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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two Whitmores"/1) | (@(roleclean,performerclean) "two Whitmores")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2103 results for: Keyword - two Whitmores
We found 956 matches on Event Comments, 868 matches on Performance Title, 350 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

901
19 June 1795 @ White-Lion Inn, Wych Street (the former south continuation of Drury Lane)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Oracle

Song: Between the parts: singing-two Young Ladies; The Midshipman-a Young Lady; Jack Rattling (in character)-a Young Lady

Entertainment: Monologues.An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent

902
22 June 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: The Magick Banner; or, Two Wives in a House

903
15 March 1797 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Or, the Power Of Music Messiah 0

Afterpiece Title: Alexander's Feast 3

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

904
10 February 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun., Blurton; Baptist (their Father)-Delpini; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Whitmore Sen.; Theodore (Page to Raymond)-Simmons; Antonio (Page to Agnes, with a Song)-Miss Sims; Father Ansellum-Whitmore; Master of Hotel-Atkins; Old Steward (to Felix)-Wilde; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, Gardner, Denman, J. Linton, Lee, Potts, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, L. Bologna, Lewiss, Webb, Abbot, Goostree, Howell, Vials, Letteney; Maugerette (Baptist's mistress)-Mrs Mills; Spectre of the Bleeding Nun (mother of Agnes-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Mrs Norton; Abbess of St. Claire-Mrs Gilbert; Agnes (Daughter to the Count of Lindenbergh)-Mrs Parker (1st appearance in that character); Nuns of the Convent of St. Claire-Ms Castelle, Ms Iliff, Ms Leserve, Ms Sydney, Ms Lloyd, Ms Norton, Ms Masters, Ms Cox, Ms Bologna, Ms Whitmore.

905
13 April 1799 @ Covent Garden

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun. (1st time), Blurton; Baptist (their Father)-Bologna; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Dyke; Theodore (Page to Raymond)-Simmons; Father Ansellum-Whitmore; Master of Hotel-Thompson; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, J. Linton, Lee, Russel, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, Wilde, L. Bologna, Jackson, Webb, Chapman, Abbot, Goostree, Howell, Vials, Letteney, Wilkins, Mrs Bologna, Ms Gilbert, Ms Crow, Ms Cox, Miss Bologna, Ms Dibdin, Ms Blurton, Ms Ward, Ms Coombes; Maugerette (Baptist's mistress)-Mrs Mills (1st appearance in that character); Spectre of the Bleeding Nun (mother of Agnes)-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Miss Burnett; Abbess of St. Claire-Mrs Platt; Agnes (Daughter to the Count of Lindenbergh)-Mrs Chapman (1st appearance in that character); Nuns of the Covent of St. Claire-Ms Sims, Ms Castelle, Ms Iliff, Ms Leserve, Ms Walcup, Ms Lloyd, Ms Norton, Ms Masters.

Dance: In: As17990316

906
12 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

907
29 January 1799 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Related Works
Related Work: The Magic Oak; or, Harlequin Woodcutter Author(s): Thomas Attwood

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

908
07 October 1799 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

909
21 October 1799 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

910
05 April 1800 @ Covent Garden

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph

Related Works
Related Work: The Hermione; or, Valour's Triumph Author(s): Thomas Attwood

911
11 October 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: A Day at Rome

Related Works
Related Work: A Day at Rome Author(s): Thomas Attwood

912
26 December 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Afterpiece Title: The Mouth of the Nile

Related Works
Related Work: The Mouth of the Nile Author(s): Thomas Attwood

913
08 April 1799 @ Covent Garden

Performances

Mainpiece Title: Fun And Frolic

Afterpiece Title: The Birth Day

Afterpiece Title: The Magic Oak

Related Works
Related Work: The Magic Oak; or, Harlequin Woodcutter Author(s): Thomas Attwood

914
28 May 1799 @ Covent Garden

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Saturday Night at Sea; or, Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

915
24 October 1799 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Jew and the Doctor

Entertainment: Procession End II: A Return from a Tiger Hunt- [to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the +Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

916
14 November 1799 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

917
30 November 1799 @ Covent Garden

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: The Spoil'd Child

918
25 March 1800 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin]: With appropriate music (composed and selected by Attwood), Scenery, &c. Books of the Songs to be had at the Theatre. Receipts: #256 17s. (251.10; 5.7)

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Related Works
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): Thomas Attwood

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

919
12 May 1800 @ Covent Garden

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

920
16 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: 'Tis All a Farce

921
18 November 1730 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Damon and Phillida

922
13 January 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Jealous Taylor; or, The Intriguing Valet

923
17 September 1798 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Botheration; or, A Ten Years Blunder

Song: In V: a Dirge, set to music by Shield. Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone

924
21 September 1798 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: The Miser

925
26 September 1798 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Lovers' Quarrels