SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "younger Master Ware"/1) | (@(roleclean,performerclean) "younger Master Ware")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4317 matches on Performance Comments, 1694 matches on Performance Title, 956 matches on Event Comments, 751 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Tom Thumb

Cast
Role: Tom Thumb Actor: Master Simmons

Dance: End I: (for that night only) A New Tambourine Dance-; End: a new Ballet, Fortune's Favor; or, The Lover's Lottery-Byrn, Mrs Goodwin

Music: End I afterpiece: a concertante, two violins-the Master Wares

Performances

Mainpiece Title: The Recruiting Officer

Dance: End I: Pastoral-Young Master Lally, Miss Brett; II: A new Spanish Entry-Lally, others; III: Harlequins-Master Lally, Miss Brett; IV: The Pierraite-Roger, Mrs Brett; V: A new Muzette-Lally, Mrs Booth

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Dance: End I: Pastoral Dance-Young Master Lally, Miss Brett; II: Comic Dance-Young Rainton, Miss Robinson Sr; III: Turks Dance-Thurmond, others; IV: Miss Brett; V: Fawns-Lally, Essex; Drunken Man-Harper

Performances

Mainpiece Title: The Provok'd Husband

Dance: End I: Harlequins-Young Master Lally, Miss Brett; In Masquerade Scene: Polonese-Rainton, Miss Robinson Sr; V: Coquette Shepherdess-Lally, Mrs Booth

Performances

Mainpiece Title: Macbeth

Dance: HHarlequin-Young Master Lally, Miss Brett; Pieraite-Roger, Mrs Brett

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Dance: End I: Harlequin Dance-Young Master Lally, Miss Brett; II: Miss Brett; Comic Dance-Rainton, Miss Robinson Sr; III: Turks Dance-Thurmond; IV: Rainton, Miss Robinson; Miss Brett; V: Pieraite-Roger, Mrs Brett; Drunken Man-Harper

Performances

Mainpiece Title: The Way Of The World

Dance: DDutch Skipper, as17421025; The Happy Lovers, as17421006; A New Grand Ballet call'd Le Rendezvous Gallant-Cooke, Picq, Anne and Janneton Auretti, Young Master Gillier

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay; or, the Wives Metamorphosed

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 10 years [acted 5 Nov. 1779]. The Music chiefly composed by Hook, the rest compiled from the most eminent Masters. With new Songs and other Alterations [and restorations; the names of almost all the characters have been changed (see 23 Nov. 1778)]. Public Advertiser, 12 Jan.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #365 3s. 6d. (244.0.6; 2.12.0; tickets: 118.11.0) [charge: free)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: Rosina

Dance: End II: Leap Year-Byrne, Mrs Goodwin

Song: In afterpiece: (for that Night only) Sweet Bird-, from L'Allegro il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke

Event Comment: Benefit for Johnstone. 1st piece: The Music by Hook; the rest compiled from the most eminent Masters. Public Advertiser, 30 Apr.: Tickets to be had of Johnstone, No. 12, Norton-street, Portland Chapel. Receipts: #313 17s. (166.16.6; 12.2.6; tickets: 134.18.0)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon [i

Afterpiece Title: The Intriguing Chambermaid

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Performances

Mainpiece Title: The Taylors

Performance Comment: Master Taylors: Francisco-Foote; Campbello-Bannister; Regniades-Castle; Pearcy-Gardner; Higgleston-Newton; Flints: Abrahamides (Chief Flint)-Shuter; Bernardo Bernardo-Davis; Isaacos-Palmer; Jackiades-Weston; Bartholomeau-Smith; Humphreymingos-Loveman; Dungs: Zacharides-Thompson; Phillippominos-Keen; Timotheus-Pynn; Taylors Ladies-Mrs Jeffries, Mrs Burden, Mrs Gardner; Attendants to the Ladies-Mrs Denton, Mrs Kirby, Mrs Palmer; New Prologue-Foote.

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman in Paris

Dance: II: The Provencale, as17740928

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sylphs

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Performances

Mainpiece Title: The Foundling

Afterpiece Title: Polly Honeycomb

Dance: II: The Shepherdesses, as17631014; End: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Lyar

Dance: As17841022

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Citizen

Song: As17891017

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Incledon, Dignum, Denman, Sale, Mrs Second, Miss Capper, Miss Tennant, Miss Crosby (1st appearance), Mrs Dussek.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

Event Comment: Benefit Bencraft, Dove, Hayes, Mrs Ware, Mrs LeBrun

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Necromancer

Dance: I: Harlequin-Master Mathews; Scholar to Davenport. II: Harlequin Woman-Mrs LeBrun; III: Pierots-Lalauze, Desse; IV: Glover's Grecian Sailors-

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Mme Mara, Master Elliot, Miss Poole, Incledon, Miss Dufour, Sale, Reinhold; Leader of the Band-G. Ashley.

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: The Cautious Coxcomb

Music: Together with 3 several New Entertainments of Musick perform'd in Consort upon Hautboys Flutes and German Horns-7 young Men lately brought over by their Master the famous Godfrede Pepusch, Musician in Ordinary to his Majesty the King of Prussia. The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch

Performance Comment: The Composition being made entirely new for that pupose by his Brother, that Eminent Master Mr John Christopher Pepusch.