Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Event Comment: Benefit for the two Miss Kembles [who are named in the Account-Book, but not on the playbill]. Receipts: #199 10s. 6d. (180/7/0; 18/6/6; 0/17/0; tickets: none listed) (charge: #109 18s. 10d.)

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Not acted these 3 years. "Mrs Bellamy was too much frightened to speak the address [written by Charles Stuart (European Magazine, May 1785, p. 354)], and Miss Farren spoke it--Mrs Bellamy herself added some few words in prose" (Genest, VI, 342). But Stuart's address was abandoned, and in its place Miss Farren spoke one written by Alexander Bicknell (Gentleman's Magazine, June 1785, pp. 449-50). This occurred at the end of the play; following the address the curtain rose, and Mrs Bellamy "succeeded in muttering a few words, expressive of her gratitude" (Reynolds, I, 282-83). [This was Mrs Yates's last appearance in London. In July of this year she was acting in Birmingham (Morning Chronicle, 18 July). Mrs Bellamy's last appearance on the stage was at CG, 1 June 1780.] Receipts: #306 4s. (188/1/0; 13/3/6; 0/14/6; tickets: 104/5/0) (charge: #113 8s. 10d.)

Event Comment: Benefit for the Author [of mainpiece]

Event Comment: [A detailed account of all three pieces appears in Sophie v. la Roche, Sophie in London, 1933, pp. 93-95. The theatre is described as seeming "exceptionally small, but it is very prettily painted in blue and white; the boxes, as in Paris, are open and everything is well lit." In 3rd piece "A twelve-year-old girl dressed as a poor boy who walks around with a bundle of rushes, straw and reeds to patch up old chairs, then really sits down to work on one, sang and played unusually well; indeed, was obliged to give two encores; the third time, however, announced with dignity and candour that it would not be possible, and that she feared she might be unable to take her part the next day; which would grieve her excessively, as she liked having her modest talents appreciated and applauded. Everyone clapped and praised her aloud. She is beuatiful, and deserves to be the nation's darling, and will certainly become a great actress, competent to keep her voice, gesture and features in complete control, never using her talents wrongly or producing exaggerated effects."]

Event Comment: Benefit for the Author [of mainpiece]

Event Comment: Benefit for Mme Mara. 2nd piece: Compressed into 2 Acts. The Words of the new Song to be had at the Theatre. Morning Herald, 21 May: Tickets to be had of Mme Mara, No. 57, Edgeware-road. Account-Book: Paid the Duke of Bedford one years Rent for the Theatre due Ladyday 1794 #456 4s.; Account-Book, 10 June: Paid the Duke of Bedford one years Rent due Ladyday 1795 #456 4s. Receipts: #339 10s. (250.1.6; 2.2.0; tickets: 87.6.6)

Event Comment: The King's Company. Pepys, Diary: To the Theatre to see Philaster, which I never saw before, but I found it far short of my expectations. [An undated edition, the Sixth Impression, was published, probably, in this year, with no cast, no prologue, no epilogue.

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Event Comment: The King's Company. Pepys, Diary: To the King's Theatre, where we saw Midsummer's Night's Dream, which I had never seen before, nor shall ever again, for it is the most inspid ridiculous play that ever I saw in my life. I saw, I confess, some good dancing and some handsome women, which was all my Pleasure