Event Comment: Mainpiece: Acted but once these 20 [recte 22] years [on 29 Mar. 1785]. Afterpiece: Contracted into 3 acts; not acted these 7 years [acted 19 Mar. 1782]. Receipts: #204 17s. (200/2/6; 4/14/6)

Event Comment: [Mrs Jordan's 1st recorded appearance as Imogen was at Leeds, 25 July 1785.] Afterpiece Never performed there. Books of the Songs to be had at the Theatre. Receipts: #174 6s. (136/6/0; 37/17/6; 0/2/6)

Event Comment: Mainpiece: Not acted these 3 years. [Mrs Warren is identified by MS annotation on Kemble playbill. In afterpiece "Mrs Inchbald had the satisfaction of speaking, vice Mrs Morton, her own neat dialogue" (Public Advertiser, 12 Dec.).] Receipts: #203 16s. 6d. (200/10/6; 3/6/0)

Event Comment: By Command of Their Majesties. Paid Licenses [from the Lord Chamberlain] for Omai and The Fool #4 4s. Receipts: #274 5s. (273/3; 1/2)

Event Comment: The New Opera, called The Peruvian [announced on playbill of 14 Mar.] is obliged to be deferred on account of Johnstone's Indisposition. [Afterpiece in place of The Country Wife, also announced on same playbill.] Receipts: #173 14s. (171/12; 2/2)

Event Comment: Benefit for Lewis. Mainpiece: Never performed at this Theatre. Receipts: #265 2s. (190/18/6; 8/12/6; tickets: 65/11/0) (charge: #105)

Event Comment: Benefit for Baddeley. [In mainpiece Genest, who remarks that "this play was very well acted," does not assign Freelove, but it is the only other male part in the play.] Morning Chronicle, 11 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Receipts: #248 16s. (99/13/0; 25/12/6; 2/15/6; tickets: 122/15/0) (charge: #105 17s.)

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Event Comment: Boxes 3/. Pit 2X. Gallery u. To begin punctually at 7:00 [same throughout season]. Tickets to be had and Places taken of Waldron, No. 17, Dorville's Row. The Company will perform on Mondays, Wednesdays and Fridays

Event Comment: [The above is an advance notice on playbill of 7 June.]

Event Comment: Benefit for Benson. Tickets to be had of Mrs Benson, No. 8, Dorville's Row. 3rd piece: With two Scenes of the Ombres Chinoises; or, The Lilliputian World, representing the Broken Bridge; or, Insolent Carpenter; and a View of a Sea Fight

Event Comment: Benefit for the Author [of mainpiece]

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Event Comment: Arthur and Emmeline [announced on playbill of 23 Sept.] is obliged to be deferred, on Account of the Indisposition of Bannister. Receipts: #186 5s. 6d. (142.1.0; 40.0.6; 4.4.0)

Event Comment: [Mrs Belfille was from the Norwich theatre.] Account-Book, 6 Dec.: Paid Mrs Belfille for a Stage Dress #21 10s. 6d. Afterpiece: Not acted these 15 years [acted 15 Jan. 1776]. The Doors will be opened at 5:15. To begin at 6:15 [see 30 Apr. 1787]. Receipts: #243 5s. 6d. (238.1.0; 5.4.6)

Event Comment: [This was Hooke's 1st appearance on the stage; King was from the Smock Alley Theatre, Dublin.] Receipts: #252 7s. 6d. (251.13.0; 0.14.6)