SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "two Miss Simonets"/1) | (@(roleclean,performerclean) "two Miss Simonets")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13959 matches on Performance Comments, 5172 matches on Performance Title, 2591 matches on Event Comments, 58 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Country Farmer Deceivd or Harlequin Statue

Performance Comment: Harlequin-Miles; Farmer-Bencraft; Colombine-Miss Haughton; Pierot-Lalauze.
Cast
Role: Colombine Actor: Miss Haughton

Dance: Dennison, Settree; scholars of Lalauze, being the second time of their performing on that stage. Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington

Performance Comment: Particularly a Scots Dance-Dennison; a Shepherd's Dance-Settree; the Two Pierrots-Dennison, Settree; Likewise (by Desire) a Minuet-Lalauze, Mrs Woffington.
Event Comment: Benefit for Dan. French, Mrs Hyde and Mrs Knowles, Two Ale-Conners Widows. A Concert, etc. Boxes 4s. Pit 2s. Gallery 1s. 6d. To beg1n at 6

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Afterpiece Title: Flora or Hob in the Well

Event Comment: KKing there--but not in ye Bills sent Word at 3 o'clock--Play went off well (Cross). We hear there are two more plays reviving at Drury Lane, which are intended to be played alternately, and that a new Pantomime Entertainment call'd Harlequin Ranger is preparing for the holydays. Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Bridget Actor: Miss Minors

Afterpiece Title: The Shepherds Lottery

Cast
Role: Phillis Actor: Miss Norris
Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Revenge

Cast
Role: Leonora Actor: Miss Bellamy

Afterpiece Title: Taste

Event Comment: MMr Francis has successfully avoided the common fault of a buskin'd expression, and left the plain language of nature to be supported by the dignity of the sentiment: He has I think, not above one or two similies, and scarce one unnecessary or purely ornamental epithet. In this he has judiciously imitated the simplicity of the antients, and of our Milton's Samson Agonistes, as he has also done in the contrivance of the fable, by preserving the unities...'Twould be idle in me to observe that this play is a true tragedy, tho' nobody dies in it, as it has so large a share in exciting the only objects, terror and pity. There is one excellency, which I cannot help pointing out, as it is almost universally overlook'd by all dramatic writers: I mean the MORAL without which there is no perfect drama. (Have at you All; Or The Drury Lane Journal, 20 Feb. 1752). Receipts: #170 (Cross)

Performances

Mainpiece Title: Eugenia

Cast
Role: Eugenia Actor: Miss Bellamy
Event Comment: [The theatres this night met competition from (I) an Assembly at the king's Theatre in the Haymarket, tickets 26s. each, to admit one Gentleman and two ladies. (2) another Assembly at the Five Bells Tavern, behind the New Church, in the Strand, where was opened the Temple of Taste, where will be exhibited a grand concert of Music. Also an attempt towards the Introduction of a new rational entertainment, consisting of an Occasional Prologue by a Gentleman; a panegyric on the Utility of Public Speaking, in which the Design is particularly illustrated; Propositions made from a Gentleman in the Chair, to be debated by the company, such as the Gay and Polite may be supposed to understand, and speak upon with success; to conclude with an Original Epilogue; the whole interspers'd with several grand concertos, Overtures, and Full pieces of Musick. This design, which has for its object the interest of Knowledge, Eloquence and Politeness, needs no Apology, and can be opposed by those, with whom to be at variance, is Virtue. No subject of so Sacred Nature as Religion, will be there canvass'd nor anything that can give Occasion to Indecency, or unmannerly reflection on any Undertaking or Party.-In this attempt all Men of Taste are interested, as they will have an opportunity not only of being pleased, but giving pleasure by considering every subject with candour, and reasoning upon it, with Eloquence and propriety. To this entertainment, the Ladies are likewise invited, who have an unexceptionable right to be present at all Attempts, calculated for the promotion of knowledge, and as their appearance will naturally secure polite behavior, so they may reap some advantage from the Circulation of ideas, which is such an Assembly must necessarily take place. The price of entrance-half a crown each. To begin precisely at seven. The room which is very commodious, will be elegantly illuminated. The SUBJECT for the first Night's Debate will be, "If the Custom of Portioning Daughters was entirely suppress'd, would it not be a good Expedient towards the promotion of Matrimony and the felicity of that state." It continued on four Wednesday nights. Then seems to have died.

Performances

Mainpiece Title: The Royal Merchant

Cast
Role: Jaqueline Actor: Miss Haughton

Afterpiece Title: Harlequin Sorcerer

Event Comment: [T+Temple of Taste met for fourth time. Question debated, Can a Man love passionately and virtuously two ladies at a time?"]

