SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the two Marshalls"/1) | (@(roleclean,performerclean) "the two Marshalls")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1004 matches on Event Comments, 873 matches on Performance Title, 577 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Vallois and the two Misses Scot, Scholars to Vallois. Mainpiece: Written by Shakespear

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Virgin Unmask'd

Dance: I: Comic Dance-younger Miss Scot; II: By Desire of several Ladies of Quality, Minuet, with new Ball Dance called The Princess of Saxe Gotha-Vallois, Miss Scot; III: Two Pierrots-Vallois, Pelling; IV: French Peasant-Vallois, Leviez, Mrs Thompson, Rector, Miss Brett, Pelling, Mrs Vallois

Event Comment: Benefit Michael Lally. At the Desire of several Ladies of Quality. Two Rows of the Pit will be laid into Boxes. [Tickets at Lally's House in Southampton-Row, Bloomsbury.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Honest Yorkshireman

Dance: I: Tambourine-Mlle Roland; II: Two Pierots-Lalauze, Desse; III: By particular Desire, a Ball Dance, concluding with a Minuet-Lally, Mlle Roland; IV: Comic Dance-Villeneuve, Miss Oates; V: Glover, Mlle Roland

Event Comment: For the Benefit and Increase of a Fund established for the Support of Decayed Musicians and their Families. Boxes half a guinea. Pit 5s. Galleries 3s. and 2s. Each Subscriber's Ticket will admit one into the Boxes or Pit, or two into the Gallery. 6:30 p.m

Performances

Mainpiece Title: Acis And Galatea

Music: With the two new Concertos-; performed in the same this Season, for several Instruments. Also the last new Ode- of Mr Dryden's; And the Concerto on the Organ, that was by Mr Handel- on the same Occasion this Season

Performance Comment: Also the last new Ode- of Mr Dryden's; And the Concerto on the Organ, that was by Mr Handel- on the same Occasion this Season.
Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: The School Boy

Performance Comment: School Boy-Garrick, being Positively the last time of his performing it this season.

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Performance Comment: Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band.

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick; Gloster-Sowdon; Shore-Havard; Bellmour-Blakes; Catesby-Winstone; Ratcliff-Simson; Alicia attempted-Jane Cibber , being the 1st time of her appearing upon the stage these 6 years; Jane Shore-Mrs Pritchard.

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Performance Comment: Theodosius-Reddish; Varanes-Barry; Marcian-Aickin; Atticus-J. Aickin; Leontine-Hurst; Lucius-Keen; Aranthes-Palmer; Delia-Mrs Smith; Julia-Miss Platt; Athanais-Mrs Barry; Pulcheria-Mrs W. Barry; Vocal parts-Champnes, Kear, Fawcett, Mrs Scott, Mrs Dorman.
Cast
Role: Theodosius Actor: Reddish
Role: Aranthes Actor: Palmer
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Afterpiece Title: The Ladies' Frolick

Dance: End: A Comic Dance-two children, scholars of Daigville

Performances

Mainpiece Title: Omnipotence

Song: As17740225

Music: After the Song: New Concerto (Barthelemon) for two Trumpets-Serjeant Jr, Mas. Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323

Performance Comment: Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323.
Event Comment: Benefit for Woodward. Mainpiece: Not acted these 2 years. [See 26 May 1773.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Woodward; Strickland-Clarke, first time; Frankly-Lewis; first time, Bellamy-Wroughton; Jack Meggot-Lee Lewes; Tester-Quick; Mrs Strickland-Mrs Mattocks; Jacintha-Mrs Lessingham; Lucetta-Mrs Green; Milliner-Mrs Inville; Clarinda-Mrs Barry, first time; To conclude with a Country Dance-the characters.

Afterpiece Title: The Druids with two New Scenes

Performance Comment: As17750316 but Sig_ Rossignol and "With Alterations to make room for Two Entire New Scenes; The Characters of the Pantomime and Dances as Usual".
Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performance Comment: , Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c .
Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Performance Comment: Occasional Overture (Handel). Song by Rovedino (Handel). Chorus (Handel). Song by Harrison (Handel). Canario violoncello by Lindley. Song by Roselli (Handel). Concerto violin by Giornovichi. Song by Sga Banti (Cimarosa). Coronation Anthem (Handel) .

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Performance Comment: Vocal Performers-Harrison, Rovedino, Roselli// Sga Banti. With full Double Chorus. Leader of the Band-Cramer. Extra Performers-Lindley, Giornovichi. The Opera Band, with a considerable addition of the best Performers .
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Event Comment: At the late Theatre in gf. A concert of Vocal and Instrumental Musick, Divided into Two Parts. Prices 3s., 2s., 1s. N.B. Between the two Parts of the Concert will be presented a Comedy gratis by Persons for their Diversion. 6 p.m. [This concert formula is included in every notice during the season but will be silently omitted from the Calendar. The customary notice about time and prices will also be omitted unless there is some change.

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Virgin Unmasked

Dance: M. Fourner; who never appear'd there. Les Muniers Amoureux de la Coquette-two Masters and Miss Granier, being their first time on that stage

Performance Comment: Fourner; who never appear'd there. Les Muniers Amoureux de la Coquette-two Masters and Miss Granier, being their first time on that stage.
Event Comment: From the Small Portico are Entrances to the Pit and One Shilling Gallery only [and see 19 Sept.]. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit and Two Shilling Gallery. The only Entrance to the Two Shilling Gallery is in the Passage from the Piazza. [Beginning with 5 Oct. the playbills have: Upper Gallery 1s. 2nd Price 6d.] Receipts: #336 4s

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Pope; Roderigo-Blanchard; Cassio-Macready; Brabantio-Hull; Lodovico-Davies; Montano-Marshall; Duke-Cubitt; Gratiano-Powel; Iago-Harley; Emilia-Mrs Fawcett; Desdemona-Mrs Pope.
Cast
Role: Othello Actor: Pope

Afterpiece Title: The Irishman in London

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maid's Tragedy

Performance Comment: Pepys: Evadne?-Rebecca Marshall; [Downes (Roscius Anglicanus, p. 5): King-Wintersel; Melantius-Mohun; Amintor-Hart; Calianas-Shatterel; Aspatia-Mrs Boutel? [but she probably did not come on the stage until 1670]. [See also 17 Nov. 1660.but she probably did not come on the stage until 1670]. [See also 17 Nov. 1660.
Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, and there saw The Mayden Queene, which, though I have often seen, yet pleases me infinitely, it being impossible, I think, ever to have the Queen's part, which is very good and passionate, and Florimel's part, which is the most comicall that ever was made for woman, ever done better than they two are by young Marshall and Nelly

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: Pepys, Diary: Mrs Pierce tells me the two Marshalls at the King's house are Stephen Marshall's, the great Presbyterian's daughters [an erroneous rumor]; and that Nelly Gwin? and Beck Marshall, falling out the other day, the latter called the other my Lord Buckhurst's whore, Nell answered them, "I was but one man's whore, though I was brought up in a bawdy-house to fill strong waters to the guests; and you are a whore to three or four, though a Presbyter's praying daughter!" which was very pretty

Performances

Event Comment: Mainpiece: Not Acted these thirty Years. Taken from the French of Moliere by Sir John Vanbrugh. [This version by James Ralph.] The Songs new set by John Frederick Lampe, and a new Grand Dance, in Grotesque Characters, proper to the Play. Afterpiece: a Farce of two Acts. Alter'd from Beaumont and Fletcher. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Cornish Squire

Performance Comment: Cast not listed, but edition of 1734 lists: Lovewell-Marshall; Squire Trelooby-Bridgwater; Tradewell-Norris; Wimble-Mechlin; Physicians-Mullart, Hallam; Apothecary-Jones; 1st Musician-Nichols; 2d Musician and Shepherd-Stoppelaer; Julia-Mrs Cooper; Nerina-Mrs Mullart; Lucetta-Mrs Herle; Shepherdess-Mrs Mason. With the Original Prologue by Dr Garth .

Afterpiece Title: The Sham Pilgrims

Event Comment: Benefit Chetwood and Miss Brett. Afterpiece: Not Acted these Twenty-five Years. A Comical Tragedy of two short Acts. Decorated with proper Cloaths, Scenes, Musick, and Attendants. [Tickets at Chetwood's Lodgings, Blue Door, in Maiden Lane, cg.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: As17371021, but Squire-Woodward; Lucy-Miss Chetwood, the first time of her appearance on any stage; Teresia-Miss Brett; Betty-Miss Wilson.

Afterpiece Title: The Rival Queans: With the odd Humours of little Alexander the Great

Dance: I: Punch-Master Ferg; II: A new Sailor's Dance-Phillips; III: Dance of Turks-Muilment; End I Afterpiece: Pierrots-Pelling, Vallois; II: Drunken Peasant (for the Entertainment of Alexander)-Phillips; III: Flanderkins-Master Ferg, Miss Wright

Song: IV: See from the Silent Groves-Beard

Music: H$Handel's Water Musick-; with Preamble on the Kettle Drums-Woodbridge, his first appearance here

Event Comment: Mainpiece Written by Shakespear. On Monday next The Recruiting Officer, The whole receipt of the house to be subscribed to the Veteran Scheme at Guildhall. [This advertisement was carried on the two following days.]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: M Mechel, Mlle Mechel

Song: V: The Subscription-Lowe

Event Comment: The Devil upon Two Sticks [announced on playbill of 27 July] is obliged to be deferred on account of Edwin's Illness

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Genius of Nonsense

Performance Comment: As17810721 but Dame Turton-Wood [i.e. doubled Officer in the Camp]; Goody Burton-Burton [sic].sic].
Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Dance: As17810601

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Performance Comment: Ferdinand-Johnstone; Isaac-Quick; Don Jerome-Wilson; Anthonio-Marshall; Father Paul-Darley; Lopez-Farley; Carlos-Incledon; The Duenna-Mrs Webb; Louisa (1st Time)-Mrs Blanchard; Clara (1st time)-Miss Broadhurst.
Cast
Role: Father Paul Actor: Darley
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Event Comment: The King's Company. This play is one of a series represented by Prologues and Epilogues in Covent Garden Drollery, 1672, all of which may have been acted by the actress only. Langbaine (English Dramatick Poets, p. 213) states: This Play was One of those that were represented at the old Theatre in Lincolns-Inn-Fields, when the Women acted alone. The Prologue and Epilogue were spoken by Mrs Marshall, and printed in Covent-garden Drollery, pag. 18. About this Time there was a Prologue written on purpose for the Women by Mr Dryden, and is printed in his Miscellany Poems in octavo, p. 285

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Related Works
Related Work: Philaster Author(s): George Colman, the elder
Event Comment: The King's Company. This is another in the series of plays acted entirely by actresses and probably Performed in the early summer of 1672. The Prologue and Epilogue are in Covent Garden Drollery, 1672. Langbaine (English Dramatick Poets, p. 313): This play was reviv'd at the Old Theatre, in little Lincolns-Inn-fields, and acted all by Women, a new Prologue and Epilogue being spoken by Mrs Marshall in Man's Cloaths, which Reader may find printed in Covent-Garden Drollery, 80, pag. 3. &c

Performances

Mainpiece Title: The Parson's Wedding

Performance Comment: Prologue-M. Marshall; Epilogue-Mrs Marshall (in Man's Clothes).
Event Comment: Benefit Marshall, Gray, Peploe, Rainton. Tickets also taken for Evans, Miss Chetwood and Gillibrand

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Polly-Mrs Clive; Lucy-Mrs Pritchard; Peachum-Macklin; Lockit-Turbutt; Mat-Ray; Filch-Raftor; Mrs Peachum-Mrs Marshall; Diana-Mrs Grace; Harry-Gray; Bagshot-Renton; Ben-Marshall; Jemmy-Cole; Crookfingered Jack-Leigh; Ned-Wright; Wat-Peploe; Beggar-Winstone; Player-Woodburn; Jenny-Mrs Hamilton; Mrs Coaxter-Mrs Cross; Mrs Slammekin-Mrs Grace; Sukey-Miss Chetwood; Mrs Vixen-Mrs Bennet; Dolly-Mrs Vallois; Molly-Miss Thynne; Betty-Mrs Peploe.
Cast
Role: Sukey Actor: Miss Chetwood

Afterpiece Title: The Mock Doctor

Song: I: By Desire, Come let us prepare-Brother Montgomery; V: On on my dear Brethren-Brother Montgomery

Dance: II: Pierots-Leviez, Pelling; In III: The usual Hornpipe-