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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Ii Pittore Parigino"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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4121 results for: Title - Ii Pittore Parigino

26
22 December 1779 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: William And Nanny

Song: End II: As17790927; End II: Song in The Milesian, being a description of a Sea Fight [Stand to your guns, my hearts of oak]-Bannister

27
24 May 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

28
20 April 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Pastoral Dance, as17820129; End of Act II Divertisement Dance, as17820307End of Opera Adela of Pontbieu, as II Apr

29
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

30
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

31
25 January 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850122 throughout

32
01 February 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850122 throughout

33
08 February 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850205 throughout

34
15 February 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: End of Act I Le Jugement de Paris, as17850212; End of Opera The Deserter, as17850122

35
08 March 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: End of Act I Divertissement, as17850224; End of Opera The Deserter, as17850226

36
15 March 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850312hroughout

37
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

38
15 March 1797 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Or, the Power Of Music Messiah 0

Afterpiece Title: Alexander's Feast 3

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

39
17 May 1800 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Marian

Afterpiece Title: The Soldier's Festival

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

40
29 June 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

41
02 July 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

42
04 July 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

43
06 July 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

44
09 July 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

45
11 July 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

46
15 November 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

47
09 January 1662 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

48
20 May 1662 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

49
03 January 1671 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Conquest Of Granada, Part Ii

50
31 January 1671 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Conquest Of Granada, Part Ii