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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "younger Master Ware"/1) | (@(roleclean,performerclean) "younger Master Ware")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6786 results for: Keyword - younger Master Ware
We found 4317 matches on Performance Comments, 1694 matches on Performance Title, 956 matches on Event Comments, 751 matches on Author, and 0 matches on Roles/Actors.

126
09 October 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Doctor

Dance: II: Peasant by Master Oates and Miss Oates Jr. III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910

Performance Comment: III: Dutchman and his Wife by Le Brun and Mrs Walter. IV: Irish Trot by Master Oates. V: Revellers, as17340910.

127
01 April 1735 @ Swan Tavern

Event Comment: Benefit Charles, Master of the French-Horn. 6:30 P.M. 3s

Performances

Mainpiece Title: Concert

Music: By the best Masters. Mr Charles will perform several new Pieces on the French Horn and Clarinet

128
13 May 1735 @ Drury Lane Theatre

Event Comment: Benefit Oates. For the Entertainment of the Grand Master, and the rest of the Brethren belonging to the Ancient and Honourable Society of Free and Accepted Masons. Written by Shakespear

Performances

Mainpiece Title: The Merry Wives Of Windsor

Music: II: A Concerto of Vivaldi's called The Cuckow, attempted on the Violin by Master Oates

Dance: III: A new Peasant Dance by Master Oates and Miss Oates Jr. IV: English Maggot by Villeneuve and Mrs Walter. V: Amorous Swain, as17350327

Song: The Songs in Masonry as usual. I: Come let us prepare. III: on, on, my Dear Brethren. IV: Let Masonry be now my Theme

129
21 August 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Cast
Role: Slango Actor: Master Green

Music: A New Medley Overture, never yet performed, composed by Arne. A new Set of Act Tunes, never yet performed, composed by Arne

Song: Was ever Nymph like Rosamond, sung by Master Osborne, a Scholar of Carey. Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne

Performance Comment: Se l'Arco, a French Horn Song out of the Opera of Admetus, sung by Master Osborne .

130
24 October 1735 @ Haymarket Theatre

Event Comment: Benefit Master Oates. Written by Mr Farquhar. Boxes 5s. Pit 3s. Gallery 2s. 6 P.M

Performances

Mainpiece Title: Love And A Bottle

Music: By Desire, a Concerto of Vivaldi's The Cuckow, attempted on the Violin by Master Oates

Dance: II: Scottish Dance. rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates

Performance Comment: rv: Irish Trot. V: French Peasant Dance. All by Master and Miss Oates .

131
02 April 1737 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Hamilton, Two Masters Hamilton. At the particular Desire of several Ladies of Quality. [Tickets at Hamilton's Lodgings, at Mrs Corey's , in Hemlock Court, Corey Street.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Honest Yorkshireman

Performance Comment: See17370331 but By Captain Gulliver's Company of Lilliputians: Gaylove-Master W. Hamilton; Squire Sapscull-Master J. Hamilton; Arabella-Miss Norris; Combrush-Miss Roberts.
Cast
Role: Gaylove Actor: Master W. Hamilton
Role: Squire Sapscull Actor: Master J. Hamilton

Song: II: A Dialogue composed by Purcell-the Masters Hamilton; IV: Singing in Italian -Mrs Chambers

Dance: III: Dutchman and Frow-Vallois, Mrs Bullock; V: Scot's Dance-Haughton, Mlle Roland; End Afterpiece: French Peasant-Master Oates, Miss Oates

132
01 May 1738 @ Covent Garden

Event Comment: Benefit Oates. For the Entertainment of the Grand Master and the rest of the Brethren belonging to the...Masons. [Tickets at Oates', King's Arms Tavern, Great Wild Street.

Performances

Mainpiece Title: The Way Of The World

Song: nd the added Songs in Masonry as usual,% I: Come let us prepare-Mr Oates; III: On on my dear Brethren-Mr Oates; IV: Let Masonry be now my Theme-Mr Oates; V: Ye Brethren of the Ancient Craft-Mr Oates

Dance: I: Serious Dance-Villeneuve, Miss Oates; III: Peasant Dance-Master and Miss Oates; IV: Je ne scai quoi-Tench, Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Music: II: Solo on the Violin-Master Oates

133
16 May 1738 @ Drury Lane Theatre

Event Comment: Benefit Mrs Hamilton and the two Masters Hamilton. Tickets at Hamilton's Lodgings, at Mr Strawberry's in Russel-Court

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Dragon of Wantley

Performance Comment: Perform'd by the Lilliputians: More-Master W. Hamilton; Gubbins-Master J. Hamilton; Margerinia-Miss Edward, the first time of her appearance on any stage; Mauxalinda-Miss Cole; Dragon-Master Ferg.
Cast
Role: More Actor: Master W. Hamilton
Role: Gubbins Actor: Master J. Hamilton
Role: Dragon Actor: Master Ferg.

Dance: I: Punch-Master Ferg; III: Polonese-Haughton, Mrs Walter

Song: IV: Beard

134
16 January 1739 @ Covent Garden

Event Comment: Benefit Cooke, Dancing-Master. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The What D'ye Call It

Dance: Glover, Richardson, Villeneuve, Dupre, DelaGarde, Miss Oates,also by Master Cooke, who never performed on any Stage before

135
14 May 1740 @ Drury Lane Theatre

Event Comment: Benefit Ridout, Raftor, Miss Bennet. By Particular Desire. [Tickets for Reed and Master Ferg taken also.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Two Pierots-Lalauze, Liviez; II: Muilment; III: La Provencale-Mlle Chateauneuf; IV: Drunken Peasant-Master Ferg

Song: V: The Life of a Belle (taken from Lethe)-Mrs Clive (by particular Desire)

Music: End Afterpiece: Preamble on the Kettle Drums-Master Ferg; accompanied by Trumpets-

136
15 May 1740 @ Drury Lane Theatre

Event Comment: Benefit Master Cooke. At the Desire of several Persons of Quality. Part of the Stage will be formed into Side-Boxes. [Tickets at Cooke's House, Blue Flower-pot in Devonshire Street, near Red-Lyon Square. Tickets for Tully also taken.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Dance: I: Two Pierots-Lalauze, Liviez; II: Maggot-Cooke, Mrs Walter; III: Le Tambourine-Mlle Chateauneuf; IV: Muilment; V: The Louvre, with a Minuet-Master Cook, Mrs Walter

137
12 May 1741 @ Covent Garden

Event Comment: Benefit Stoppelaer, Mines, Master Ferg, Miss Morrison. Receipts: #110 (Rylands MS.)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Delane; Copper Captain-Ryan; Duke-Bridgwater; Cacafogo-Stoppelaer; Margaretta-Mrs Ware; Juan-Hale; Sancho-Arthur; Alonzo-Gibson; Altea-Mrs Mullart; Clara-Miss Horsington; Old Woman-Hippisley; Visiting Ladies-Mrs Cross, Mrs Hale, Miss Burgess; Estifania-Mrs Horton.
Cast
Role: Margaretta Actor: Mrs Ware

Afterpiece Title: Damon and Phillida

Dance: II: Drunken Peasant-Master Ferg; III: Muzette-Miss Morrison; IV: Matelotes-Mechell, Mlle Mechell

Music: V: Preamble on the Kettle Drums-Master Ferg

Song: End Afterpiece: Arra my Judy (by Desire)-Stoppelaer

138
22 April 1742 @ Goodman's Fields

Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

139
02 June 1760 @ Haymarket Theatre

Event Comment: Benefit for J. Philips and Master Tariot. By particular Desire of several Persons of Distinction

Performances

Mainpiece Title: A Concert

Afterpiece Title: Harlequin Hussar

Dance: Several new dances-Master Tariot, Miss Polly Capitaniboth from the Opera House, Tariot, Balthazar, Petre, Hussey, Mrs Garman, Mrs Tariot, the Misses Twist

Entertainment: By particular desire (this night only) Saunders will exhibit a great variety of new equilibres on the wire in full swing-Saunders never attempted before. The last time of his performing in the metropolis

140
18 May 1762 @ Drury Lane Theatre

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

141
14 October 1763 @ Drury Lane Theatre

Event Comment: The worst House I ever saw.--This morning Mr Packer's mother died, and we were oblig'd to get Mr Parsons to do Vizard, and Mr Baddeley Smuggler.--No apology was made, and I believe nobody took any notice of the change.--Miss Street and Master Clinton, Dancers, first time, greatly applauded (Hopkins Diary--MacMillan). Receipts: #63 3s. 6d. (MacMillan)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Genii

