SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two American Princes"/1) | (@(roleclean,performerclean) "two American Princes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1796 matches on Event Comments, 1382 matches on Performance Title, 976 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Beaumont and Fletcher, acted but once these 15 years. Afterpiece: At the particular Desire of several persons of Quality. Benefit for my Self & Wife (Cross). [See The Spouter; or, The Triple Revenge, farce in two acts attributed to Mr Murphy, satirizing John Hill, Theophilus Cibber, Samuel Foote. Discussed by Genest, IV, 459-61.] Receipts: #214 (Cross)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Apprentice

Dance: NNew Sailor's Dance, as17560217

Event Comment: This day is publish'd at 1s. Amphitryon; or, The Two Sosias, a Comedy altered from Mr Dryden, as it is now perform'd at the Theatre Royal in Drury Lane. With a New Interlude of Music, an Occasional Prologue, and some account of the Alterations. Printed for J. Payne, at Pope's Head in Paternoster Row. Receipts: #180 (Cross)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Lethe

Event Comment: This year was published A Collection of the Dresses of Different Nations, Antient and Modern, Particularly Old English Dresses after the Designs of Holbein, VanDyke, Hollar and others, with an account of the Authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the Habits of the Principal characters on the English Stage. Two vols. with French Text [Recueil des Habiliments...] facing English text. Coptume plates included. Vol II for the English. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Event Comment: An Oratorio composed by Sg Gio. Adol. Hasse, With Additions by Sg Giardini. End of the first Act a Concerto on the Organ by Mr Burton, In Act the third a Hautboy Concerto by the two Signori Besozzi, lately come from abroad. Pit and boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. Tickets and Places to be had of Mr Varney, at the stage-door of the Theatre. The profits of this performance will be given to A Public Charity. [No receipts recorded by Cross.

Performances

Mainpiece Title: I Pellegrini

Event Comment: TThe Knights, publish'd 4 April, at 1s. A Comedy in Two Acts as it is perform'd at Drury Lane. By Mr Foote (Public Advertiser). Passion Week (Cross)

Performances

Mainpiece Title: None

Event Comment: Benefit for Dunstall and Mrs Dunstall. Afterpiece: Not acted these two years. Tickets sold at the Door will not be taken

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Flora; or, Hob in the Well

Song: II: A Solo on the Broomstick-Skeggs, his 1st appearance on that stage; V: A Mock Italian and English Cantata-Skeggs

Dance: III: The Lamplighters, as17570429

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim And Novelty

Performance Comment: With a new Introduction-Mrs Trampwell, her Troop, In which Miss Midnight will give some specimens of Oratory a la mode de Theatre; An Address-Mr Cibber; A Concerto Hooley and Fairley, a Scotch Song-Mr Lauder; Blind Man's Buff, a dance-Lilliputians; A Concerto for French Horns-; The Comic Lectures (in two parts) varied-Mr Cibber; end of First Lecture a piece of Music-; End of 2nd, a new pantomime dance call'd The Taylors-Master Settree, Miss Twist; The music and dresses new. When all the Attic Fire was fled, in Eliza-Miss Gaudry; An auction of Choice curiosities of extraordinary value-Mr Cibber (auctioneer); a new Italian Air-Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Also a Grand Comic Ballet called the Marine Boys Marching to Portsmouth-; , in which will be introduced a Hornpipe-Mossis, Miss Durham; Mr Handel's Water Music, with a Preamble on the Kettle Drums-Mother Midnight; Also a Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: With a Lilliputian Pantomime call'dHarlequin's Frolic; or, A Voyage to Prussia

Event Comment: Mainpiece: Not acted for two years. [See 9 Dec. 1755.] Receipts: #120 (Cross)

