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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "La Scola Dei Maritati act I Only"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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3163 results for: Title - La Scola Dei Maritati (act I Only)

26
17 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: Le Devin du Village, as17780303End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande al la Strasbourgeiose, as17780303End Opera: La Serenade Interrompuee, as17780303

27
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

28
30 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

29
05 June 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303but _Simonet, Mme Simonet; +Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: La Surprize de Daphnis et Cephise. As17780331

30
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

31
26 January 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

32
07 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a New Divertisement Dance (composed by Simonet), to conclude with a grand Chacomme [the music] by Piccinni, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

33
14 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Mlle Theodore, Slingsby; End of Act III Le Triompbe de l'Amour Conjugal, as17820110

34
16 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Slingsby; End of Act III Le Triomphe del'Amour Conjugal, as17820110

35
26 February 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

36
28 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I pastoral Dance, as17811117, but added: with a Pas Seul by Mlle Simonet; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

37
07 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

38
16 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

39
19 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: In the Masquerade Scene a Minuet by Mlle Theodore and Nivelon; End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Act II a new Ballet (composed by Noverre), La Rosihe de Salency, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Leger, Henry, Bournonville, Olivier, Miss Simonet, Sga Crespi

40
21 March 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II La Rosiere de Salency, as17820319athi

41
23 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17811117; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

42
02 April 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I La Rosiire de Salency, as17820319End of Act II Rinaldo and Armida, as17820223

43
09 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Dragon of Wantley

Dance: End of mainpiece The Gala, as17820402, but omitted: Dumay, Miss Matthews

Song: End of Act I of mainpiece The Early Horn; End of Act I of afterpiece The Lamentation of Mary Queen of Scots; End of Act II Auld Robin Grey, all three sung by Mrs Kennedy

44
13 April 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820307End of Act II La Rosiere de Salency, as17820319End of Opera Rinaldo and Armida, as17820223

45
14 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Apollon et les Muses, as17820509; End of Act III New Dance, as17820507

46
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

47
20 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830313End of Act II La Bigueule, as17830313but omitted: Mlle Theodore, Mme Simonet

48
22 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby; End of Act II La Bigueule, as17830320athi

49
29 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I La Begueule, as17830320End of Act II Il Riposo del Campo, as17830322athi

50
29 April 1783 @ King's Theatre

Performances

Mainpiece Title: Creusa In Delfo

Dance: End of Act I La Begucule, as17830320End of Act II Le Tuteur Trompe, as17830426