SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the younger George Colman"/1) | (@(roleclean,performerclean) "the younger George Colman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5402 matches on Author, 3714 matches on Performance Comments, 1208 matches on Event Comments, 861 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: NNeville MS Diary: Read ye parts of Varanes and Athenais before I went into ye Pit to see ye Play of Theodosius. Barry and Mrs Dancer are excellent in Varanes and Athenais. Young Barry did Theodosius, and Sowdon Marcian, who, tho' ugly, has a pretty good person and is a tolerably good player. Liontine by Bannister

Performances

Mainpiece Title: Theodosius

Performance Comment: Varanes-Barry; Theodosius-T. Barry; Leontine-Bannister; Atticus-Gardner; Aranthes-Davis; Lucius-Keen; Marcion-Sowdon; Pulcheria-Mrs Burden; Julia-Mrs Denton; Delia-Mrs Kirby; Athenais-Mrs Dancer.
Cast
Role: Theodosius Actor: T. Barry
Role: Aranthes Actor: Davis
Role: Athenais Actor: Mrs Dancer.

Afterpiece Title: Miss in Her Teens

Dance: III: A Serious Dance-; End: A comic dance-Miss Froment, a little girl (Neville)

Event Comment: NNeville MS Diary: Barry played Lear very well. His broken voice is appropriate in that character; tho' I am apt to imagine that certain nice inflections of voice in expressing ye language of passion, are mistaken for a failure of ye voice itself...[partial cast]. Young Barry was tolerable in some parts of Edgar, but very inanimate in ye last scenes...The House very full

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Lying Valet

Dance: IV: A serious Dance-; End: A comic Dance-Miss Froment

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment">Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: Read the principal parts of Much Ado About Nothing. Dined at St Clements Chop House, entered into a political conversation with a young gentleman, which prevented me from getting into the Pit till 5 o'clock. Was so squeez'd I could scarcely use my glass. [Lists parts.] The play was concluded by Comic Dance by the characters. How well and with what Agility Garrick dances (Neville MS Diary)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Claudio-Palmer; Dogberry-Parsons; Don Pedro-Packer; Leonato-Havard; Balthazar (with song)-Vernon; John-Aickin; Antonio-Hurst; Borachio-Ackman; Town Clerk-Baddeley; Sexton-Weston; Beatrice-Miss Pope; Hero-Mrs Baddeley, 1st time; In Act II, a Masquerade Dance proper to the play, -Grimaldi; To Conclude with a Country Dance-the characters of the play.

Afterpiece Title: The Virgin Unmasked

Event Comment: Paid Mr Younger a Bill for Writing parts #3 8s. (Account Book). Receipts: #200 13s. 6d. (Account Book)

Performances

Afterpiece Title: The Oxonian in Town

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Paid Younger a Bill for writing parts etc. #7 19s. 1d. (Account Book). [Sylvas Neville attended in the pit, but made no comment.] Receipts: #188 12s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Royal Chace

Cast
Role: The Baby Actor: the Giant
Event Comment: Both pieces by command of Their Majesties. Present: Their Majesties, Prince of Wales, Prince Frederick and Lady Louisa. Gave Yeoman of the Guards #2 2s. Paid Younger for licensing The Good Natured Man #2 2s. (Account Book). Receipts: #228 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Orpheus and Eurydice

Cast
Role: Mrs Motherly Actor: Mrs Copin
Event Comment: Paid Younger for the License of Lionel and Clarissa #2 2s. (Account Book). Receipts: #225 2s. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Upholsterer

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Brutus-Davis; Sicinius-Casey; Minucius-Perry; Titus-DuBellamy; Tullus-Clarke; Galesus-Hull; Volusius-Gardner; Plebians-Barrington, Cushing, Dunstall, Stoppelaer, Quick; Volumnia-Miss Macklin; Veturia-Mrs Bellamy; In which will be introduced a Roman Ovation- after the manner of the Antients.

Afterpiece Title: Love a la Mode

Cast
Role: Sir Theodore Actor: Dunstall

Dance: End: The Irish Lilt, as17670921

Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Parts by Powell, Clarke, Smith, Hull, Bensley, Mrs Lessingham, Mrs Yates. With a Prologue-; Epilogue-; Cyrus-Powell; Cambyses-Smith; Mithranes-Bensley; Astyages-Clarke; Harpagus-Hull; Mandane-Mrs Yates; Aspasia-Mrs Mattocks (1768 edn. The edn. lists Mirza-Davis, but Davis does not appear on the playbill, which lists Mrs Lessingham, though no part appears for her in the 1768 edn.). Mrs Lessingham played Aspasia according to the listing in Lloyd's Evening Post, 2 thru 5 Dec.

Afterpiece Title: Country Wife

Cast
Role: Alithea Actor: Mrs DuBellamy
Event Comment: Paid Younger a Bill for writing Parts #6 14s. 6d. (Account Book). Receipts: #75 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Dr Faustus

Cast
Role: The Dances Actor: Arnauld, Miss Valois.
Event Comment: Mainpiece: Not performed these 2 years. [see 21 May 1767.] Paid Younger for a license for Tom Jones #2 2s. (Account Book). Receipts: #132 16s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Midas

Event Comment: Afterpiece [Harlequin Skeleton] now advertised under its original title, but the New Scene with additions continued (playbill). Paid Younger for a license for ye 2 Sisters #2 2s. (Account Book). [See 18 Feb.] Receipts: #244 11s. (Account Book)

