli, Vallouy@le@cadet

42
24 February 1778 @ King's Theatre

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Le Devin du Village, as17771104; End II: Divertisement, as17780207; End Opera: a new Grand Ballet Espagnol, La Serenade Interrompuee-Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; in which a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guitarre-Noferi

43
03 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: a Masquerade Dance incident to the opera, in which the-; Minuet de la Cour and Gavot-Simonet, Mlle Baccelli; Provencal-Vallouy@le@cadet; Allemande a la Strasbourgoise-Mons and Mlle Banti; End II: Le Devin du Village, as17771104; End Opera: La Serenade Interrompuee, as17780224

44
17 December 1776 @ King's Theatre

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amusemens Champetres-Mme Simonet, Zuchelli, Vallouy@le@cadet; End I: Les Amans Heureux-Vallouy, Mme Simonet, Zuchelli, Vallouy@le@cadet; End Opera: Grand Serious Ballet, as17761130, but Sga _Zuchelli, Vallouy@le@cadet; Passacaile, as17761130;Chaconne, as17761130

Music: As17761214

45
February 1674 @ Whitehall or St. James's

Performances

Mainpiece Title: Ballet Et Musique Pour Le Divertissement Du Roy De La Grande Bretagne

46
04 June 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Love's Contrivance; Or, Le Medecin Malgre Luy

47
07 July 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Rivals; Or, The School Boy

Afterpiece Title: The Old Batchelor (Act IV only)

Afterpiece Title: The Angry Doctor and the Doubting Philosopher (last Act of Le Medicin Malgre Luy)

Song:

Dance:

48
20 October 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Love's Contrivance; Or, Le Medicin Malgre Luy

Song:

Dance:

49
21 January 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Aesop

Afterpiece Title: Le Medicin Malgre Luy (last act only)

Song:

Dance:

50
28 March 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The School Boy; Or, The Comical Rivals

Afterpiece Title: Le Medecin Malgre Luy (last act)

Music: The Prologue to The Indian Queen-; the Sacrifice in King Arthur-; the Masque in Timon of Athens, all by Henry Purcell-

Dance: As17040226