Dance: II: A Comic Dance, call'd The Provancalle-Master Clinton, Miss Street , being their first appearance on this stage

142
05 June 1764 @ Covent Garden

Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

143
27 April 1767 @ Covent Garden

Event Comment: Benefit for Fishar, Ballet Master and Sga Manesiere. Entertainments by Children for that night only. Charges #64 5s. [Profit to each #21 11s. 9d. plus income from tickets: Fishar #38 14s. (Box 57; Pit 107; Gallery 84); Sga Manesiere, #29 13s. (Box 60; Pit 55; Gallery 64).] Paid Barratt (wax chandler) #201 5s.; Paid Buxtons and Co., (oyl men) #135 16s. (Account Book). Receipts: #107 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Chaplet

Dance: I: A New Tambourine Dance-Master Blurton (apprentice to Fishar, eleven years old, 1st appearance any stage); End I: Rural Love, as17661120; II: A Serious Dance-Miss Capon (Apprentice to Fishar, sixteen years old, 1st appearance any stage); III: A New Pantomime Ballet-Mas. Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere

Ballet: End: A New Grand Ballet call'd The Wapping Landlady. Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez

144
25 May 1772 @ Drury Lane Theatre

Event Comment: Benefit for Jacobs, Griffith, Mrs Cross and Mrs Millidge. Paid Master Thomson 11 nights (23rd Inst. incl.) #2 15s.; Black Lyon Bill #3 19s. 2d. (Treasurer's Book). Tickets deliver'd for Benefit of Follett, Mas. Cape, Costin and Miss Berkly will be taken. Receipts: #233 18s. 6d. Charges: #74 14s. Profits to Jacobs, Griffith, Mrs Cross, Mrs Millage: #159 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Harlequin's Invasion

Song: II: The Soldier Tir'd-Mrs Wrighten

Entertainment: V: Bucks Have at Ye All-Master Cape

145
04 May 1776 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Tickets deliver'd by Mrs Lampe, and Mrs Jones, Mrs Masters (formerly Miss Lalauze), Besford, Miss Cranfield, Bates, Widow Wise, Widow Emery, and Ledger, and those deliver'd for She Stoops to Conquer will be taken. Doors open half past 5. To begin at half past 6 o'clock

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Man of Quality

Dance: I: A Minuet-Holloway, Miss Cranfield; II: A Minuet-Dagueville, Mrs Masters (Daughter of the late Mr Lalauze)

146
05 May 1779 @ Drury Lane Theatre

Event Comment: Benefit for Grimaldi, ballet-master, and Lamash. The Rivals [announced on playbill of 4 May] is obliged to be deferred on account of Dodd's sudden Illness. Tickets delivered by Kenny, and [for] The Rivals will be taken. Paid Printer [of playbills, weekly throughout season] #9. Public Advertiser, 4 May: Tickets to be had of Grimaldi at his house, No. 125, Holbourn; of Lamash, No. 3, Air-street, Piccadilly. Receipts: #175 5s. 6d. (43.10.0; 17.17.6; 0.14.0; tickets: 113.4.0) (charge: #69 19s.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Dance: In: Grand Dance, as17781102, but _Henry, Grimaldi, Master +Mills, Miss +Grimaldi

Song: As17790413

147
14 June 1786 @ Haymarket Theatre

Event Comment: By Command of Their Majesties. [Master Degville and Miss De Camp were from the Royal Circus.]

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

148
20 June 1787 @ Royalty Theatre, Well (now Ensign) Street

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

149
08 October 1798 @ Covent Garden

Event Comment: Mainpiece: In I a Grand Masquerade. Account-Book: Paid Sloper [master carpenter] for Scene Men #40 17s. 11d. Receipts: #179 0s. 6d. (176.9.6; 2.11.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

150
11 February 1736 @ Mercer's Hall

Performances

Mainpiece Title: Concert

Music: Vocals by Miss Cecilia Young, Miss Isabella Young, Miss Esther Young. First Violin by Festing. Concerto on French Horn by Charles. Solo on German Flute by Balicourt. Handel's Water Piece. Preamble on Kettle Drums by Benjamin Baker