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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ye Princess"/1) | (@(roleclean,performerclean) "ye Princess")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1634 results for: Keyword - ye Princess
We found 1178 matches on Event Comments, 256 matches on Performance Comments, 253 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

301
11 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Britannia

302
22 January 1759 @ Drury Lane Theatre

Event Comment: Sunday the 21st about 4 in the afternoon I receiv'd an order form the Duke of Devonshire [Ld. Chamberlain] to Shut up the House 'till farther Notice, -Fryday 26th about eleven in ye Morn[in]g I receiv'd an Order from my Lord to open on the Monday following (Cross). Theatre clos'd from 20 January 1759 on account of the death of the Princess Royal of England, Countess Dowager of Holland & Governant of the United Provinces & of the Miny of the Stadholder (Winston MS 8)

Performances

303
16 January 1764 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Mr Love & Mr Sanderson's Night. as Authors of ye Pantomime (Hopkins). Benefit for Compo[ser]s Panto (Cross Diary). Mr Powell played much better than the first night. Princess Augusta married to the Hereditary Prince of Brunswick (Hopkins Diary-MacMillan). Receipts: #233 8s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rites of Hecate

304
January 1664 @ Whitehall or St. James's

Performances

Mainpiece Title: Pompey The Great

305
03 January 1736 @ Goodman's Fields

Performances

Mainpiece Title: King Arthur

306
25 February 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: The Foundling

307
18 November 1755 @ Drury Lane Theatre

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

308
22 June 1767 @ Haymarket Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lying Valet

309
06 July 1767 @ Haymarket Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Lethe

310
10 August 1767 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Knights

Dance: FFingalian-; New Hornpipe, as17670805

311
07 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

312
14 September 1664 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Generall

313
15 November 1681 @ Whitehall or St. James's

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

314
23 July 1715 @ King's Theatre

Performances

Mainpiece Title: Hydaspes

315
09 December 1741 @ Goodman's Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

316
17 February 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Eugenia

317
18 November 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

318
27 July 1767 @ Haymarket Theatre

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: A Duke and no Duke

Dance: Serious Dance-; Hornpipe, as17670722

319
15 February 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

320
12 January 1669 @ The (first) Drury Lane Theatre

Performances

321
06 February 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: Rollo, Duke Of Normandy

322
August 1696 @ Bartholomew Fair

Performances

323
20 January 1700 @ Drury Lane Theatre or Lincoln's Inn Fields

Event Comment: Alice Hatton, writing on (possibly) 20 Jan. 1699@1700: I was last night (with Lady Longuevil and Lady Arundel) at ye Princess's, and Lady Long: was so kind to offer to carry me to ye Oppera to day with her and Lady Portland; but I was so unfortunate as to be engaged to go to Lady Denbighs to see ye famous Mrs Binges dance, or else I should have bin glad to have waited on Lady Long: tho I had seen it before and think it very silly. Mr Abel is to have a fine musicke meeting to morrow, and ye tickets are guineas a piece, wch is a little to much for me to throw away; so I shall not be there, and I find so many yt can afford it better of my mind, yt I fancy, if he had lower rates, he would have got more (Hatton Correspondence, Camden Society, XXIII [1878], 245). It is difficult to assign a proper date to this letter. It is unlikely that it was written on Saturday 20 Jan., as Abell was not likely to offer a concert on Sunday at which admission would be charged. It is possible that the opera referred to is The Grove, which is known to have been performed on 19 Feb. 1700, but the fact that this opera was unsuccessful makes it unlikely that it had its premiere in mid-January and was played again in mid-February. Perhaps the letter should be dated mid-February

Performances

324
22 November 1712 @ Queen's Theatre

Performances

Mainpiece Title: The Faithful Shepherd

325
14 January 1713 @ Queen's Theatre

Performances

Mainpiece Title: Theseus