SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the late Mr Penkethman"/1) | (@(roleclean,performerclean) "the late Mr Penkethman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5184 matches on Event Comments, 2005 matches on Performance Comments, 586 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Pepys, Diary: [Mrs Pepys] and I by coach to the Opera and Theatre, but coming too late to both, and myself being a little out of tune we returned

Performances

Event Comment: Although Pepys attended this performance, he did not name the theatre. As this play was acted at Vere St. on 15 March 1661@2 and there also on 19 May 1662, it has been assigned to that playhouse. Pepys, Diary: Thence to the play, where coming late, and meeting with Sir W. Pen, who had got room for my wife and his daughter in the pit, he and I into one of the boxes, and there we sat and heard The Little Thiefe, a pretty play and well done

Performances

Mainpiece Title: The Little Thief

Event Comment: This play was probably given by the King's Company, which presented it a number of times later. See Noyes, Ben Jonson, pp. 42-43. Evelyn, Diary: I saw Vulpone acted at court before their Majesties &c

Performances

Mainpiece Title: Volpone

Event Comment: The King's Company. Pepys, Diary: To the King's Playhouse, where we saw but part of Witt without mony, which I do not like much, but coming late put me out of tune, and it costing me four half-crowns for myself and company

Performances

Mainpiece Title: Wit Without Money

Event Comment: The King's Company. Pepys, Diary: With my wife by water to the Royall Theatre; and there saw The Committee, a merry but indifferent play, only Lacey's part, an Irish footman, is beyond imagination. Here I saw my Lord Falconbridge, and his Lady, my Lady Mary Cromwell, who looks as well as I have known her and as well clad; but when the House began to fill she put on her vizard, and so kept it on all the play; which of late is become a great fashion among the ladies, which hides their whole face

Performances

Mainpiece Title: The Committee

Event Comment: Pepys, Diary: At Wotton's, the shoemaker's, who tells me the reason of Harris's going form Sir Wm. Davenant's house, that he grew very Proud and demanded #20 for himself extraordinary, more than Betterton or any body else, upon every new play, and #10 upon every revive; which with other things Sir W. Davenant would not give him, and so he swore he would never act there more, in expectation of being received in the other House; but the King will not suffer it, upon Sir W. Davenant's desire that he would not, for then he might shut up house, and that is true. He tells me that his going is at present a great loss to the House, and that he fears he hath a stipend from the other House privately. He tells me that the fellow grew very proud of late, the King and every body else crying him up so high, and that above Betterton, he being a more ayery man, as he is indeed. But yet Betterton, he says, they say do act some parts that none but himself can do

Performances

Event Comment: This play was seen by Olaus Borrichius (Seaton, Literary Relationships, p. 337). As its later performances were given by the King's Company, it was probably acted at Bridges St on this occasion. The play was not printed until 1674, and the date of the premiere is not known

Performances

Mainpiece Title: The English Monsieur

Event Comment: Nethercot (Davenant,pp. 337-78) believes that this play was brought out in the late summer of 1663. The Epilogue refers to the Long Vacation, presumably the summer of 1663, as the play is referred to in Stapylton's The Stepmother, which was licensed 26 Dec. 1663. In Act V is a farce relating to Pompey; as Langbaine (English Dramatick Poets, p. 405) states: Pompey, a Tragedy, which I have seen acted with great Applause, at the Duke's Theatre, and at the End was acted that Farce printed in the fifth Act of The Play-house to be Let. [See also June 1663.

Performances

Mainpiece Title: The Playhouse To Be Let

Event Comment: The Duke's Company. This play is assigned to this period because it was licensed on 16 Oct. 1663 and advertised in The Intelligencer, 23 Nov. 1663. There is no specific evidence that it was acted in the autumn of 1663. See 20 and 21 March 1666@7 for a later production

Performances

Mainpiece Title: The Marriage Night

Performance Comment: The edition of 1664 has no actors' names, no prologue, no epilogue.
Event Comment: Pepys, Diary: Thence to Islington, and so to St John's to the Red Bull, and there saw the latter part of a rude prize fought

Performances

Event Comment: On Herbert's list (Dramatic Records, p. 138) appears at the end Eluira [Elvira] which is characterised as "the last" of the sequence which begins with Floras Figarys on 3 Nov. 1663. As Henry V, The Generall, Parsons Wedding, and Macbeth were acted after that date-Macbeth on 5 Nov. 1664--it is possible that Elvira; or, The Worst Not Always True may have appeared in late November. Langbaine (English Dramatick Poets, p. 530) attributes it to Lord Digby

Performances

Event Comment: The Duke's Company. Downes' comments (Roscius Anglicanus, p. 33) probably refer to a later production. This play is also on Herbert's list, Dramatic Records, p. 138. Pepys, Diary: With my wife to tne Duke's house to a play, Macbeth, a pretty good play, but admirably acted

Performances

Mainpiece Title: Macbeth

Performance Comment: [Probably adapted by Sir William Davenant.] among those named in the quarto of 1673 these may have played at this time: Macbeth-Betterton?; Macduff-Harris?; Banquo-Smith?; Malcolm-Norris?; Lennox-Medbourne?; Donalbain-Cademan?; Lady Macbeth-Mrs Betterton?; Heccat-Sandford?.
Event Comment: The Duke's Company. An entry in the journal of William Hamon--see also Late January 1664--refers to a performance ca. 6 Jan. 1664@65: Item given my 4 sistars for the Rivalls 00 06 00 (Folger MS. v. a. 422)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe
Event Comment: Preface: In the reading of which, I fear, you will not meet with that satisfaction which you have had in seeing it on the Stage, the chief parts of it both serious and comick, being performed to that height of excellence

