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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "young little Salomon"/1) | (@(roleclean,performerclean) "young little Salomon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5406 results for: Keyword - young little Salomon
We found 3324 matches on Performance Comments, 968 matches on Performance Title, 942 matches on Event Comments, 771 matches on Author, and 0 matches on Roles/Actors.

2451
03 February 1735 @ Covent Garden

Event Comment: Afterpiece: A New Farce of one Act. [By Robert Dodsley.] Prompter, 18 Feb.: This little Performance, without any Theatrical Merit whatsoever, received the loudest Applauses that I have heard this long while, only on Account of its General and Well-Adapted Satire on the Follies of Mankind

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Toy Shop

Dance: Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. Tambourine by Miss Rogers. The Medley by S. Lally, de la Garde, Miss Baston

2452
22 March 1735 @ Haymarket Theatre

Event Comment: Benefit Topham, the English Sampson. [Tickets at Topham's, Corner of Little Bridges Street.]

Performances

Mainpiece Title: Lembarras Des R1ches

Dance:

Entertainment: After the Play [Topham] will shew Surprising Activities of Strength: And further to oblige the Audience, will endeavor to accommodate them with several New Performances

Song: In English and Italian by Topham

2453
09 April 1735 @ Goodman's Fields

Event Comment: Benefit Mrs Hamilton, and the Little Chimney-Sweepers, her Sons. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Devil to Pay

Dance: III: Pierrots by Vallois and Delagarde. V: Scotch Dance, as17350329

Song: II: Watermen's Song in Britannia by the two Masters Hamilton. IV: In Italian by Mrs Chambers

2454
15 July 1735 @ Haymarket Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Performance Comment: A fine Piece of Mr Handel's on the little Flute by a Friend of Carey .

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's

2455
17 July 1735 @ York Buildings

Performances

Mainpiece Title: The Relapse

Performance Comment: Foppington-Stone; Loveless-Hulstone; Young Fashion-Freeman; Sir Tunbelly-Archer; Berinthia-Miss Bennet; Amanda-Mrs Ferguson; Hoyden-Mrs Hallam .
Cast
Role: Young Fashion Actor: Freeman

Afterpiece Title: The Fatal Extravagance

Performance Comment: Cast not listed. With the Original Prologue written by Aaron Hill, Esq; and an Epilogue written by the same Author, to be spoke by little Miss Ferguson .

Song:

Dance:

2456
18 May 1736 @ Covent Garden

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Flora

Dance: I: Comic Ballet, as17360417 III: A new Serious Dance by Scholar of Nivelon. IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars

Performance Comment: IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars .

Song: II: By Leveridge

2457
29 July 1736 @ Haymarket Theatre

Event Comment: Benefit Little [Gallery Boxkeeper, DL], who hopes to have the Honour of his Brethren the Free Masons

Performances

Mainpiece Title: The Stratagem

Music: A Preamble on the Kettle Drums by Job Baker

2458
07 January 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

2459
24 March 1737 @ Lincoln's Inn Fields

Event Comment: Benefit Haughton. Tickets at Haughton's, at the Wheatsheaf in Little Russel Street, cg. Daily Advertiser, 24 March: An Order having been sent to Mr Giffard, forbidding all Performances on Wednesdays and Fridays in Lent, Mr Haughton was oblig'd to defer his Benefit to this Day

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Lover His Own Rival

Dance:

2460
14 April 1737 @ Lincoln's Inn Fields

Event Comment: Benefit the Author of the Farce. Afterpiece: a Farce. [Author not known.] Preface to edition of 1737: The Misrepresentation of this little Piece upon the Stage, and the proper Indifference with which it was received by the Audience, made it necessary, for my Reputation sake, to publish it with all convenient Expedition. My Friends, who had read the Thing, did not know it again, it was in so disastrous a Plight; and they that had not read it (from a Prepossession in my Favour) imputed its Aukwardness to the Mismanagement, or Incapacity of the Players

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Authors Triumph or The Manager Managd

Dance: End Afterpiece: Pierrots-Vallois, Delagarde

Song: II: Dialogue by Purcell-the Masters Hamilton; III: Miss Jones; IV: Singing in Italian-Mrs Chambers

2461
22 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Madhouse

Performance Comment: Edition of 1737 lists no cast. The Prologue-as it was first intended for the Little House in the Haymarket.; Epilogue-Penkethman , leading in an Ass.
Cast
Role: The Prologue Actor: as it was first intended for the Little House in the Haymarket.

2462
18 May 1737 @ Haymarket Theatre

Event Comment: As 17 May. The Usefulness of the Stage (1738) stated (p. 18) that The Dragon of Wantley was acted at hay with little success and that the audience was dismissed on the third night [this night, presumably]

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: The Dragon of Wantley

2463
27 May 1737 @ Drury Lane Theatre

Event Comment: Benefit Allen, Gallery Officekeeper. Tickets for Walker, Rumbal, Hewett, Little, Fuller taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Music: Second Music: the First Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto by Geminiani for Hautbois-; IV: March in Zara-

Dance: I: Russian Sailor-Denoyer's@Prentice; II: English Maggot-Villeneuve, Mrs Walter; III: Harlequin-Denoyer's@Prentice; IV: Wooden Shoe Dance-Livier, Villeneuve

2464
04 October 1738 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 4 Oct.: The French Company of Comedians newly arriv'd from Paris, it's said, consists of seventy Persons. It seems to be a little unnatural that French Strollers should have a Superior Privilege to those of our own Country

Performances

2465
13 April 1739 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 13 April. Letter: Upon my Arrival in Town three Days ago, I was not a little surpriz'd, to find that Mr Handel's last Oratorio, (Israel in Egypt) which had been performed but once, was advertis'd to be for the last time on Wednesday....I was indeed concern'd, that so excellent a Work of so great a Genius was neglected, for tho' it was a Polite and attentive Audience, it was not large enough I doubt to encourage him in any future Attempt

Performances

2466
07 November 1739 @ Covent Garden

Event Comment: Benefit Short. Mainpiece: Written by Colley Cibber, Esq; Poet Laureat. Afterpiece: Alter'd from Hob; or, The Country Wake. [Tickets at Short's House, Little Ormond Street, near Bedford-Row, Holborn.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Song: I: Genius of England-Salway; III: Roberts

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: Grand Ballet-Glover, Mlle Anne Roland

Music: End Afterpiece: A preamble on the Kettle Drums-Woodbridge; followed by Handel's Water Musick-

2467
01 December 1739 @ Haymarket Theatre

Event Comment: A New Serenata. [Music by Giovanni Battista Pescetti.] Tickets half a guinea. 6 p.m. Mrs Pendarves to Lady Throckmorton, 28 Nov.: The concerts begin next Saturday at the Haymarket. Caristini sings, Peschetti composes; the house is made up into little boxes, like the playhouses abroad; Lord Middlesex is the chief undertaker, and I believe it will prove to his cost, for concerts will not do. --Delany, Autobiography, II, 66

Performances

Mainpiece Title: Diana And Endymion

2468
22 August 1741 @ Bartholomew Fair

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

2469
02 November 1741 @ Goodman's Fields

Event Comment: DDavid Garrick to Peter Garrick: We have greater Business than Either Drury Lane or Convent Garden; Mr. Giffard himself Gave Me yesterday twenty Guinease for a Ticket & next Week I design buyin #200 of my Stock out of my Profits of Playing.-Little, Pineapples, p. 27

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Mock Doctor

2470
16 November 1741 @ Goodman's Fields

Event Comment: GGarrick, 16 Nov.: I receive...6 Guineas a Week.-Little , Pineapples, pp. 25-26

Performances

Mainpiece Title: Pamela

2471
09 December 1741 @ Goodman's Fields

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Lying Valet

2472
14 January 1742 @ Goodman's Fields

Event Comment: RRev. T. Newton to David Garrick, 18 Jan.: I was almost angry with you, to see your name last week in the bills for Costar Pearmain. I am not fond of your acting such parts as Fondlewife, or even Clodio, nor should be of the Lying Valet, if it was not of your own writing. You who are equal to the greatest parts, strangely demean yourself in acting any thing that is low and little; and not only I, but really all who admire you and Wish you well, that is all who know you, are grieved and wonder at it. If I was an actor surely I would rather wish to be a Raphael than a Hogarth; or if I was a poet, I would choose infinitely rather to be a Milton than Hudibras.--Boaden, Private Correspondence of Garrick, I, 5-6. [Morning Herald 28 June 1787 suggests that Yates was Winifred apShenkin.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Dance: new comic Dance call'd The Welchman's Triumph or the Death of the Wild Goat-David and Winifred apShenkin, M Granier, Osbeldiston, Mrs Bullock, Mrs Vallois The Character new dressed

2473
19 April 1742 @ Goodman's Fields

Event Comment: Benefit Mrs Yates and Miss Medina. Tickets at Yates's, No. 6, near the Playhouse in Ayliff St., Goodman's Fields. Garrick to Peter Garrick: Mr Littleton...said I was only born to act what Shakespear writ--Little, Pineapples, pp. 30-31

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Song: Miss Medina

Dance: David and Winifred apShenkin

2474
21 April 1742 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Benefit Lowe. Amphitheatre on stage. Tickets and places to be had of Lowe, next the Seven Stars in Bedford St., Covent Garden; at the Globe and Sceptre in Old Jewry; at Ben Johnson's Head in Little Britain; and at Mr Benskin's, Stationer, next the Ship-Tavern, Gracechurch St. Receipts: #180

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Song: I: Let me Wander not unseen-Beard; III: Sweet Bird from Milton-Beard; IV: Bumper Squire Jones-Beard

Dance: II: The Italian Peasants, as17411205; V: Le Boufon, as17420325

2475
26 April 1742 @ Drury Lane Theatre

Event Comment: Benefit for Phillips and Mrs Walter. Tickets to be had at Phillips, Lodgings in Little Wild St., near Lincoln's Inn Fields; at the Bedford Coffee House, Covent Garden; of Mrs Walter, at the Three Queens, a Hosier, in New St., Covent Garden; and at Bradshaws. Afterpiece: a New Pantomimic Entertainment. Receipts: #170

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Cooper Outwitted or Harlequin Happy

Song: I: Bumper Squire Jones-Beard; III: The Early Horn-Lowe

Dance: II: Le Boufon, as17420325 IV: The Drunken Peasant-Phillips