SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ye Ds Players"/1) | (@(roleclean,performerclean) "ye Ds Players")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 589 matches on Event Comments, 490 matches on Performance Comments, 98 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Event Comment: The United Company played at Oxford in July. On 3 July the Queen recommended that permission be granted to the players to act there for twelve days beginning 7 July. See Rosenfeld, Some Notes on the Players in Oxford, p. 371. See also Luttrell, A Brief Relation, 4 July (III, 129)

Performances

Performances

Mainpiece Title: The Female Wits; Or, The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.
Event Comment: Flying Post, 13-15 June 1700: We are credibly informed, That Yesterday a Trial brought on in the Court of Common-Pleas, against one of the players, for Prophanely using the name of God upon the Stage, contrary to an Act of Parliament made in King James the First's time; and that the Verdict was given against the Player; according to the Tenor of the said Act, &c

Performances

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: The Relapse

Performance Comment: Lory-Penkethman; Foppington-Husband; Young Fashion-Mrs Kent; Lovelace-Elrington; Worthy-Thurmond; Sir Tunbelly-Leigh; Surgeon-Norris; Coupler-Spillar; Amanda-Mrs Baker; Berinthia-Mrs Sapsford; Hoyden-Mrs Shepard; Nurse-Mrs Powell; With a new Prologue-Powell; a new Epilogue-Powell, Spiller, Expressing the dreadful Hardships Laywers and Players suffer in a long Vacation.

Song:

Dance: Too many to be inserted in the bills

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus announced, but possibly not acted

Performances

Mainpiece Title: The Beggar's Opera

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Cobler's Opera

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: FFlying Post, 1 March: On Thursday Night last, the Village Opera was play'd the Fifth Time, but met with a most unaccountable Reception; however, tis presumed not from any Pique against the Author, but the Resentment of the town upon some later Proceedings. No sooner did poor Colin appear upon the Stage, but his Arrival was usher'd in with a Serenade of Cat Calls, Penny-Trumpets, Clubs, Canes, Hoarse Voices, whistling in Keys, Hells, Fists; and Vollies of whole Oranges; however, the Players went on with uncommon intrepidity, and like the truly great Men, seem'd greater by opposition. The Audience call'd out for any other Play, Farce or Entertainment, but the Peasants seem'd too intent upon what they were about, to give Ear to them. This so exasperated the Spectators, that they mustered up all the Artillery they could possibly lay hold and made such an Uproar, during the whole intended Entertainment, that it was scarce possible to hear a word the Actors said. As every Player came upon the Stage, they call'd upon him by his real, not fictitious Name, and Swore not a Man of them would come to his Benefit. When Mrs T@@@ appeared, they call'd out for a Quartern of Gin, to chear up her Spirits. The Word Constable being first mentioned in the Gallery, it ran round the House like Wild-fire; and immediately the general Cry was, No Constable, no Constable. At the Conclusion of the Play, a Fellow came upon the Stage, to put out the Lights with his long Pole, but a Gentleman broke it in two, and another taking a Candle from one of the Sockets of the Sconces, his Example was immediately followed by several others, who soon clear'd them of their Lights; when a new kind of Shower compos'd of Candles fell think as Hail on the Stage

Performances

Mainpiece Title: The Village Opera

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Cobler's Opera; or, The Humours of Billingsgate

Performances

Mainpiece Title: The Beggar's Opera

Dance: HHornpipe (by Desire)-Jones

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Dance: Juvan d'Vallois

Performances

Mainpiece Title: The Beggar's Opera

Dance: I: new French Peasant-Poitier, Miss LaTour; II: Comic Dance, as17321209

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restor'd

Dance: HHornpipe-LeBrun; Fingalian (not performed these ten years)-Sant, formerly known by the name of the Chesire Boy

Performances

Mainpiece Title: The Beggar's Opera

Dance: I: Tambourine-Miss Rogers; II: Fingalian-Newhouse, Mrs Ogden

Performances

Mainpiece Title: The Beggar's Opera

Performances

Mainpiece Title: The Beggar's Opera

Dance: SScotch Dance-Glover, Mrs Laguerre, Dupre, Mrs Pelling, Delagarde, Mrs Ogden

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: The Stage-Mutineers; or, A Playhouse To Be Lett

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay

Music: Select Pieces between the Acts, Composed by Mr Lampe

Dance: Drunken Peasant by Le Brun. English Maggot by Lally Jr and Mrs Walter

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Tavern Bilkers

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Apollo and Daphne

Dance: By Malter and Mlle Salle