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Performance Comment: . probably had its premiere in late February. When Pepys saw it on 2 March 1666@7, it had been given previously. The edition of 1668 lists: Queen of Sicily-Mrs Rebecca? Marshall; Candiope-Mrs Anne Marshall? Quin; Asteria-Mrs Knep; Florimel-Mrs Ellen Guyn; Flavia-Mrs Frances Davenport; Olinda-Mrs Rutter; Sabina-Mrs Eliz. Davenport; Melissa-Mrs Cory; Lysimantes-Burt; Philocles-Mohun; Celadon-Hart; Prologue-; Second Prologue-; Epilogue by a Person of Quality-; Song in act IV-Mrs Knep.
Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: The King's Company. L. C. list 5@139, p. 129 names Flora's Vagaries; L. C. 5@12, p. 17 names Rule a Wife, and Have a Wife. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: . For the latter, see16610128@2.
Event Comment: The King's Company. Pepys, Diary: We three [Mrs Pepys, Mercer, and Pepys] to the King's house, and saw the latter end of the Surprisall, wherein was no great matter,I thought, by what I saw there

Performances

Mainpiece Title: The Surprisal

Event Comment: The Duke's Company. It is quite likely that the run of this play extended for some time later in August. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The King's Company. Pepys, Diary: With my Lord Bruncker and his mistress to the King's playhouse, and there saw The Indian Emperour; where I find Nell come again, which I am glad of; but was most infinitely displeased with her being put to act the Emperour's daughter, which is a great and serious part, which she do most basely. The rest of the play, though pretty good, was not well acted by most of them, methought; so that I took no great content in it. But that, that troubled me most was, that Knipp sent by Moll [Mary Meggs] to desire to speak to me after the play; and she beckoned to me at the end of the play, and I promised to come; but it was so late

Performances

Mainpiece Title: The Indian Emperor

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, my eyes being so bad since last night's straining of them, that I am hardly able to see, besides the pain which I have in them. The play was a new play; and infinitely full: the King and all the Court almost there. It is The Storme, a play of Fletcher's; which is but so-so, methinks; only there is a most admirable dance at the end, of the ladies, in a military manner, which indeed did please me mightily....And there comes my wife home from the Duke of York's playhouse. Two songs, printed somewhat later in Choice Songs and Ayres, The First Book, 1673, may have been prepared for this revival: Hark the storm grows, set by Robert Smith; and Cheer up my mates, set by Pelham Humphrey

Performances

Mainpiece Title: The Storm

Performance Comment: [The Sea Voyage] .
Event Comment: The Duke's Company. Downes (Roscius Anglicanus, p. 31) lists it as one of several plays whose runs expired on the third day. Pepys, Diary: To the Duke of York's playhouse, but the house so full, it being a new play, The Coffee House, that we could not get in...The Journals of John Lauder Lord Fountainhall (ed. Donald Crawford, 1900), pp. 174-75: heir is the Dukes playhouse, wheir we saw Tom Sydserfes Spanish Comedie Tarugo's Wiles, or the Coffee House, acted....He could not forget himselfe: was very satyricall sneering at the Greshamers for their late invention of the transfusion of blood, as also at our covenant, making the witch of Geneva to wy it and La Sainte Ligue de France togither

Performances

Mainpiece Title: Tarugos Wiles Or The Coffee House

Performance Comment: The edition of 1668 has Prologue-; Epilogue-.
Event Comment: Pepys, Diary: Mrs Pierce tells me the two Marshalls at the King's house are Stephen Marshall's, the great Presbyterian's daughters [an erroneous rumor]; and that Nelly Gwin? and Beck Marshall, falling out the other day, the latter called the other my Lord Buckhurst's whore, Nell answered them, "I was but one man's whore, though I was brought up in a bawdy-house to fill strong waters to the guests; and you are a whore to three or four, though a Presbyter's praying daughter!" which was very pretty

Performances

Event Comment: The King's Company, This performance is on the L. C. lists 5@139, p. 129, and 5@12, p. 17. The latter states: The King here. See also Nicoll, Restoration Drama, p. 344. Elkanah Settle's Prologue to his revision of Philaster (1695): @The good old Play Philaster ne're can fail@But we Young Actors, how shall we prevail?@Philaster and Bellario, let me tell ye,@For these Bold Parts we have no Hart, no Nelly;@Those Darlings of the Stage, that charm'd you there.

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Related Works
Related Work: Philaster Author(s): George Colman, the elder
Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Goblins at ye Theatre. The latter adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Goblins

Event Comment: Pepys, Diary: I met Rolt and Sir John Chichly, and Harris, the player, and there we talked of many things, and particularly of Catiline, which is to be suddenly acted at the King's house; and there all agree that it cannot be well done at that house, there not being good actors enow: and Burt acts Cicero, which they all conclude he will not be able to do well. The King gives them #500 for robes, there being, as they say, to be sixteen scarlett robes. Thence home for dinner, and would have had Harris home with me, but it was too late for him to get to the playhouse after it

Performances