SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the late Mr Penkethman"/1) | (@(roleclean,performerclean) "the late Mr Penkethman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5184 matches on Event Comments, 2005 matches on Performance Comments, 586 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Master Byrn; Furies (in the Character of Chimney-sweeps)-Rossi, Nicolini, &c.; Captain of the Guard-Master Edwin; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Medea (in the Character of Mother Shipton)-Mme Dagueville .

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: In order to prevent Confusion among the Carriages, Ladies and Gentlemen are humbly requested to order their Servants to set down and take up with their Horses' Heads towards Pali-Mall. Servants are particularly desired not to croud the Doors, or to come up till called for. 1st piece: In three Scenes of Dialogue

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Event Comment: Benefit for Havard. Fairy Tale deferr'd, Miss Wright ill. This morning Mr Obrien was married to Lady Susan Strangeways. Mr Powell made an Apology & Mr King play'd his part in the Farce. N.B. This Night Mrs Yates sent me word She could play no more this Season (Hopkins). Mr Obrien married, cou'd not come. Mr King play'd his Part Mr I. Palmer King's (Cross Diary). Mr O'Brien being married this morning to Lady Susan Strangeways [sic] after the Play Mr Powell made apology that Mr O'Brien had sent word he was not able to do his part [Lovel], and that Mr King had undertaken it at every short warning, and hoped for their indulgence.-Mr J. Palmer did Mr King's part [Sir Harry's Servant]. This Night Mrs Yates gave notice she could play no more this season (Hopkins Diary-MacMillan). Receipts: #214 2s. (MacMillan); charges: #64 4s. [Profit to Havard: #149 18s.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

Event Comment: After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book).*c1775 10 27 dl After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Cargill; Peachum-Mrs Lefevre; Lockit-Mrs Webb; Mat o' the Mint-Miss Lyon; Ben Budge-Miss Wood; Jemmy Twitcher-Miss Francis; Nimming Ned-Mrs W. Palmer; Crook@finger'd Jack-Miss Painter; Waiter-Miss Hale; Filch-Mrs Wilson; Lucy-Mr Edwin; Mrs Peachum-Mr Wilson; Jenny Diver-Mr Wood; Mrs Coaxer-Mr Stevens; Mrs Slammekin-Mr Blissett; Sukey Tawdry-Mr Webb; Dolly Trull-Mr R. Palmer; Molly Brazen-Mr Kenny; Mrs Vixen-Mr Massey; Betty Doxy-Mr Painter; Diana Trapes-Mr Wewitzer; Polly-Mr Bannister (1st time of their appearing in any of those characters).
Cast
Role: Mat o' the Mint Actor: Miss Lyon

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Master Byrn; Furies (in the character of Chimney Sweepers)-Rossi, Nicolini; Captain of the Guard-Master Edwin; Jason (in the character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Children-Miss Painter, Master Clarke; Medea (in the character of Mother Shipton)-Mme Dagueville.

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Performances

Mainpiece Title: Wit Without Money

Event Comment: The King's Company. Pepys, Diary: I to the King's playhouse, to fetch my wife, and there saw the best part of The Mayden Queene, which, the more I see, the more I love, and think one of the best plays I ever saw, and is certainly the best acted of any thing ever the House did, and particularly Becke Marshall, to admiration

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Performance Comment: Queen?-Rebecca Marshall. See also late Feb. 1666@7.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 4-6 June 1696, suggests that it was acted not later than May 1696, possibly that it was given in late April. In III is a song, Unguarded lies the wishing maid, set by John Eccles and sung by Leveridge. In IV is a song, The secrets of peace, set by Finger and sung by Mrs Hudson. A Comparison Between the Two Stages (1702), p. 20: This is Mrs Manley's; it made a shift to live a half a dozen Days, and then expir'd

Performances

Mainpiece Title: The Royal Mischief

Event Comment: Note, That the Theatre in Dorset-Garden being now repair'd from the Damage done by the late great Winds, the same will be ready by the latter end of this Week to Act in, or for Entertainments of Musick and Danceing

Performances

Mainpiece Title: The Plain Dealer

Music: Several Italian sonatas on the violin-Gasperini

Dance: Spanish Dance, Punchanello-Cherrier; Other Dances-Mrs Lucas, Mrs Bicknell

Performances

Mainpiece Title: The Chances

Performance Comment: As17111006, but Peter-Cross; 2d Constantia-Mrs Porter; Mother-Mrs Powell. As it was Alter'd by the late Duke of Buckingham.
Event Comment: Benefit Wilks. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Careless Husband

Performance Comment: See17151022, but And a New Epilogue upon the late Aurora Borealis-Wilks.

Dance: As17151029

Performances

Mainpiece Title: The Careless Husband

Performance Comment: See17190124, but Sir Charles-Wilks being the first time of his Acting since his late Indisposition.

Dance: As17190423

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diana on Mount Latmos

Performance Comment: Diana-Mrs Robinson, late Mrs Turner.

Performances

Mainpiece Title: Le Joueur

Afterpiece Title: LArlequin Nouvelliste ou Le Retour de la Bezons

Performance Comment: Part-Mademoiselle DeLisle late arriv'd from France.

Dance:

Event Comment: [By James Moore Smythe.]All the Characters new dress'd

Performances

Mainpiece Title: The Rival Modes

Performance Comment: Principle Parts by Cibber, Cibber Jr, Wilks, Mills, Harper, Miller, Norris, Mrs Oldfield, Mrs Porter, Mrs Horton, but edition of 1727 lists: Earl of Late Airs-Cibber; Lord Toupet-Cibber Jr; Sir Oliver Bruin-Harper; Ballamine-Wilks; Sagely-Mills; Henry-Norris; George-Miller; Amoret-Mrs Oldfield; Melissa-Mrs Porter; Clary-Mrs Horton; Prologue by Theobald-Wilks; Epilogue-Mrs Horton.
Cast
Role: Earl of Late Airs Actor: Cibber
Role: Prologue by Theobald Actor: Wilks
Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe
Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Torrismond-Rosco; Queen-Mrs Roberts; Bertran-Bardin; Raymond-Huddy; Alphonso-Williams; Pedro-Havard; Lorenzo-Giffard; Elvira-Mrs Giffard; Fryar-W. Giffard; Gomez-Norris, from Dublin, Son of the late famous Comedian of that Name, alias Jubilee Dicky.

Afterpiece Title: The Lovers Opera

Dance: As17311104

Event Comment: Benefit a Gentleman, late of Eaton School. At the Desire of several Persons of Quality. Receipts: money #65 6s.; tickets #88 16s. Daily Advertiser, 6 March: To-morrow...for the Benefit of a Gentleman late of Eaton School...and the Company of his School Fellows will be very acceptable to meet at the Bedford Arms Tavern...in order to proceed to the said Theatre

Performances

Mainpiece Title: The Beggars Opera

Dance: HHornpipe-Jones

Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. Afterpiece: Taken from the French by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Country House

Music: A Comic Medley Overture composed by Charke

Dance: I: A new Maggot by Le Brun. In II: Polonese, as17340325 V: Pierrots by Poitier and Nivelon. End I of Afterpiece: English Maggot by Lally and Mrs Walter. End Afterpiece: Grand Dance in Momus, as17340316

Song: III: Was ever Nymph like Rosamond by Miss Arne. IV: Bella Sorge L'Esperanza (from Ariadne) by Miss Arne

Event Comment: Benefit Allen, Treasurer. Tickets for Russell also taken. At 7 P.M. [This is one of the rare occasions when the play is billed with this title.]

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Mrs Sullen-Mrs Roberts; Dorinda-Mrs Mullart; Archer-Wilks, Nephew to the late Robert Wilks; Sir Charles-Mrs Charke; Aimwell-Turbutt; Scrub-Hallam; Sullen-Pullen; Bonniface-Mullart; Gibbet-Machen; Foigard-Jones; Lady Bountiful-Mrs Egerton; Cherry-Mrs Talbot; Gipsey-Miss Brett; Old Woman-Hallam, but see17340624.

Afterpiece Title: The Mock Doctor

Dance: II: A new Dance by Davenport and Miss Brett. V: Les Bergeres by Davenport and Miss Brett

Song: I: Was ever Nymph like Rosamond by Miss Jones. IV: 'Tis Joy to wound a hover (from Rosamond) by Miss Jones

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17351119, but Raleigh-Ray. With the Ceremony of his [Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .
Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Benefit Vaughan, Boxkeeper, and Gwinn's Widow, late Pit Doorkeeper. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: With the additional Scene Actor: .

Afterpiece Title: The Honest Yorkshireman

Dance: I: Comic Dance-Richardson, Miss Cantrel; II: Two Pierrots-Nivelon, Lalauze; III: Je ne scai quoy-Tench, Villeneuve, Miss Oates; IV: Pantomime Dance-Nivelon, Mrs LeBrun; V: Grecian Sailors-Glover

Song: III: Chancon a Boire-Leveridge, Laguerre

Event Comment: Mainpiece: Written by the late Mrs Centlivre. Afterpiece: Written by the Author of the Toy Shop. N.B. Whereas several Audiences have of late been very much disgusted at the Performances being interrupted by Persons crouding upon the Stage; none for the future can be admitted behind the Scenes, except those who have Annual Silver Tickets

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: Grand Aethiopian Dance-Muilment, Mrs Walter; V: Grand Ballet-Denoyer, Mlle Roland