SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the late Mr Penkethman"/1) | (@(roleclean,performerclean) "the late Mr Penkethman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5180 matches on Event Comments, 2005 matches on Performance Comments, 586 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Penkethman

Performances

Mainpiece Title: The Tender Husband

Cast
Role: Aunt Actor: Mrs Wetherilt
Role: Humphrey Actor: Penkethman.

Afterpiece Title: The Mock Doctor

Performance Comment: See17330402 but An Epilogue on an Ass-Penkethman.
Event Comment: Benefit Penkethman. At the particular Desire of several Persons of Distinction

Performances

Mainpiece Title: The Wonder

Cast
Role: Lissardo Actor: Penkethman

Afterpiece Title: The What D'ye Call It

Performance Comment: Kitty-Mrs Haughton; Timothy-Penkethman .
Cast
Role: Timothy Actor: Penkethman

Dance: I: La Follette c'est Ravizee by Tench and Mrs Woodward. III: Pierrots by Vallois and Delagarde. V: Scot's Dance, as17350329

Song: II: By Mrs Chambers. IV: By Mrs Chambers

Event Comment: Benefit Penkethman. At the Desire of several Persons of Distinction. [This bill from London Daily Post and General Advertiser, 16 May.

Performances

Mainpiece Title: The Wife's Relief

Cast
Role: Sir Tristram Actor: Penkethman

Afterpiece Title: The Lovers Opera

Performance Comment: See17370321 but Lucy-Mrs Roberts; Merry Quaker-Penkethman.
Cast
Role: Merry Quaker Actor: Penkethman.

Song: II: A Purcell Dialogue-Masters Hamilton; III: The Early Horn Salutes the Morn-Miss Jones

Dance: V: Clown-Vallois

Event Comment: Benefit Penkethman and James. Tickets for Tench and Anderson also taken

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pilgrim-Ryan; Alphonso-James; Roderigo-Bridgwater; Curio-A. Ryan; Seberto-Anderson; Governor-Rosco; Old Pilgrim-Aston; Jaquez-W. Hallam; Lopez-Mullart; Mad Englishman-Penkethman; Mad Scholar-Hallam; Mad Taylor-Bencraft; Mad Priest-Salway; Mad Welchman-Yates; Alinda-Mrs Vincent; Juletta-Mrs Stevens.
Cast
Role: Mad Englishman Actor: Penkethman

Afterpiece Title: The Lucky Discovery

Performance Comment: See17380424 but Simon-Hippisley; With an Epilogue-Penkethman (riding on an Ass).
Cast
Role: With an Epilogue Actor: Penkethman

Dance: JJe ne scai quoi-Tench, Villeneuve, Miss Oates; Ball Dance-Dupre, Miss Norman; Comic Dance-Tench, Miss Cantrel; Serious Dance-Mlle Roland; Grecian Sailors-Glover

Event Comment: Benefit Penkethman. By Desire

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Chapman; Sir Edward-Bridgwater; Young Belfond-Walker; Trueman-Hale; Lolpoop-Hippisley; Cheatley-Rosco; Shamwell-A. Ryan; Hackem-Mullart; Attorney-Arthur; Scrapeal-Neale; Termagant-Stevens; Isabella-Mrs Vincent; Teresia-Mrs Bellamy; Lucia-Miss Brunette; Ruth-Mrs Martin; Mrs Hackem-Stoppelaer; Margaret-Clarke; Mrs Termagant-Mrs Kilby; Sir William-Penkethman.
Cast
Role: Sir William Actor: Penkethman.

Afterpiece Title: The Country House

Dance: JJe ne scai quoy-Villeneuve, Richardson, Miss Oates; Comic Dance-Villeneuve, Miss Oates; Grecian Sailors-Glover

Song: Roberts

Event Comment: At the Widow Barnes-Evans-Finley Booth. Be pleas'd to take notice, that there is no Rope-Dancing at Mr Penkethman's Booth

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/Dancers of Europe, who perform such strange and surprizing things as were never before seen, and which are almost incredible to relate

Event Comment: At the Desire of several Ladies in Greenwich and from London. At Mr Penkethman's New Theatre in Greenwich. At 6 p.m

Performances

Mainpiece Title: The Fine Ladies Airs

Event Comment: To which Note: Mr Penkethman acts six Days more for the Subscribers to bring their Tickets. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: Irish Trot-; Harlequin Dance-; French Peasant-; Dutch Skipper-; Flemming in Wooden Shoes-; Dance between a Miller his Wife and a Town Miss-; Ladder Dance-a famous Master; Night Scene between a Harlequin, a Cooper, his Wife, and others-

Event Comment: Note, That Subscribers' Tickets pass this Day, and every Day during Mr Penkethman's stay at Greenwich, unless it be some particular Actor's Benefit-Day

Performances

Mainpiece Title: The Mistake

Entertainment: Gentlewoman, as17100817; Ladder Dancer

Event Comment: Benefit Mrs Baxter. At Mr Penkethman's New Theatre in Greenwich. At 5 p.m., several People returning to London the same Night, it being Moonlight Nights

Performances

Mainpiece Title: Pastor Fido; Or, The Faithful Shepherd

Dance: Dances with Swords to Admiration-A girl of five

Song: Between the Acts: Singing-

Event Comment: Weekly Journal or British Gazetteer, 21 Sept.: We hear Mr Penkethman will bring his Action against the informing Constables, for breaking open his Booth last Friday was 7-Night, and taking him off the Stage, contrary to the King's Patent, under the Umbrage of which he acts, being sworn Servant to His Majesty; especially against such of them as were out of theirLiberty, when they executed that Office. The Fair will continue Monday and Tuesday Night

Performances

Event Comment: At Mr Penkethman's Theatre, before their Royal Highnesses, the Prince and Princess

Performances

Mainpiece Title: Concert

Music: Singing the Famous-Signor Beneditte

Event Comment: At John Leigh-Hall Great Theatrical Booth, which was formerly Mr Penkethman's. Mainpiece: A Dramatick Opera

Performances

Mainpiece Title: The History Of The Famous Fryer Bacon; With The Comical Humours Of Justice Want-brains, Hopper The Miller, And His Son Ralph

Song: Mrs Boman

Dance: Italian Shadows-

Event Comment: At the Desire of several Persons of Quality. At Mr Penkethman's Theatre in Richmond. By a Company of Comedians from the Theatre Royal. Written by Sir John Vanbrugh. In proper Habits

Performances

Mainpiece Title: The False Friend

Music: Between the Acts: Select Pieces- , accompany'd with the Harpsicord, Flutes, and Hautboys

Song: The Dame of Honour-Mrs Willis

Dance: The Drunken Man-Harper

Event Comment: At Mr Penkethman's Theatrical Booth, at the Horns Inn in Smithfield

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green; Or, The Woman Never Vex'd; With The Comical Humours Of Sir Timothy Sousecrown And His Man Gudgeon

Entertainment: Vaulting-; Tumbling-; High Rope Walking-

Event Comment: At Mr Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church

Performances

Mainpiece Title: Valentine And Orson

Performance Comment: Orson-Bridgewater; King-Huddy; Alphonso-Williams; Valentine-Roberts; Athelia-Mrs Morgan; Cleora-Mrs Butcher; Countrywoman-Mrs Willis; Peter Pitiful-Butcher.
Cast
Role: Athelia Actor: Mrs Morgan

Song: Mrs Willis

Dance: Mrs Willis

Entertainment: Tumbling-

Event Comment: DDaily Journal, 24 Sept.: On Monday last died at Richmond Mr Penkethman, the famous Comedian

Performances

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Performances

Mainpiece Title: Alcibiades

Performance Comment: Edition of 1675: Prologue-Mr Harris; Epilogue-Mrs Mary Lee; Agis-Medbourn; Alcibiades-Batterton; Tissaphernes-Sanford; Patroclus-Crosby; Theramnes-Harris; Polyndus-Gillow; Deidamia-Mrs Mary Lee; Timandra-Mrs Batterton; Draxilla-Mrs Barry; Ardella-Mrs Gillow.
Cast
Role: Theramnes Actor: Harris
Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Event Comment: The King's Company. The date of the first production is not known, but the licensing date of 13 March 1677@8 suggests a late February premiere. In addition, the many names of minor performers point to a Lenten performance. The Prologue also speaks of it as a 'Lenten Play.

Performances

Mainpiece Title: The Rambling Justice; Or, The Jealous Husbands; With The Humours Of Sir John Twiford

Event Comment: The Duke's Company. The date of the first production is not known, but as the play was licensed for printing on 27 March 1679, the premiere must have been no later than March 1679. It is possible that Midnight's Intrigue--see introductory note to the 1676-77 season-is an earlier version of this play. The Epilogue suggests that the players faced thin audiences during the spring and that Drury Lane had been closed for some time: So hard the Times are, and so thin the Town, @Though but one Playhouse, that must too lie down. It is possible that Mrs Behn's The Young King may have been acted at this time. See September 1679

Performances

Mainpiece Title: The Feign'd Curtizans; Or, A Night's Intrigue

Performance Comment: Edition of 1679: The Prologue-Mrs Currer; Morisini-Norris; Julio-Crosby; Octavio-Gilloe; Petro-Leigh; Sir Harry Fillamour-Smith; Galliard-Betterton; Sig Signall Buffoon-Nokes; Tickletext-Underhill; Laura Lucretia-Mrs Lee; Marcella-Mrs Currer; Cornelia-Mrs Barry; Phillipa-Mrs Norris; Sabina-Mrs Seymour; Epilogue-Mr Smith.
Cast
Role: The Prologue Actor: Mrs Currer
Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia, Son Of Pope Alexander The Sixth

Event Comment: The Duke's Company. The date of the first performance is not known, but Luttrell purchased his copies of the separately printed Prologue and Epilogue on 15 May 1682 (Huntington Library); hence, the premiere occurred before that date. The Prologue also refers to the feast which the Whigs attempted to hold at Haberdashers' Hall on 21 April 1682 but were restrained, pointing toward late April as a probable date for the first performance. The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 77-79. A song, In Phyllis all vile jests are met, with music by Giovanni Draghi, is in Choice Ayres and Songs, The Fourth Book, 1683. Langbaine (English Dramatic Poets, 1691, p. 19): This Play had the luck to be well receiv'd in the Town

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Performance Comment: Edition of 1682: The Prologue by Mr Otway-Mrs Barry; Sir Timothy Treatall-Nokes; Tom Wilding-Betterton; Sir Anthony Meriwill-Lee; Sir Charles Meriwill-Williams; Dresswell-Boman; Fopington-Jevon; Lady Galliard-Mrs Barry; Charlot-Mrs Butler; Diana-Mrs Corror; Mrs Clacket-Mrs Norice; Mrs Closet-Mrs Lee; Epilogue by a Person of Quality-Mrs Butler.
Event Comment: The United Company. The date of the first Performance is not known, but, as the play was advertised in The Observator, 8 Aug. 1683, it was probably first acted not later than July 1683. A song, Welcome mortal to this place, set to music by Captain Pack for this play, is in Choice Ayres and Songs, 1684

Performances

Mainpiece Title: The Atheist; Or, The Second Part Of The Souldiers Fortune

Performance Comment: Edition of 1684: Prologue-; Epilogue-Mr Duke of Cambridge; Father to Beaugard-Leigh; Beaugard-Betterton; Courtine-Smith; Daredevil-Underhill; Theodoret-Wilshire; Gratian-Perin; Porcia-Mrs Barry; Lucretia-Mrs Butler; Sylvia-Mrs Currer; Mrs Furnish-Mrs Osborn; Phillis-Mrs Percival; Chloris-Mrs Norris; Rosard-Saunders; Plunder-Richards.
Cast
Role: Father to Beaugard Actor: Leigh
Role: Theodoret Actor: Wilshire