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: Proclamation Southwark

Performance Comment: Whereas the Fair, called Lady Fair, in this Borough, is by charter appointed to be held the seventh, eighth, and ninth days of September O.S. yearly, w ll this year begin, and holden this day the 16th day of September, N.S. occasioned by the alteration of the Stile, and continued the two following days, to wit the 19th and 20th and no longer. And whereas the said Fair hath for several years past been continued against Law, for a longer time than the said three days, contrary to the institution thereof, whereby divers Riots, and other Disorders have been committed in breach of His Majesty's peace; for preventing of which misdemeanors and abuses it is thought fit and needful to give this Publick notice that if any persons do presume to keep open any Booth, Shed, or other Building, or permit and further any Stall, or Stand to be and remain before their Door longer than the said 18th, 19th, and 20th days of September NS, with intent to prolong said Fair, and put to sale there goods and wares, or shall act and exhibit any Droll or Show, or foster to be acted and exhibited in any Booth or Dwelling house any Droll, or Show, or other Entertainment of the Stage, or shall play at, or encourage any sort of gaming contrary to the Laws and Statutes of his realm; such person or persons so offending will be prosecuted and punished according to the Law (General Advertiser, 16, 18, 19, 20, Sept. 1752).
Event Comment: [Noise, & some fighting in ye pit Mr Woodward when ye Entertainment was over each Night gave it out again, which the opposite Party look'd upon as Impudent--ye Inspector wrote against it--the fool, against the Silent Woman, as Indecent, & this Night whatever passages he had mark'd out were hiss'd by two or 3 people (Cross). [The Inspector edited by Dr John Hill.] Receipts: #100 (Cross)

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Harlequin Ranger

Dance: [As17521102

Event Comment: The Scene was call'd for & perform'd, only two or 3 opposing--the Song Sung &c. Receipts: #190 (Cross)

Performances

Mainpiece Title: Venice Preservd

Cast
Role: Belvidera Actor: Miss Bellamy

Afterpiece Title: Harlequin Ranger

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii Arabian Nights Entertainment

Event Comment: For the Small Pox Hospital; Pit and Boxes 1!2 Guinea; a Treble Ticket at 26s., which admits a Gentleman and two Ladies to the Pit and Boxes, and the Gentleman to Dinner at Merchant Taylors Hall. First Gallery 5s. Upper Gallery 3s. 6d. No more Tickets will be disposed of than will conveniently fill the House, nor will any Money be taken at the Doors, or Collection at the Theatre. This being a Morning's Entertainment it is not expected that the Ladies come full-dressed. The most convenient way to the upper gallery at the Theatre, is through the King's Yard. To begin at 12 noon

Performances

Mainpiece Title: Alexanders Feast

Music: CConcerto-Stanley who is to conduct the performance

Event Comment: Benefit for Signora Bugiani. Two rows of the Pit will be rail'd into the boxes

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The What Dye Call It

Cast
Role: Parish Girl Actor: Miss Hallam.

Dance: I: Il Pastore, as17521219; III: A New Dance after the Hungarian manner-Maranesi, Sga Bugiani; V: A Mock Minuet-Maranesi, Sga Bugiani

Event Comment: [Performance of mainpiece highly praised in Gray's Inn Journal 3 Nov. It is no wonder that in some scenes the Emotions of the Audien ce run so extremely high, as they were acted upon by the two best Tragedians in the world." Garrick and Mossop. Also praises Foote's Fondlewife in previous performances of the Old Batchelor.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Lottery

Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Cast
Role: Lady Blanch Actor: Miss Minors

Music: As17540123

Dance: Devisse, Mlle Auguste

Performances

Mainpiece Title: Mrs Midnights New Carnival Concert Or The Old Womans Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Event Comment: In a fews days will be reviv'd at Covent Garden, the Tragedy of Phaedra and Hippolytus, in which Mr Sheridan will perform the part of Theseus, and Mrs Woffington that of Phaedra. Sg Francel and Sga Rossina Balbi, two Italian Dancers, arrived on Friday last from the Court of Bareith in Germany, and are engaged to perform at the same theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Schoolboy

Event Comment: Care has been taken to make the House warmer, by the addition of two more Stoves, one being fixed under the Centre of the Pit, and the other near his Majesty's Box

Performances

Mainpiece Title: Siroe

Event Comment: Tickets may be had of Arne in Chelsea St., Covent Garden, and of Varney at the Stage Door where Places may be taken. N.B. Those nightly Tickets which did not come in at the two performances of Abel, will be received at this performance

Performances

Mainpiece Title: Alfred

Music: I: Concerto on the Violin, as17550314 II: An Organ Concerto by Arne, as17550314

Event Comment: Paid Charlotte Lane for making two Fustian Banjans & Breeches, and materials at 8s. each, 16s. For the Painters (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Lottery

Event Comment: Great applause (Cross). Mainpiece: Acted but once these two years. Eumenes by Holland, being the second time of his appearing in that Character. Receipts: #170 (Cross)

Performances

Afterpiece Title: The Englishman in Paris

Cast
Role: Lucinda Actor: Miss Macklin.

Dance: I: A New Dance call'd the Lilliputian Sailors-

Event Comment: Benefit for Cibber. To begin at 6:30 p.m. Pursuant to Act of Parliament. At the Desire of several Persons of Quality for the Benefit of Mr Cibber At the New Theatre in the Haymarket, on Wednesday next, the 14th instant, will be perform'd a Concert of Musick, the Particulars whereof will be express'd in the Bills of the Day. After which (by partiuclar Desire) will be given a Dissertation in two Parts on Patentees, on Theatres, on Acting, Publick Diversions, and address'd to the Town, by Mr Cibber (Daily Advertiser, 8 & 10 Jan.)

Performances

Mainpiece Title: A Dissertation

Event Comment: Wrote by Mr Pope. Mr Barbauld's First Subscription Oratioro,...and set to Musick by Mr Charles Barbault, in Two Parts. One ticket for all three oratorios--one Guinea; for one performance half a guinea; gallery 3s. 7 p.m

Performances

Mainpiece Title: The Universal Prayer