SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "younger Master Ware"/1) | (@(roleclean,performerclean) "younger Master Ware")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4317 matches on Performance Comments, 1694 matches on Performance Title, 956 matches on Event Comments, 751 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Turnpike Gate

Opera: Mainpiece: Solemn Dirge. As17991007, but Vocal Parts-_Dyke

Performances

Mainpiece Title: Pizarro

Cast
Role: Boy Actor: Master Chatterley

Afterpiece Title: The Deaf Lover

Song: As17991228

Performances

Mainpiece Title: Pizarro

Cast
Role: Boy Actor: Master Chatterley

Afterpiece Title: The Liar

Song: As17991228

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: The Guardian

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Pannel

Song: In afterpiece: The Blue Bell of Scotland-Mrs Jordan; accompanied on the Lute-Mrs Jordan

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Deserter

Ballet: End: The Scotch Ghost. As17991202, but Saundy-_; Donald-_

Cast
Role: Saundy Actor: Master Chatterley

Entertainment: In which a Trial of Skill, in the exercise of the Austrian and Highland Broadsword-Nine of the First Swordsmen in this Kingdom

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Oscar and Malvina

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Entertainment: End: a Variety of Imitations-Rees

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: Of Age To-morrow

Song: III: a new song (composed by Kelly)-Mme Bolla

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Guardian

Dance: III: Hornpipe in Fetters-Blurton

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: Pepys, Diary: And then out to the red bull (where I had not been since plays come up again)...where I was led by a seaman that knew me, but is here as a servant, up to the tireing-room, where strange the confusion and disorder that there is among them in fitting themselves, especially here, where the clothes are very poor, and the actors but common fellows. At last into the pitt, where I think there was not above ten more than myself, and not one hundred in the whole house. And the play, which is called All's lost by Lust, poorly done; and with so much disorder, among others, that in the musique-room the boy that was to sing a song, not singing it right, his master fell about his ears and beat him so, that it put the whole house in an uprore. Nicoll (Restoration Drama, p. 309) argues that George Jolly probably occupied the red bull in St John's Street, Clerkenwell. When Richard Walden saw the red bull players at Oxford in July 1661, Anne Gibbs acted Dionysia in All's Lost by Lust. It is possible that she played that role on this day. See Walden's Io Ruminans, 1662

Performances

Mainpiece Title: All's Lost By Lust

Event Comment: At Oxford in the morning A Mad World My Masters was played; in the afternoon, The Merry Milkmaids of Islington. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Harebrain's Wife in the former, A Lady in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Event Comment: For performances in Sept. 1667 preceding this date, see the season of Pepys, Diary: I fell in talk with Tom Killigrew about musick, and he tells me that he will bring me to the best musick in England (of which, indeed, he is master), and that is two Italians and Mrs Yates, who, he says, is come to sing the Italian manner as well as ever as he heard any: says that Knepp won't take pains enough, but that she understands her part so well upon the stage, that no man or woman in the House do the like!

Performances

Event Comment: Pepys, Diary: To White Hall, and there in the Boarded-gallery did hear the musick with which the King is presented this night by Monsieur Grebus [Grabut], the master of his musick; both instrumentall--I think twenty-four violins--and vocall; an English song upon Peace. But, God forgive me! I never was so little pleased with a concert of musick in my life. The manner of setting of words and repeating them out of order, and that with a number of voices, makes me sick, the whole design of vocall musick being lost by it. Here was a great press of people; but I did not see many pleased with it, only the instrumental musick he had brought by pratice to play very just

Performances

Mainpiece Title: Concert

Event Comment: The King's Company. Pepys, Diary: To the King's house, and there did see Love in a Maze, wherein very good mirth of Lacy, the clown, and Wintersell, the country-knight, his master

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Event Comment: Pepys, Diary: I with Lord Brouncker (who was this day in an unusual manner merry, I believe with drink), J. Minnes, and W. Pen to Bartholomew-Fair; and there saw the dancing mare again, which, to-day, I find to act much worse than the other day, she forgetting many things, which her master beat her for, and was mightily vexed; and then the dancing of the ropes, and also the little stage-play, which is very ridiculous

Performances

Mainpiece Title: Entertainments

Event Comment: See 27 Feb. and 4 March. Pepys, Diary: [Sir W. Coventry] told me the matter of the play [The Rehearsal] that was intended for his abuse, wherein they foolishly and sillily bring in two tables like that which he hath made, with a round hole in the middle, in his closet, to turn himself in; and he is to be in one of them as master, and Sir J. Duncomb in the other, as his man or imitator: and their discourse in those tables, about the disposing of their books and papers, very foolish. But that, that he is offended with, is his being made so contemptible, so that any should dare to make a gentleman a subject for the mirth of the world; and that therefore he had told Tom Killigrew that he should tell his actors, whoever they were, that did offer any thing like representing him, that he would not complain to my Lord Chamberlain, which was too weak, nor get him beaten, as Sir Charles Sidly is said to do, but that he would cause his nose to be cut

Performances

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony