SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the three Princesses"/1) | (@(roleclean,performerclean) "the three Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1257 matches on Event Comments, 483 matches on Performance Title, 166 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Three Hours after Marriage

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

Event Comment: Benefit Giuseppe Salomon and Salomon's son. Tickets at Mr Anderson's, Watchmaker, Little Wild St. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Constant Couple

Dance: Three Grand Entertainments (two of them entirely new)-Salomon, Mlle Violette, Cook

Performances

Mainpiece Title: Ricimero

Dance: Three several entertainments of Dancing: A New Pantomime Dance-Sga Bugiani in men's clothes; after which Minuet-Maranesi, Sga Bugiani

Performances

Mainpiece Title: Farnace

Dance: New Dances

Song: Three new Airs-Tenducci

Event Comment: Benefit for Lewis. Last Night of performing before the Holidays. [See first version of this afterpiece under title What We Must All Come To, 9 Jan. 1764. It was damned then but now met with success. A Comedy by Arthur Murphy. The reviewer for the Westminster Magazine for April stamped the afterpiece with his approval.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Three Weeks After Marriage

Performance Comment: Parts by Lewis, Lee Lewes, Young, Quick, Mrs Green, Mrs Pitt, Miss Dayes, and Mrs Mattocks. Sir Charles Rackett-Lewis; Woodley-Young; Drugger-Quick; Lovelace-Lee Lewes; Lady Rackett-Mrs Mattocks; Dimity-Mrs Green; Mrs Drugget-Mrs Pitt; Nancy-Miss Dayes (Edition of 1776) the Edition lists Lovelace-$Booth, who took over the part on 11 April.

Entertainment: End: (By Particular Desire) Bucks Have At Ye All, with alterations, spoken-Lewis

Dance: Before Farce: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks After Marriage

Dance: End of Opera: The Frolick, as17760217

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: Before Farce: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: The Frolick, as17760217

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End: Mirth and Jollity, as17760102

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End of Opera: Mirth and Jollity, as17760102

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: Rural Merriment, as17751220

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: Rural Merriment, as17751220

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: Mirth and Jollity, as17760102

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End of Opera: The Frolick, as17760217

Event Comment: The 72nd night of the Duenna is (on account of Mattock's Hoarseness) oblig'd to be postponed till Thursday next. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Irish Lilt-Aldridge, Miss Valois. [See17741202.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End of Play: The Humours of the New@Market Races, as17760503

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: The Humours of the New@Market Races, as17760503

Event Comment: Last time of the company's performing this season. The 75th night for the mainpiece; the 15th night for the afterpiece. Doors open half past 5. To begin half past 6 o'clock. [The manager miscounted the number of performances of the afterpiece, which was actually 14.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: The Humours of the New@Market Races, as17760503

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #217 18s. (216.3; 1.15)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Three Weeks after Marriage

Dance: II: the Original Crutch Dance-[This was danced in all subsequent performances.]; End: As17761009

Event Comment: By Command of Their Majesties. Receipts: #266 6s. 6d. (265.9.6; 0.17.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Three Weeks after Marriage

Dance: End III: The Merry Sailors-Aldridge; End: The Enchantress, as17761031

Song: As17761104

Performances

Mainpiece Title: The Duenna

Cast
Role: Father Paul Actor: Mahon
Role: The Duenna Actor: Mrs Green

Afterpiece Title: Three Weeks after Marriage

Dance: End: a new Hunting Dance-Bishop, Sga Tinte

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Three Weeks after Marriage

Dance: As17761107

Performances

Mainpiece Title: The Duenna

Cast
Role: Father Paul Actor: Mahon
Role: The Duenna Actor: Mrs Green

Afterpiece Title: Three Weeks after Marriage

Dance: As17770125

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Three Weeks after Marriage

Dance: As17770218

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell