SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two of three eldest Princesses"/1) | (@(roleclean,performerclean) "two of three eldest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2091 matches on Event Comments, 1335 matches on Performance Title, 448 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Ulysses

Afterpiece Title: The Frenchified Lady Never in Paris

Performance Comment: Lady-Mrs Woffington; Palamede-Dyer; Rhodophil-Gibson; Doralice-Mrs Barrington; Miss Mullart. [the middle three (Genest, IV, 471).] Miss Mullart. [the middle three (Genest, IV, 471).]

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Taste

Performance Comment: Lady Pentweazle-Foote; New Characters-Foote, King, Packer, Baddeley, Burton, Philips, Ackman, Three Performers who never appeared on any stage (pasteboard figures) (Genest, IV, 611). Parts listed in Larpent MS 194 are; Townly-; Manly-; Carmine-; Fustian-; Project-; Prompter-; Alderman Pentweazle-; Caleb-; Servant to Townly-; Boy to Carmine-.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Lethe

Performance Comment: As17601001, but Fine Lady-Miss Brent; Lord Chalkstone-A Gentleman who never appeared on the stage before, who after the farce will perform the Scene of Lady Pentweazle. [Shuter still played the Old Man. Only these three listed.]Shuter still played the Old Man. Only these three listed.]

Dance: LLes Charboniers, as17601215

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Taste1st Act of Taste and Modern Tragedy

Performance Comment: As17610406 but New Characters-Three _Performers (who never appeared on any stage).

Dance: IV: A Comic Dance, as17610307

Performances

Mainpiece Title: Tolomeo

Performance Comment: Dance of three-Miss Asselin, Sg and Sga Binetti.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Apprentice

Performance Comment: Apprentice-Woodward; Wingate-Dunstall; Gargle-Anderson; Scotchman-Bennet; Irishman-Barrington; Catchpole-Buck; Simon-Cushing; Watchman-Weller; Porter-Gardner; President-Perry; Three Members-Tindal, R. Smith, Hayes; Charlotte-Mrs Evans.
Cast
Role: Three Members Actor: Tindal, R. Smith, Hayes

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Apprentice

Performance Comment: Apprentice-Woodward; Wingate-Dunstall; Gargle-Anderson; Scotchman-Bennet; Irishman-Barrington; Catchpole-Buck; Simon-Cushing; Watchman-Weller; Porter-Gardner; President-Perry; Three members-R. Smith, Tindal, Mas. Morgan; Charlotte-Mrs Evans.

Dance: II: Blind Man's Buff, as17641003

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Performance Comment: As17641103, but Three members-Mas. _Morgan, Hayes (playbill).
Cast
Role: Three members Actor: Mas. _Morgan, Hayes

Dance: II: A Hornpipe-Miss Twist; End: Rural Love, as17641212

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Apprentice

Performance Comment: Apprentice-Woodward; Wingate-Dunstall; Gargle-Anderson; Scotchman-Bennet; Irishman-Barrington; Catchpole-Buck; Simon-Cushing; Watchman-Weller; Porter-Gardner; President-Perry; Three members-Holtom, Murden, Mas. Morgan; Charlotte-Mrs Evans.

Dance: II: The Venetian Gardeners, as17650925

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).

Performances

Mainpiece Title: Deborah

Performance Comment: Parts were: Deborah-; Barak-; Abinoam-; Sisera-; Jael-; Three Israelite Women-; Chief Priest of Israel-; Chief Priest of Baal-; Chorus of Priests and Israelites-; Chorus of Priests of Baal-.
Cast
Role: Three Israelite Women Actor:

Music: First Violin, as17710215; Solo on Violincello, as17710215

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: The Magic Girdle

Music: Solo Concerto on Basson-the celebrated M. LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth

Performance Comment: LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth.
Event Comment: Receipts: #138 10s. 6d. Paid three days salary at #85 1s. 11d. per diem, #255 5s. 9d. [Paid the following items which occur regularly each Saturday pay day during the 37 weeks of the 1773-74 season: Lampmen #2 12s.; Billstickers #3 12s.; Handbills 8s.; Candlemen #3 18s.; Carpenter's Bills #8 14s. 6d.; Taylor's Bill #8 11s. 8d.; Mantua Maker's Bill #5 6s.; J. Stevens 18s; Mrs Abington's Cloaths #1; Mr Carver 11 days #11; Mr Royer 2 weeks #9; Mr J. French on act #8 8s.; Supernumeraries and Kettle Drummers #3 14s. (Treasurer's Book). N.B. This pay day was based on a three-day acting week. The average paid out for each of these items over the season, and the total for each computed on this average was as follows. [No further mention will be made of these items this season.] @ Average per week Total for season@Lampmen #3 2s. #113 14s.@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenter's #5 10s. #203 10s.@Taylor's #10 2s. #373 14s.@Mantua Maker's #2 10s. #92 10s.@J. Stevens 18s. #33 6s.@Mrs Abington Cloaths #1 12s. 4d. #60@Carver at 1 per diem #189@Royer #4 10s. #166 10s.@Sups and Kettle Drum at #3 10s. per diem #661@Candlemen #7 14s. #277 4s.

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Pigmy Revels

Event Comment: Benefit for Woodward. Mainpiece: In Three Acts Never Performed there. [This seems to be some adaptation of Garrick's Florizel and Perdita in three acts, but without the character Rogero.] Charges #72 16s. Profit to Woodward #129 17s. 6d., plus #57 from tickets (Box 228). Receipts: #202 14s. (Account Book)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Citizen

Afterpiece Title: The Sylphs

Event Comment: Benefit for Weston. Tickets delivered for 7 April taken. It is agreed this day between Mrs Abington and Mr Garrick that the former shall be engag'd to him and Mr Lacy, Patentees of the Theatre Royal in Drury Lane, for three years from this date, or three acting seasons, at the sum of twelve pounds a week, with a Benefit, and sixty pounds for cloaths--the above agreement to be put into Articles according to the usual form. s@ Frances Abington, D. Garrick for himself and Mr Lacy (Folger Library, Garrickiana 962 MS [Cage, p. 154).] Receipts: #205 14s. 6d. Charges: #66 5s. Profits to Weston: #139 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Pantheonites

Entertainment: End II: Imitations vocal and rhetorical-Bannister; End III: Hippisley's Drunken Man-Weston; End V: (For that night only) Judge Tycho's sentence-Weston riding on a rhinoceros

Dance: After Judge Tycho's Sentence: The Taylors, as17740428

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Barry; Orlando-Lewis; Adam-Lee, first time for all three these characters; Duke Senior-Hull; Amiens (with songs)-Mattocks; Oliver-Wroughton; Frederick-Fearon; LeBeau-Booth; Sylvius-Whitefield; Corin-Thompson; Touchstone-Shuter; Charles-Fox; William-Wewitzer; Caelia (with Cockow Song)-Mrs Mattocks; Phoebe-Miss Dayes; Audrey-Mrs Pitt; Rosalind-Mrs Barry; In Act V a new Pastoral Dance-Daguville, Miss Valois.

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil to Pay or the Wives Metamorphosed

Performance Comment: Sir John Loverule-Wooler; Jobson-Massey; Doctor-Lloyd; Butler-A Gentleman; Cook-Baldwin; Footman-Trotter; Coachman-Lewis; Fiddler-Williams; Lady Loverule-Mrs Nost; Nell (by particular desire)-Mrs Harris (a fruiteress from Tunbridge-Wells) who performed it in that place three times with great applause.

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Reddish; Modely-Dodd; Bellmour-Palmer, first time for all three in these parts; Steward-Waldron; Servant-Everard; Araminta-Mrs King; Lady Beverly-Mrs Hopkins; Celia-a Young Lady, first time.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: A Fete

Performance Comment: As17810403, but SCENE III. A View of the Sea. The Storm-Reinhold; We be three poor Mariners-Davies, Doyle, Simpkinson; To conclude with a Dance-Aldridge, others; SCENE IV as SCENE V on 3 Apr. SCENE V. A Church-Yard. Poor Thomas Day-Edwin, J.? Wilson, Davies; SCENE VI. A Banquet Scene. A Burlesque Italian Medley-Reinhold; To conclude with several Catches and Glees-the most eminent performers; Come honest Friends and jovial Souls-_SCENE VII omitted; Chorus-_; Dance-_; Attendant Genius-_; Venus-_; Dance of Warriors-_; Mad Tom-_; The music-_; She that will but now discover-_.

Afterpiece Title: The Flitch of Bacon

Song: End III 1st piece: When Phoebus the tops of the hills did adorn-Leoni, Mrs Kennedy

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Fete

Performance Comment: As17810427, but in SCENE I The Going out in the Morning, The Huntsman's sweet Hollo-Miss Catley; in place of The Death of the Stag-_; and Give round the word-_; in SCENE III We be three poor Mariners-Cubitt, _Davies.

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: A Fete

Performance Comment: As17810427, but SCENE I as17810403; Overture-_; Forester's Dance-_; SCENE II as SCENE V on 3 Apr.; SCENE III as SCENE II on 3 Apr.; SCENE IV as SCENE III on 4 May. We be three poor Mariners-_Davies, Cubitt. SCENE V as SCENE V on 25 Apr. SCENE VI as SCENE VI on 27 Apr.

Afterpiece Title: The Touchstone

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17840128, but Fainall-Farren; Witwou'd-Dodd; Foible (1st time)-Mrs Wrighten .
Cast
Role: Witwou'd Actor: Dodd
Role: Sir Wilful Witwou'd Actor: Moody

Afterpiece Title: A Fete

Performance Comment: Scene I. A Country Church-yard by Moon-light. Lord Littleton's Elegy of My Lucy, alas! is no more by Dodd, Barrymore, Williames. Scene II. A Masquerade. An Italian song by Miss George; a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] . a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] .

Afterpiece Title: The Double Disguise

Song: Between the Acts of 1st piece A Soldier for me by Mrs Wrightcn

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos or A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp