Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene at Rolo. See also Nicoll, Restoration Drama, p. 350. Although it is certain that the cast in this edition is that for this performance, there are no actors' names on the list which can not pertain to this time

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene. See also Nicoll, Restoration Drama, p. 350

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene. See also Nicoll, Restoration Drama, p. 350. See also Evelyn's Diary for some private concerts at this time

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene at Othelo. See also Nicoll, Restoration Drama, p. 350

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 260: the Maiden Queene at Whitehall. See also Nicoll, Restoration Drama, p. 351

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids of Honor at the Spanish Fryer. See also Nicoll, Restoration Drama, p. 352. A warrant, dated 8 June 1689, L. C. 5@149, p. 154 (see Nicoll, Restoration Drama, p. 356), calls for a payment of #25 to Mrs Barry and presumably represents payment for this performance. Daniel Finch, ca. June 1689: The only day Her Majesty gave herself the diversion of a play, and that on which she designed to see another, has furnished the town with discourse for a month. The choice of the play was the Spanish Fryar, the only play forbid by the late K@@. Some unhappy expressions, among which those that follow, put her in some disorder, and forc'd her to hold up her fan, and often look behind her and call for her palatine and hood, and any thing she could next think of, while those who were said. (Sir John Dalrymple, Memoirs of Great Britain [London, 1771-88], in the pit before her, whenever their fancy led them to make any application of what was Volume II, Appendix, Part II, pp. 78-80.) Henry Purcell's new setting for whilst I with grief did on you look may have been made by this date. It is in Deliciae Musicae, 1695

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids Honor at Don Sebastian King of Portugal. See also Nicoll, Restoration Drama, p. 352. There is no certainly that this is the first performance. The play was entered in the Stationers' Register, 15 Dec. 1689. See also Charles E. Ward, The Life of John Dryden (Chapel Hill, N. C., 1961), pp. 242-46. Preface, Edition of 1690: I am...to acknowledge, with all manner of gratitude, their civility; who were pleas'd to endure it with so much patience....Above twelve hundred lines have been cut off from this tragedy since it was first deliver'd to the actors. They were indeed so judiciously lopt by Mr Betterton, to whose care and excellent action I am equall y oblig'd, that the connexion of the story was not lost. Does a cryptic remark by Huygens, 3 Dec. 1689 OS, refer to this play: Dat dat geklap met de handen in comedie, onlanxgebeurt, als er gesproken wierd van een Coning, die wederom quam in sign rijck, van seer quade consequentie was. Dat voorseker de Con. too mercifull was, en dat er mosten exempelen gestatueert werden (Journal van Constantijn Huygens, Dutch Historical Society Transactions, New Series, XXIII [Utrecht, 18-212)

Event Comment: Luttrell, A Brief Relation, II, 565, 15 Sept. 1692: Last Tuesday the lord mayor sent his officersito cry downe the faire, the actors of the drolls having presumed to act the earthquake in Jamaica with scenes, and to make a droll of it. Evelyn, Diary, 15 Sept. 1692: This, of Jamaica, being prophanely & Ludicrously represented in a peppet play or some such lewd pass-time in the Faire at Southwarke, caused the Queene to put-downe & abolish that idle & vicious mock-shew