Performances

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Performance Comment: As17680924, but The Baby-_; Merlin-_; Diana-_.
Cast
Role: The Baby Actor: the Giant
Event Comment: Benefit for Bensley. The Tragedy Altered by Dr Hawkesworth. Part of Pit will be Laid into the Boxes. [Winston MS 10, from O. Smith from the Town & Country Magazine, suggests Oroonoko--Fleetwood, son of the late manager, and brother to the gentleman who appeared about Nine years ago at dl.] Charges #66 19s. Balance to Bensley #51 15s. 6d. plus #113 15s. from tickets (Box 416; Pit 59; Gallery 9). Paid Younger for writing parts #6 3s. 4d. Receipts: #118 4s. 6d. (Account Book)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Oxonian in Town

Dance: End: The Garland, as17681028

Event Comment: Benefit for Garton (treasurer) Died this night at Kensington Gravel Pits where she went for the recovery of her health, Miss Morris, the young lady who appeared this season with so much applause at Covent Garden (Public Advertiser). Charges #67 15s. Balance to Garton #20 11s. plus #98 from tickets (Box 186; Pit 258; Gallery 128) (Account Book). Receipts: #88 6s. 6d. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin Dr Faustus

Entertainment: IV: THE CRIES OF LONDON-Shuter; End: Post Haste OBSERVATIONS on a Journey to Paris-Shuter

Event Comment: HHopkins MS Memorandum Book: Mrs Barry sent word she was so ill she could not come out for the Pageant [The Jubilee]. If she did she could not play in the Mourning Bride on Monday. I waited on her by the manager's orders & told her they would excuse her playing on Monday if she would come out & do her part in Pageant; & as it was a thing of great consequence to them, they desir'd and expected as she had begun it [as the Tragic Muse] that she would continue it as long as she was able. Her answer was, that as they seem'd to think it of such consequence she would come out & do it tonight & Monday night, but after that desir'd to be excus'd from do[ing] it. On Tuesday Morning Mr Barry sent a note that Mrs Barry was ill in her Bed & could not come out till she was better. Tancred & Sigismunda was call'd, and I did not receive the note till the rehearsal was begun. I also on Saturday deliver'd a message to Mrs Barry from Mr Garrick that he would never ask her to play in anything in which he was particularly interested. Her answer was that was in his Rage. But if his mind should alter, she was ready and willing to do anything he would desire her to do

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: Parts by Love, Burton, Waldron, Palmer, Cautherly, J. Aickin, Moody, Hartry, W. Palmer, Keen, Clough, Wheeler, Miss Young, Mrs Bradshaw, Mrs Hopkins. Greedy-Love; Allworth-Cautherly; Marall-Waldron; Lovell-J. Aickin; Tapwell-Moody; Servants-Hartry, W. Palmer, Keen, Clough, Wheeler; Margaret-Miss Younge; Froth-Mrs Bradshaw; Lady Allworth-Mrs Hopkins (Genest, V, 257).
Cast
Role: Allworth Actor: Cautherly

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar
Event Comment: Mainpiece: By Desire. Paid Younger for a License for the Brothers #22s. (Account Book). Receipts: #127 11s

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: Paid Younger for writing parts #8 14s. 4d. (Account Book). Receipts: #169 14s

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Related Work: The Treacherous Brothers Author(s): George Powell
Related Work: The Perfidious Brother Author(s): Lewis Theobald

Afterpiece Title: The Chaplet

Event Comment: Paid Younger for license for the Court of Alexander #2 2s. Gave King's Footmen #2 2s.; Chairmen #2 2s.; Queen's Footmen #2 2s. & Chairmen #2 2s. (Account Book). Receipts: #210 12s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Performance Comment: As17691219 but to reduce confusion the full cast is here listed: Midas-Shuter; Damoetas-Barnshaw; Pan-Dunstall; Apollo-Mattocks; Sileno-Baker; Jupiter-Legg; Juno-Miss Ogilvie; Daphne-Mrs Baker; Nysa-Mrs Mattocks; Mysis-Mrs Green.
Event Comment: marly Benefit for Hook. Price 3s. Vocals in Concert by Mas. Cheney, Two Young Ladies who never appeared in public, and Mrs Barthelemon

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo by Fisher; Concerto on Organ by Hook ; Concerto on French Horn by the celebrated Mr Cohen, musician to the Stadtholder, being the 1st time of his performing since his arriving in England

Event Comment: Afterpiece: Not acted these 2 years. [See 27 April 1770.] Paid Younger #2 2s. for license for Fairy Prince. Paid for 2 fifes 4s. Advanc'd Mr Bulkley as per Note #130 (Account Book). Receipts: #198 13s. (Account Book)

Performances

Mainpiece Title: Timanthes

Performance Comment: Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Morris; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; In Act III: a Procession-; the vocal parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox.

Afterpiece Title: The Apprentice

Monologue: Entertainment True Blue. As 9 Nov

Event Comment: Afterpiece: By Desire. The New Tragedy of Zobeide deferr'd on account of Indisposition of Mrs Yates. Zobeide publish'd at 1s. 6d. (Winston MS 10). Paid Younger #2 2s. for license for Zobeide. Advanc'd Cushing as per note #37 10s., and Gardner #30 (Account Book). Receipts: #148 10s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The West Indian

Performance Comment: As17711207, but to avoid confusion full cast listed. Belcour-King; Stockwell-Aickin; O'Flaherty-Moody; Capt. Dudley-Packer; Charles Dudley-Cautherly; Fulmer-Baddeley; Varland-Parsons; Stukely-Wrighten; Sailor-Wright; Lady Rusport-Mrs Reddish; Louisa Dudley-Miss Rogers; Mrs Fulmer-Mrs Egerton; Lucy-Mrs Love; Housekeeper-Mrs Bradshaw; Charlotte Rusport-Miss Younge, 1st time.
Cast
Role: Charles Dudley Actor: Cautherly

Afterpiece Title: The Witches

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)