SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the late Mr Penkethman"/1) | (@(roleclean,performerclean) "the late Mr Penkethman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5184 matches on Event Comments, 2005 matches on Performance Comments, 586 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-A Gentleman (1st appearance on any stage [unidentified]); Wingate-Barrett; Simon-Kippling; Charlotte-Mrs Swords .

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .
Event Comment: By Permission of the Lord Chamberlain. Benefit for Dighton. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Peachum-Popplewell; Lockit-Connell; Filch-Decastro; Mat o' the Mint-Ingall; Capt. Macheath (for that night only)-Dighton; Mrs Peachum and Diana Trapes-Mrs Jones; Lucy-Mrs Henley; Jenny Diver-Mrs Barnard; Polly-Mrs Woodman (late of the Theatre Royal, Covent-garden). hathi.
Cast
Role: Mat o' the Mint Actor: Ingall

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

Event Comment: The Confederacy and Arthur and Emmeline [the latter announced on playbill of 10 Jan.] are obliged to be deferred a few Days. Receipts: #146 11s. 6d. (108/16/0; 37/10/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Dance: Afterpiece: With the Minuet de la Cour by Hamoir and Miss M. Stageldoir

Event Comment: Turk, and No Turk and Harlequin Teague [the latter announced on playbill of 16 July] are both postponed on account of the Indisposition of Parsons and Wewitzer

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Agreeable Surprise

Dance: As17850706

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Dignum; Sir Harry Sycamore-Parsons; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Stageldoir; Patty-Mrs Crouch (late Miss Phillips) .
Cast
Role: Theodosia Actor: Miss Stageldoir

Dance: As17850927

Event Comment: Mainpiece: The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. Receipts: #183 8s. 6d. (161/9/0; 20/7/0; 1/12/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the Worlds a Stage

Dance: In Act II of mainpiece a Dance of Spirits by Miss Stageldoir, &c.; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton

Event Comment: Mainpiece: Not acted these 3 years [acted 19 Feb. 1784]. Afterpiece: Written by the late Henry Fielding, Esq. [The playbill lists Edwin as Coupee, but "Brown, in consequence of the sudden illness of Edwin . . . [undertook] the part of Coupee" (Morning Chronicle, 1 Feb.). He was from the Norwich theatre.] Receipts: #291 10s. (286/14/6; 4/15/6)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Virgin Unmaskd

Event Comment: Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. In drinking health to the King at the supper table in the farce, Baddeley introduced very appositely an allusion to his Majesty's late fortunate escape [on 2 Aug., when Margaret Nicholson attempted to assassinate him], which was received with three plaudits" (London Chronicle, 19 Sept.). Receipts: #260 13s. (224.2; 36.6; 0.5)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: All the Worlds a Stage

Song: III: Song-Williames [This was sung, as here assigned,in all subsequent performances, except on 19 Jan. 1787, q.v.]

Event Comment: Paid Supernumeraries #9 13s. 6d.; Carpenters #15 12s. 1d. Afterpiece: Written by the late Henry Fielding, Esq. Receipts: #225 12s. (181.3; 43.18; 0.11)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Virgin Unmaskd

Event Comment: The Lord Chamberlain sent an order, between four and five in the evening, to the two theatres to cease representing any plays, till after the funeral of the late Princess Amelia [daughter of George II; she died on 31 Oct.] (Morning Chronicle, 2 Nov.)

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand [later called: Fernando]-Johnstone; Spado-Quick; Pedrillo-Edwin; Ramirez-Davies; Sanguino-Darley; Scipio-Booth; Philippo-King; Rapino-Cubitt; Don Juan-Fearon; Alphonso-Mrs Kennedy; Victoria-Miss Wilkinson; Isabella-Miss Platt; Catalina-Mrs Brown; Lorenza-Mrs Billington.

Afterpiece Title: Barnaby Brittle

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:00. To begin at 6:15

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Simpson; Colonel Lambert-Curtis; Maw@Worm-A Young Gentleman; Old Lady Lambert-Mrs Bakewell; Young Lady Lambert-Mrs Fox; Betty-Miss Leserve; Charlotte-Mrs Rivers (late of cg).
Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Afterpiece Title: Taste or Lady Pentweazel sitting for her Picture

Performance Comment: Lady Pentweazel-A Gentleman, lately a Surgeon's Mate in the Guards, who will perform the Principal Characters.

Afterpiece Title: The Musical Lady

Performance Comment: Young Mask-Curtis; Freeman-Simpson; Old Mask-The Gentleman who performs Lady Pentweazel; Lady Scrape-Miss Leserve; Laundress-Mrs Bakewell; Musical Lady-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).
Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder

Song: End III: Bow wow wow (from Patrick in Prussia [i.e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm

Performance Comment: e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm.
Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a la Mode

Event Comment: Afterpiece: Written by the late Henry Fielding, Esq. Receipts: #98 4s. 6d. (79.10.0; 18.2.0; 0.12.6)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward
Role: The Country Girl Actor: Mrs Jordan.

Afterpiece Title: The Virgin Unmaskd

Dance: End: As17870920

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Tit for Tat

Performance Comment: As17880618 but Letty-Mrs Barresford (late Mrs Bulkley).
Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: A Beggar on Horseback

Dance: As17880707

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: A Key to the Lock

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle or A Wife at her Wits End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

Performance Comment: End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett.
Event Comment: Delpini being entirely recovered from his late Accident will perform his original Character this Evening in the new Serious Pantomime. [Who had been his substitute, or when the accident had taken place, is not stated] Receipts: #232 16s. (226.4; 6.12)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Death of Captain Cook

Cast
Role: Father Luke Actor: Booth

Afterpiece Title: The Farmer

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: End of Act II Jewish Education

Afterpiece Title: A Lesson for Lawyers

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

Event Comment: Benefit for the Seven Orphan Children of Peter? Harris, late Ballet-Master of this Theatre, who a short time since [on 23 Mar.] was unfortunately killed. Receipts: #311 1s. (73.12; 11.5; tickets: 226.4)

Performances

Mainpiece Title: He Woud Be A Soldier

Afterpiece Title: Love in a Camp

Cast
Role: Father Luke Actor: Rock.

Dance: As17890512

Event Comment: No Money to be returned. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #159 6s. 6d. (119.17.0; 38.6.0; 1.3.6)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Kemble; Richmond-Wroughton; Buckingham-Barrymore; Lord Stanley-Aickin; Tressel-Whitfield; Norfolk-Williames; Catesby-Packer; Ratcliff-Phillimore; Prince Edward-Miss Stageldoir; Duke of York-Miss Gawdry; King Henry-Bensley; Lady Anne-Mrs Powell (late Mrs Farmer); Dutchess of York-Mrs Hopkins; Queen-Mrs Ward.

Afterpiece Title: The First Floor

Event Comment: Mainpiece [altered by John Philip Kemble]: By Shakespeare, with Additions from Dryden. The Music by Purcell and Dr Arne, with new Airs and Chorusses by the late Linley Jun. [Epilogue by John Burgoyne (Kemble Mem.).] Receipts: #154 13s. 6d. (135.9.0; 19.2.6; 0.2.0)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Afterpiece Title: The First Floor

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Fawcett, Wilson, Maddocks, Alfred, Lyons, Miss Romanzini, Mrs Edwards, Mrs Fox, Miss Barnes, Miss Stageldoir, Mrs Shaw, Mrs Butler, Mrs Crouch; III: Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite-Mrs Edwards

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing Or Florizel And Perdita

Performance Comment: Florizel-Holman; Polixines-Aickin; Antigonus-Hull; Camillo-Powel; Clown-Cubitt; Autolicus (the Ballad@singing Pedler)-King; Dorcas-Miss Rowson; Mopsa-Mrs Byrne; Perdita-Miss Brunton.
Related Works
Related Work: The Sheep-Shearing Author(s): George Colman, the elder

Afterpiece Title: Lovers Quarrels

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

Performance Comment: After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King.
Event Comment: Benefit for Carleton, Wilson, J. Shade & Gibson. Tickets delivered for Tit for Tat will be admitted. Account-Book, July [et seq.]: Paid 209 Renters #20 6s. apiece. The Last Time of the Company's Performing this Season. Receipts: #253 2s. (20.1.0; 6.10.6; 0.14.6; tickets: 225.16.0) (charge: #106 0s. 4d.)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Irish Widow

Performance Comment: As17900213, but Widow Brady (with the Epilogue Song)-Mrs Williames (late Mrs Wilson).

Dance: End I afterpiece: The Irish Bird Catchers, as17900123

Event Comment: [Extra night] Benefit for the Widow Fearon, and her Eight Orphan Children. Tickets to be had of Mrs Fearon, No. 6, Spur-street, Leicester-Fields; and of Brandon, at the Theatre, where Places for the Boxes may be taken. [Fearon had died 30 Sept. 1789.] Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Wroughton; Harcourt-Benson; Belville-Egan; Country Boy-Letteney; Servant-Macdonald; Sparkish (with a song)-Dodd; Alithea-Miss Collins; Lucy-Mrs Hedges; The Country Girl-Mrs Jordan (1st appearance on this stage).
Cast
Role: Alithea Actor: Miss Collins
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: The Quaker

Performance Comment: Lubin-Meadows (late of the hay); Solomon-Quick; Steady-Sedgwick; Floretta-Mrs Martyr; Cecily-Mrs Davenett; Gillian-Mrs Crouch.