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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Bribery on both Sides"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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75 results for: Title - Bribery on both Sides

26
09 May 1726 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Abra Mule

Dance: I: Chacone-Mrs Anderson; III: Pastoral Dance-Burny, Mrs Anderson; V: Venetian Dance-Burny, Mrs Anderson, both Scholars to Essex

Song: II: Salway; IV: Salway

27
03 April 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Afterpiece Title: Harlequin's Triumph

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

28
30 October 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

Dance: Dancing Proper to the Play-

Ballet: TThe Cobler's Jealous Wife. Cobler-Boval; His Wife-Roger; Countrymen-Essex, Haughton; Countrywomen-Mrs Brett, Mrs Mills

29
05 May 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Doctor Faustus

Dance: Between the Acts: Variety of new Dances both Serious and Comic-

30
21 November 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Dance: Both Serious and comic Dancing-

31
02 December 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

32
21 September 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Music: With the Musick, both Incident to the Play: Vocal and Instrumental Music-; Vocal Parts-Leveridge, Legar, Salway, Papillon, Thompson, Mrs Seedo, Mrs Egleton, Mrs Cantrel

Dance: Salle, Dupre, Pelling, Newhouse, Lanyon, Dupre Jr

33
16 January 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Phebe

Music: Solo on a Violin, a Point of War on a Side Drum-Ravenscroft

34
12 April 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The School Boy

Dance: II: Highlander and Mistress-Salle, Mrs Laguerre; III: Pastoral-Master Weeks, Miss Rogers, both Scholars to Salle; IV: A new Tambourine-Miss Rogers; V: The Baulk-Salle, Mrs Laguerre; End of Farce: Grand Dance of Momus-; Sailors-Salle, on account of Nivelon's Indisposition

35
11 May 1732 @ Goodman's Fields

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Stage Coach Opera

Music: II: Preamble on the Kettle Drums-Joab Bakeron the Stage; Mr Handel's Water Musick-; V: Tollet's Grounds-Mr Baker on a Side Drum, accompanied with a Violin, the like having never been attempted by any Person before

Dance: III: Tambourine-Miss Wherrit

36
16 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic-Medley-Overture composed by Lampe

Dance: Comic Dance by Master Oates and Miss Oates, both Scholars to Davenport. Scots Dance by Mr and Mrs Davenport. Pierrots by Topham and Davenport

37
08 August 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Honest Yorkshireman

Entertainment: A Mezzo Drama; or, Summer Evening's Variety, Consisting of several Entertainments of Vocal and Instrumental Musick and Dancing, both Serious and Comic

38
18 February 1737 @ Castle Tavern

Performances

Mainpiece Title: Concert

Music: great Concert of Musick-the best Hands from both Operas

39
03 March 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands from both Operas

40
11 March 1737 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

41
19 March 1737 @ Covent Garden

Performances

Mainpiece Title: Volpone

Afterpiece Title: Flora

Dance: In I: Two Pierrots-Nivelon, Lalauze; I: Serious Dance, concluding with a Minuet-two Misses Scott; II: Comic Dance-Nivelon, Mrs LeBrun; IV: Comic Dance-called Punch in Love with Dame Ragonde Accompanied by her Children-Nivelon, Lalauze, both in Wooden Shoes

Song: III: A New Song-Beard

42
10 April 1738 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Cheats of Scapin

Dance: FFrench Sailors-Lalauze, Mlle Roland; Two Pierrots-Lalauze, Nivelon; Punch in Love with Dame Ragonde: Punch-Lalauze; Dame Ragonde-Nivelon; both in Wooden Shoes. Peasant-Nivelon, Mrs LeBrun; Scots Dance-Glover, Mlle Roland

43
23 August 1749 @ Bartholomew Fair

Performances

Mainpiece Title: The Descent Of The Heathen Gods, With The loves Of Jupiter And Alcmena; Or, Cuckoldom No Scandal

Dance: TThe Drowsy Cobler-M L'Armand, Mad L'Armand lately arriv'd from Paris; Tit for Tat or the Kiss Return'd-Mr Shawford, Mrs Shawford, M L'Armand, Mme L'Armand; An extraordinary Band of Musick [provided from the Opera and both the Theatres [six instruments named]

44
18 April 1750 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Dance: III: (By desire) the Two Pierots, as17500108, but-LaLauze, Dennison his apprentice, being his 1st appearance on the stage; IV: Grand Scots Dance-Cooke, Miss Hillyard; End of Play: Louvre, Minuet-Master Settree, a Young Lady who never appeared before, both scholars of Mr Lalauze

45
11 April 1758 @ Covent Garden

Performances

Mainpiece Title: King Henry Iv

Afterpiece Title: The Devil to Pay

Dance: I: Spanish Dance-Poitier Jr, Sga Banti; II: New Peasant Dance-Master Banti, Miss Wilford, her 1st on the stage, both scholars to Poitier Sr; III: A Dutch Dance-Poitier Jr, Sga Banti; IV: A Wooden Shoe Dance-Poitier Jr, Mlle Capdeville; V: A Minuet-Poitier, Sga Banti

46
01 May 1773 @ King's Theatre

Performances

Mainpiece Title: Il Cid

Dance: I: La Fete du Village, as17730427 II: Pastoral Dance-Asselin, Mlle Grenier; End Opera: A New Grand Ballet both pastoral and serious-; Les Sauvages-Mlle Heinel, Fierville; Conclude: with a New Grand Chacone-other principal dancers

47
03 June 1773 @ King's Theatre

Performances

Mainpiece Title: Il Cid

Dance: I: La Fete du Village with Minuet, as17730528; II: Allemande, as17730525; End Opera: A New Grand Ballet both pastoral and serious-Mlle Heinel, Fierville; a new Ballet entitled Les Sauvages-Mlle Heinel, Fierville; Conclude: New Grand Chacone-principal dancers

48
04 January 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

49
02 October 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin's Invasion

Dance: I: Country Dance (incident to the [main]piece)-; This was danced in both performances.] End II: [New Ballet, Demi-Caractere (composed by Gallet), Rural Grace-Gallet, Henry, Miss Armstrong, Mlle Dupre

50
02 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Camp

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in both subsequent performances.] V: Grand Dance-Sg and Sga Zuchelli, Henry, Sga Crespi