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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Feudal Times"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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396 results for: Title - Feudal Times

376
20 February 1796 @ King's Theatre

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310

377
05 March 1796 @ King's Theatre

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: Le Bouquet (performed for the first time on Tuesday last) in which a Pas Deux, a Pas Trois by Didelot-Didelot, Mme Hilligsberg, Mme Rose; End Opera: Les Trois Sultanes, as17960301

378
18 May 1796 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

379
25 May 1796 @ Covent Garden

Performances

Mainpiece Title: Comus

Afterpiece Title: Artaxerxes

Afterpiece Title: The Doldrum

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

380
02 July 1796 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: The Dances (1st time)-Didelot, Parisot, Mme Rose, and as usual Mme Hilligsberg; End Opera: L'Amour Vange, as17960604

381
07 February 1797 @ King's Theatre

Performances

Mainpiece Title: The 1st Act Of La Modista Raggiratrice

Afterpiece Title: Il Consiglio Imprudente

Dance: End 1st piece: Les Delassements Militaires- As17970124

Ballet: End 2nd piece: Pizarre; ou, La Conquete du Perou (1st time; composed by Gallet [with music by Mazzinghi]). Pizarre-Gallet; the other characters-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet, Gentili

382
28 March 1797 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: L'Heureux Retour [; ou, Le Vainqueur Genereux (1st time; composed by Gallet; with music by Bossi)]-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Gentili; End Opera: Apollon Berger, as17961227

383
11 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

384
17 May 1797 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Rival Soldiers

Afterpiece Title: The Positive Man

Song: In the course of the Evening: The Life of Poor Jack (composed by Dibdin), Admiral Benbow-Incledon; Honesty in Tatters-Townsend; Arthur O'Bradley (1st time, written by O'Keeffe)-Munden

385
20 May 1797 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; End II: Shakespeare's Loadsters (1st time in public; composed by Shield)-Incledon, Gray, Bowden; In 3rd piece: the Planxty, descriptive of Ireland, In my Father's Mud Cabin-Johnstone; End I 3rd piece: Old Towler-Incledon

386
23 May 1797 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Afterpiece Title: Cross Purposes

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

387
23 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

388
25 May 1798 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Reformed in Time

Song: In course of Evening: The Bells of Aberdovy-Townsend; accompanied on the harp-Weippert; The Mid Watch-Incledon; The Beggar, in character,-Townsend; The Pledge of Love, as17980515; a favorite Comic Song-Fawcett

Entertainment: Imitations.An Exhibition of Theatrical Portraits-Townsend

389
29 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Reformed in Time

390
31 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Raft

Afterpiece Title: Reformed in Time

391
05 October 1798 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Reformed in Time

392
16 April 1799 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

393
16 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Deserter

Entertainment: Monologues End: Collins's Ode on the Passions (1st time)-Miss Heard; Epilogue in the Character of Cupid-Master Chatterley

394
04 March 1800 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: a new Ballet (1st time; composed by D'Egville) Hyppomene et Atalante-Deshayes, Laborie, Didelot, D'Egville, Mlle Parisot, Mme Laborie, Mme Hilligsberg, Mlle J. Hilligsberg, Mme Rose Didelot. [Cast from dl playbill of 14 May 1800 (and see18000322 Hyppomenus-Deshayes; +Adrastus-Laborie; +Pelus-Didelot; +Atalante-Mlle Parisot; +Zelie-Mme Laborie; +Clitie-Mme Hilligsberg; +Sererine-Mlle J. Hilligsberg.

395
08 May 1800 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: Between Acts: Divertisement-(1st time); End Opera: a Grand Fairy Ballet in 2 acts, Laura et Lenza; ou, Le Troubadour-all the principal Dancers see18000628

396
15 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Afterpiece Title: St

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend