SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ye King"/1) | (@(roleclean,performerclean) "ye King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2738 matches on Performance Comments, 2724 matches on Performance Title, 1942 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Both pieces By Command of their Majesties. King & Queen (Cross Diary)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: Not acted this season. Tomorrow will be Reviv'd the second part of King Henry the 4th, New Dress'd in the Habits of the Times (playbill). [In a letter 14 Nov. 1762, T. H. suggested to Garrick a scenic device for the last scene of Act II, of the Wonder, a device he had noted in the Portuguese theatres in Lisbon, to give a view of a number of gallants passing before the window of a lady": two large windows to be made in the scene, cover'd with gauze to give a transparancy and the effect of glass, the windows to be barrel likewise in imitation of a casement (Harvard, D. Garrick, Original MSS (1930) No. 6. TS 1116.256.3).

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Fortunatus

Dance: I: The Bavarian Shoemakers, as17621009

Event Comment: By Command of their Majesties. King & Queen (Cross Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Dance: III: The Irish Lilt, as17621023

Event Comment: A new comic Opera...By Command of their Majesties. Music-Galuppi. Overture-J. S. Bach. Text-Goldoni. The first performance in England. Deferred from 30 Jan., because of Martyrdom of King Charles I. [A general Practice upon the Stage at noon 28 Jan.

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Atto I. Overture del Ag. Bach-; Song Furia di donna irata-Sga Cremonina (Piccini); Concerto Bassoon-Miller; Song Vedi Amor nel mio Sembiante-Ciardini (Ciampi); Song Quando Saprai chi Sono-Sga De Amicis (Trajetta); Atto II. Concerto violincello-; Song Saro qual e il torrente-Quilici (Galuppi); Song Destrier che al arme uiate-Giustinelli (Piccini); Concerto Hautboy-Simpson; Song Misero Pergoletto-Sga Cremonina (Piccini); Song State Lungi Sol per poco-Ciardini (Galuppi); Atto III. Song Fieri tormenti-Quilici (Jomelli); Song Di quanto Cor le pene-Giustinelli (Trajetta); Concerto violin-; Song Madre non mi conosci-Sga De Amicis (Zingoni); God Save the King-.
Cast
Role: God Save the King Actor: .
Event Comment: Benefit for Miss Catley and Hull. Afterpiece: By Desire, but for last time this season. No Building on Stage (playbill). [The Briton" song is Larpent MS 203, high praise of George III, as a truly British king.] Such as please to send for tickets shall have the words of the Ode gratis

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Thomasand Sally

Song: I: A New Ode, call'd A Briton the Son of a Briton- set to music by Bates. Vocal parts: Mattocks, Miss Catley; in IV: Nymphs and Shepherds-Miss Catley

Dance: A New Comic Dance, as17630224

Event Comment: Benefit for Capitani, now in the King's Bench, singer in the Opera for 20 years past. Boxes 10s. 6d. Pit 5s. Gallery 2s. 6d. To begin at 7 p.m. [A long note hn the Public Advertiser about the nature of Capitani's distresses--death of wife after an expensive illness loss of considerable sums in trade, now in debtor's prison. The Public Advertiser this day Published the following Sonnet V, seemingly a new sort of puff' for Foote]: @To Mr F-@While party rage, my F., distracts the state@And mutual lies contending parties raise,@As int'rest leads, or Pitt or Bute to praise,@Let vet'ran Tories with staunch Whigs debate.@With gen'rous Punch our spirits we'll dilate,@Laugh at those loud-tongued politicians' frays,@And to good Brookman's fame attune our lays,@Whose genial bowl all cares can dissipate.@Safely to Harrogate let Bute retire,@His gout at Hayes lett Pitt in quiet nurse,@And Wilkes at either Secretary rail:@These party feuds unsocial rage inspire,@Destroy all mirth, and all good humour curse,@But shall not o'er our joyous souls prevail.

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

Event Comment: By Command of their Majesties. Command (Hopkins). King & Queen (Cross Diary). Receipts: #240 13s. 6d. (MacMillan)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Fortunatus

Dance: III: The Irish Lilt, as17631119

Event Comment: By Command King & Queen (Cross Diary). Hymen was perform'd but not put in the Bills (Hopkins). [For Hymen, see 23 Jan.] Receipts: #262 6s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Interlude Hymen

Performances

Mainpiece Title: Nabal

Performance Comment: Parts were: David (King Elect)-; Nabal-; Asaph (Companion to David)-; Abigail (Nabal's Wife)-; Chorus Attending on David-; Chorus Attending on Nabal-.

Music: As17640309

Event Comment: For the Benefit and Increase of a Fund for Decayed Musicians and their families. Pit and Boxes put together at half a guinea each. N.B. The Society's Collector being dead, and the places of abode of several of the subscribers being unknown to his successor, those Ladies and Gentlemen who have not yet received their tickets are humbly requested to send for them to Mr Jesse Horwood at his house in King Street, Golden Square, who is empowered by the Society to deliver them and receive the Subscription. Tickets to subscribers will admit one person to any part of the House

Performances

Mainpiece Title: Israel In Babylon; Or, The Force Of Truth

Event Comment: Benefit for Condell, box-keeper, and Charles Sarjant, book and house-keeper. Mr Ross having, by a fall from his horse, hurt himself so much as to be incapable of performing, the Play is oblig'd to be chang'd; and the Tickets deliver'd out for King Lear will be taken this night

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Dance: III: A Hornpipe-Miss Pitt; End: Venus Reveng'd, as17631222

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: CClandestine Marriage deferred, King Ill

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Event Comment: At the King's Opera House in The Haymarket. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Vivant Rex et Regina. [Repeated in the bills.] By His Majesty's Company. [First production of an English stage play at this house since 18 Nov. 1710, though touring French or Italian companies had played French plays as late as the spring of 1727. The location verified by Isaac Reed, who attended the performance.

Performances

Mainpiece Title: Othello

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Daphne and Amintor

Performance Comment: As17660923, but Dancing-Miss _Reynolds, Mrs King.
Cast
Role: Dancing Actor: Miss _Reynolds, Mrs King.
Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Neck or Nothing

Performance Comment: Parts by: Yates, Palmer, Hartry, Parsons, Packer, Mrs Bradshaw, Miss Plym, Miss Pope. Martin-Palmer; Slip-Yates; Stockwell-Hartry; Sir Harry Harlow-Parsons; Belford-Packer; Miss Nancy-Miss Plym; Mrs Stockwell-Mrs Bradshaw; Jenny-Miss Pope (MacMillan). Garrick's first casting (Larpent MS 260) suggests Stockwell-$Parsons; Harlowe-$Castle; Martin-$King. His initial title was A Narrow Escape.
Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Event Comment: Paid Colman the clear receipt of last Monday Night for the Oxonian, and the Alterations of The Rehearsal and King Lear, #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance-Arnauld, Miss Valois

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921

Event Comment: By Particular Desire [i.e., done in honor of the King's birthday]

Performances

Mainpiece Title: The Mayor Of Garratt

Afterpiece Title: The Stratagem

Dance: As17680530

Music: CConcerto on Violin-Barthelemon

Event Comment: By Special License from the Lord Chamberlain, For One Night Only. Benefit for Lee. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Both pieces By Particular Desire. Present, the King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Damon and Phillida

Event Comment: Both pieces By Particular Desire. Present, The King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Orpheus and Eurydice, with the Metamorphoses of Harlequin

Dance: III: [See17671009.] The Merry Sailors-Aldridge