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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "La Pantomime du Charpentier"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2455 results for: Title - La Pantomime du Charpentier

26
18 May 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: La Fete du Village, as17760504; Diane et Endymion, as17760504; Le Minuet de la Cour, as17760504

27
06 June 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: After Overture: Le Minuet a la Cour-the two Vallouys; End I: Diane et Endymion, as17760312 End Opera: La Fete du Village, as17760224

28
08 June 1776 @ King's Theatre

Performances

Mainpiece Title: Antigono

Dance: I: Minuet a la Cour-the two Vallouys; II: Pigmalion-Fierville, Helm, Mlle Sophie, Mlle Baccelli; End Opera: La Fete du Village, as17760224

29
18 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: End I: Le Devin du Village, as17771104; End II: La Polonaise Favourite, as17771104; End Opera: La Clochette, as17771115

30
24 February 1778 @ King's Theatre

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Le Devin du Village, as17771104; End II: Divertisement, as17780207; End Opera: a new Grand Ballet Espagnol, La Serenade Interrompuee-Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; in which a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guitarre-Noferi

31
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

32
30 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

33
05 June 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303but _Simonet, Mme Simonet; +Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: La Surprize de Daphnis et Cephise. As17780331

34
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

35
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

36
21 May 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Ninette a la Cour, as17890514; but to conclude with the Pas de Six de la Rosieu-

37
02 July 1789 @ Covent Garden

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

38
10 March 1792 @ Haymarket Theatre

Performances

Mainpiece Title: La Locanda

Dance: End I: La Fete Villageoise-[see17920214]; End Opera: a new Pantomime Ballet, in I act, Le Volage Fixe (composed by D'Auberval [the music by Mazzinghi])-Mlle Hilligsberg, Mme D'Auberval, DeLaChapelle, D'Egville, Les Demoiselles Leonore et Rosine Simonet, Mlle Menage, Laborie; [end Pas de Cinque, entirely new, Le Menuet du Volage-

39
February 1674 @ Whitehall or St. James's

Performances

Mainpiece Title: Ballet Et Musique Pour Le Divertissement Du Roy De La Grande Bretagne

40
02 April 1707 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By direction of Sig Francisco Conti, the Consort of Musick-Sig Francisco Conti for her Majesty, and which he had the Honour to perform at court upon the Union-day; Singing-La Signiora Margaretta the Baroness, Il Signior Valentino; and there is to be several Instrumetns, and the said Great Theorbo, La Mandelitta an Instrument hitherto unknown-Signior Conti

41
19 December 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Les Chinois; Ou, Arlequin Major Ridicule

Afterpiece Title: La Retour de la Foire

Entertainment:

42
01 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Le Parisien Dupe Dans Londres; Ou, La Fille A La Mode

Entertainment: Vaulting and Tumbling-

43
31 May 1720 @ King's Theatre

Performances

Mainpiece Title: Les Deux Arlequins

Afterpiece Title: La Baron de la Crasse

Dance: Dangeville

Entertainment: Tumbling=-Francisque

44
29 December 1720 @ Haymarket Theatre

Performances

Mainpiece Title: La Fille A La Mode; Ou, Le Badeaut De Paris

Dance:

45
12 January 1721 @ Haymarket Theatre

Performances

Mainpiece Title: L'ecole Des Jaloux; Or, The Fausse Turquise

Afterpiece Title: La Retour de la Foire de Bezons

Dance:

46
02 February 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Les Deux Arlequin & Les Enchantemens D'arlequin & D'arlequine Danse Comique

Afterpiece Title: La Baron de la Grasse

Afterpiece Title: The Hat

Dance:

47
09 March 1721 @ Haymarket Theatre

Performances

Mainpiece Title: La Fille A La Mode; Ou, Arlequin Badaut De Paris

Afterpiece Title: Monsieur Grimaudin

Dance:

48
08 January 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Phedra & Hippolite

Afterpiece Title: Les Funerailles de la Foire & Son Rapel a la Vie

49
21 December 1724 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Prevost

Afterpiece Title: Le Tombeau de Maitre Andre & La Parodie du Cid

50
04 January 1725 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Protee; Avec La Scene Comique De Titus & Berenice, Du Plaidoyer De Colombine & Darlequin

Afterpiece Title: Attendez Moy sous L'Orme