SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ye Ds Players"/1) | (@(roleclean,performerclean) "ye Ds Players")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 589 matches on Event Comments, 490 matches on Performance Comments, 98 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Performances

Mainpiece Title: The Beggar's Opera

Dance: I: Savoyards, as17480920

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Dance: I: (By Desire) Savoyards, as17480920; II: Dutch Dance, as17481203

Music: Between Play and Afterpiece: a piece of Music-the Child

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Music: II: A Piece on the Flute-the Child

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

Event Comment: Mainpiece: Comedie in 5 Actes de Mr Baron. The alleged deposition of Wm Davison:...he on the 17th Day of November being the second Night of the French Strollers acting at the Theatre in the Haymarket, was at the Sign of the Globe, a Publick House about Nine of the Clock that Night, where this Deponent saw John Haines, one of the Waiters at the said Tavern, and several other Persons, to the Number of 16, dressed like Chairmen, each of which had a great Bludgeon in his Hand, which he put under his Coat, in order to hide the same, but in such a manner as this Deponent was capable of seeing said Bludgeons;...and was informed by several Persons of credit that they and others to the number of 30, were hired by Lord Trentham to protect the French Strollers from any Attempt that might be made to prevent their Acting [claims Haines had a list of their names and told them Lord Trentham would need them again on other nights] notarized before John Waple, 24 Nov. [Lord Trentham offered a fifty pound reward for the original copy of the above affidavit.] John Haynes...maketh Oath...that he...never had any Conversation directly or indirectly, with Lord Trentham, relating to the French Players, nor did the said Lord Trentham dine at the King's Arms on 17 Nov., nor did this Deponent see the said Lord Trentham on that Day, nor for several Days before, nor did the Deponent make use of the said Lord Trentham's name, in any conversation at the Globe Alehouse the said Lord Trentham was not in the least privy to this Deponent's going to the said little Theatre on the said 17th of Nov. with several Persons as mentioned in the affidavit or pretended affidavit of Wm Davison...Sworn the 26th Day of Nov., before me, H. Fielding. [This notice repeated in the General Advertiser for a week. The French players departed for France on 28 Dec.

Performances

Mainpiece Title: L'homme A Bonne Fortune

Afterpiece Title: La Chercheuse D'esprit

Performances

Mainpiece Title: The Beggar's Opera

Dance: As17500926

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: I: Comic Dance, as17501231; III: Hornpipe-Master Shawford

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and Miller of Mansfield

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: I: The Matelot Basque, as17521005

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Merlin's Cave; or, Harlequin Skeleton

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Scapin

Dance: V: A Scot's Dance-Harvey, Miss Shawford; End Farce: A Minuet-Lacey, Mad Janeton Auretti

Song: II: A Song-Wilder; IV: Singing-Master Vernon

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: II: A Scot's Dance, as17530501; III: A Hornpipe-Granier; End Opera: The Rigadoon, Minuet-Mr and Miss Shawford

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and the Miller

Dance: II: The Pierrot's Dance, as17540504

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lethe

Dance: I: Shepherd's Holiday, as17541008

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Schoolboy

Dance: As17541203

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The What D'ye Call It