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: Harlequin Ranger

Dance: TThe Market, as17571126

Event Comment: MMr Cibber having obtained Leave to act Plays, etc. at the Theatre in the Haymarket, humbly solicits Subscription, from his Patrons among the nobility, Gentry, etc. @Conditions. Each Subscriber will have@for Five Guineas 25 Box, or 40 Pit Tickets@for four Guineas 20 Box, or 32 Pit Tickets@for three Guineas 15 Box, or 24 Pit Tickets@for two Guineas 10 Box, or 16 Pit Tickets@for one Guinea 5 Box, or 8 Pit Tickets@for Half a Guinea 4 Pit Tickets or 6 Gallery@ Subscription Tickets will be taken any Night of the first Ten Performances. No Subscriptions will be received after Thursday 1 Jan. 1758, the first Day of Performance. The Play, Farce, and Entertainments will be timely mentioned in the Bills, Advertisements, &c

Performances

Event Comment: This Night by the Crowd upon the upper Gallery Stairs two Women & a Man were Kill'd (Cross). 2 or 3 Persons squeezed to death getting into Drury Lane (Winston MS 8). The Tragedy of the Mourning Bride will be acted at the latter end of this week at Drury Lane, in which Mrs Glen will perform the character of Zara, it being the second time of her appearing on that stage. The reviv'd Comedy of the Gamesters and the tragedy of the Fatal Marriage will be played after the holidays. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin Ranger

Event Comment: Receipts: #92 17s. Mem: Princess Caroline died this day in the afternoon, and the two theatres &c. were silenc'd to Friday the 6th of January following, seven nights. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Orpheus and Eurydice

Event Comment: Afterpiece: A Dramatick Piece of Two Acts (taken from Sir Richard Steele's Accomplished Fools)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Numps's Courtship; or, Love Makes the Painter

Dance: As17580112

Event Comment: This day is Publish'd: The Author, a Comedy of two Acts, by Foote. Price 1s. Printed for R. Francklin, Russell St., Drury Lane. Creusa Queen of Athens, a Tragedy, by Wm. Whitehead, Price 1s. 6d. Printed for R. and J. Dodsley in Pall Mall. Receipts: #180 (Cross)

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Author

Dance: II: The Italian Peasants, as17571004

Event Comment: Mainpiece: Not acted these two years. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: Queen Mab

Ballet: II: The Prussian Camp. As17580131

Event Comment: As Mrs Cibber is not quite recover'd of her illness, the new Tragedy of Agis is deferred for a day or two longer. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Queen Mab

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Account Book: Receipts: #224 10s. 6d. Paid Ridout 1!3 of the surplus above the House Charge of #80 (#48, 3s. 6d.). Paid Mr Finny in full of the New Building pursuant to an agreement, #131 8s. [Two New Renters came in for 1 share each: Mr Lacam and Mrs Lacam.] Paid out #25 14s. to shareholders of 43 new shares for the Oratorios: By Rent of New Shares for the Oratorios at 2 shillings per share @No. Shares No. Nights Interest@9 10 #9@1 9 #0 18s.@4 8 #3 4s.@1 7 #0 14s.@8 6 #4 16s.@1 5 #0 10s.@14 4 #5 12s.@1 3 #0 6s.@3 2 #0 12s.@1 1 #0 2s.@Total 43 58 #25 14s.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Event Comment: A Free Benefit for Ryan. Mainpiece: Not acted these 4 years. [See 3 April 1756.] Written by the late Mr Hughes. [For Afterpiece, see note.] Receipts: Door, #87 7s. Tickets #121 17s. (boxes 267; pit 286; gallery 122). (Account Book). [Ryan had advertised his benefit on 15 March to be The Siege of Damascus and a new Dramatic Satire called The Anniversary, being a Sequel to Lethe. On 16 March the following letter appeared in the Public Advertiser: "Upon reading Ryan's advertisement of a New Dramatic Satire, I was extremely pleas'd with a Description of the motive that occasioned it. He being last week at dinner with a set of particular friends, they inquired what Play and Farce he had chose this year for his Benefit. He inform'd them the Siege of Damascus and Lethe. Lethe, replied a Gentleman is very pleasing, but your friends have seen it, and you must fall into the fashion of having a new additional Scene; for a little bit of novelty may give assistance to its merit, and prove to your advantage. Why, then, said a facetious Gentleman, who sat very near him, Pray sir, do you write him one; 'twill cost you little trouble, and, you know, you are very capable. No more capable than yourself, Good Sir, answered the other; but to show I am full as willing, if you'll attempt to please his friends with one, upon my word I'll use my best endeavor to do the same, in writing of another. We need not fear Severity, for none will blame a friendly inclination to serve a man, who, I believe everyone wishes well. "Twas agreed, but Ryan judiciously observed, 'twould be a shame that two Gentlemen, each capable of writing to give an audience satisfaction, should condescend to make mere Lacqueys of their pens, and send them forth to hold the tail of Lethe; therefore if they should once begin, let them each write only one Hour longer, and they might raise a Structure of their own. They kindly undertook it, and in a Week sent him the piece he has now advertised."

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Anniversary : Being a Sequel to Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, by Desire, as17571013

Event Comment: Benefit for Holtom, Mrs Stephens, Miss Helm, and Carmichael, Prompter. Tickets deliver'd by Holtom, Carmichael, Chapman, Rawlins, Miss Helm, Miss Stephens, Miss Dawson, Miss Leppie, Mrs Hitchcock, Mrs Gwin will be taken. [The first eight received one-half value. The last two received full value gratis for their tickets.] (Account Book). Receipts: #33 16s. 6d. The benefits: @Tickets Box Pit Gallery Value 1!2 Value@Holtom 56 63 #14 14s. #7 7s.@Carmichael 12 12 12 #6 #3@Chapman 114 214 71 #67 14s. #33 17s.@Rawlins 10 74 47 #18 6s. #9 3s.@Miss Helm 3 14 31 #5 19s. #2 19s. 6d.@Miss Stephens 13 16 35 #9 13s. #4 11s. 6d.@Miss Dawson 126 44 35 #41 12s. #20 16s.@Miss Leppie 4 23 37 #8 3s. #4 1s. 6d.@Mrs Hitchcock 35 67 28 #21 12s. Gratis@Mrs Gwinn 4 39 58 #12 13s. Gratis@Total 321 559 417 #205 7s. #85 15s. 6d.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Contrivances

Dance: IV: By Desire, a Hornpipe-Miss Dawson; IV: Last new Comic Dance-Lucas, Mlle Capdeville, as17580417

Ballet: II: Judgment of Paris. As17580413 but Venus-Miss Hillyard

Event Comment: Benefit for Mrs Yates. Farce damn'd & Half-pence thrown. Mrs Cibber's Son dy'd two Days ago & she never came ot play for Holland, Mrs Yates, or me ye old Game at this Season. Receipts: #150 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: No Matter What

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Roberts. Receipts: #33 17s. 6d. Charges: #80. Deficiency covered by income from tickets, #115 9s. Two New Renters came in a 1 share each: Mrs Tabitha Mendez, and Mrs Susan White. [This addition brought the total of New Renters' shares to 50, which equalled the holdings of the Old Renters] (Account Book)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Catherine and Petruchio

Dance: III: Country Lass-Miss Vallois; V: Comic Ballet, as17580428

Song: II, IV: Roberts

Event Comment: At Marybone Gardens. Translated into English. The Music by Pergolesi. Admittance 2s. 6d., tea and coffee included. [Daily Advertiser, 15 May, notice: Only 26 Tickets for ball room will be sold each night. Admittance one shilling; Ballroom five shillings to admit one gentleman and two ladies.

Performances

Mainpiece Title: La Serva Padrona; Or, The Servant Mistress

Event Comment: OObrien did Brazen, for his first appearance, & met with great Applause (Cross). [See a two-column comment on The Recruiting Officer and O'Brien's acting in Theatre No II published in The London Chronicle, No. 277, 5-7 Oct., p. 343: "The character of Brazen never existed in human nature, but is merely the child of Farquhar's own licentious invention...and for this reason I imagined it impossible for any actor to appear to advantage in it, without having recourse to that buffoonery and grimace which has always been made use of by the most eminent to support it; but I was agreeably surprised to find myself mistaken: for the young gentleman who has now got it into his possession goes through the whole with a genuine comic spirit; and, by his peculiar method of acting it, in a great measure corrects the unnatural absurdity of the writer." Specific details of his acting as well as comments on other roles are given.] Receipts: #150 (Cross); #174 3s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist