SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the eldest Princesses"/1) | (@(roleclean,performerclean) "the eldest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 779 matches on Event Comments, 157 matches on Performance Title, 96 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Lord Chamberlain sent an order, between four and five in the evening, to the two theatres to cease representing any plays, till after the funeral of the late Princess Amelia [daughter of George II; she died on 31 Oct.] (Morning Chronicle, 2 Nov.)

Performances

Mainpiece Title: None

Event Comment: The Last Time of the Company's performing this Season. Account-Book, 21 July: Received of Their Majesties and the Princess Royal #66. Receipts: #206 6s. 6d. (195.1.0; 10.8.0; 0.17.6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The First Floor

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Performances

Mainpiece Title: Marian

Cast
Role: The Marquis Actor: Lewis
Role: The General Actor: Quick

Afterpiece Title: The Midnight Hour

Afterpiece Title: Animal Magnetism

Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Aladin

Event Comment: Account-Book: Tickets delivered by Follett, Warrell, A Gentleman, Miss Leserve will be admitted. Received of Their Majesties for the Box #80; for the Princess Royal's Box #40; for Her Majesty's Servants #6 6s. Receipts: #226 10s. 6d. (104.5.0; 4.3.6; tickets: 118.2.0)

Performances

Afterpiece Title: Tippoo Saib

Song: In 2nd Piece:as in 3rd piece, 10 June Poor Orra tink on Yanco dear-Mrs Mountain; The Gallant Soldier born to Arms-Incledon

Event Comment: Benefit for Mrs Siddons. To prevent Confusion, Ladies and Gentlemen are desired to send their Servants by Half past Four o'Clock. Mainpiece: In I The Cardinal's Banquet. In II the Court for the Trial of Queen Katharine. In V a Grand Procession to the Christening of Princess Elizabeth. Morning Herald, 7 Mar.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #493 16s. (258.15.6; 25.13.0; 1.16.0; tickets: 207.11.6) (charge: #159 8s. 10d.)

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

Performance Comment: End: Collins's Ode on the Passions (for this night only)-Mrs Siddons.
Event Comment: [Extra night] Benefit for a Fund, established for the Relief of those Performers who through Infirmity shall be obliged to retire from the Stage. [Author of Prologue unknown. This was Mrs Pitt's last appearance on the stage.] Received for the King's box #50; for the Princess Royal's box #25; for Their Majesties' Servants' box #2 2s.; from Cadell for Books #30 0s. 6d. Receipts: none listed

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat o' the Mint Actor: Darley

Afterpiece Title: Barataria; or, Sancho Turned Governor

Performance Comment: Sancho Pancha-Quick; Duke-Cubitt; Manuel-Davies; Pedro-Thompson; Recorder-Powel; Don Quixotte-Marshall; Lady Tereza Pancha-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Platt; Mary the Buxom-Mrs Rock.
Cast
Role: Mary the Buxom Actor: Mrs Rock.

Dance: As17920509

Entertainment: As17920414; Imitations End I: several Imitations entirely New,-Mrs Wells; Monologue

Event Comment: 1st piece: With Alterations; Not acted these 6 years [acted 18 May 1792]. [The playbill announces this performance as "By Command of Their Majesties," but they, "who had been expected here last night, did not arrive; the indisposition of two of the Princesses having detained them at Windsor" (Morning Herald, 16 Apr.). "After the Relief of Williamstadt [which is not listed on the playbill, but which on 13 Apr. is called '8th Time,' and on 16 Apr. '10th Time'], the Irishman in London...was attempted to be performed; but after many unsuccessful apologies, the piece was not suffered to proceed, and the farce originally intended for representation, The Lying Valet, not without considerable difficulty, many of the performers having quit the theatre, was gone through with, to the gratification of a part of the audience who appeared determined rather to exercise their power than adhere to propriety" (Public Advertiser, 16 Apr.).] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #345 5s

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: The Lying Valet

Dance: End: The Bouquet-Byrn, Mme Rossi

Song: III: a song in character-Mrs Clendining

Event Comment: Mainpiece: In Act I the Cardinal's Banquet. In Act II the Court for the Trial of Queen Katharine . In Act V a Grand Procession to the Christening of Princess Elizabeth . Receipts: #115 10s. (105.0; 10.10)

Performances

Mainpiece Title: At Hay King Henry The Eighth

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: In IV: a song-Master Welsh

Event Comment: Mainpiece: In Act I The Cardinal's Banquet. In Act II The Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Paid Charles Smith on Acct. of Upholders Work at Drury Lane Theatre #400. Powell: Henry VIII rehearsed at 10 (for Packer, lame, and Mrs Siddons); Siege of Belgrade music at 12 (for Storace, Bannister Jun., Crouch, Davis, Danby). The Iron Curtain being finish'd was this Evening exhibited for the first Time with the Epilogue [and see 21 Apr.]. "On the 24th February, 1809, this theatre was burnt down . . . Every care had been taken to guard against such a calamity. Two large reservoirs for water, on the top of the house, happened, unfortunately, at this crisis to be empty; and an iron curtain, intended to separate the auditory from the stage, for the purpose of saving a part of the edifice in case of conflagration, was, with its machinery, so much out of order as to be useless; it was, in fact, utterly immoveable" (Brayley, p. 8). Receipts: #451 8s. 6d. (389/4/0; 56/5/0; 4/6/6; tickets not come in: 1/13/0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Mainpiece: In Act I The Cardinal's Banquetv. In Act II The Court for the Trial of Queen Katharinev. In Act V a Grand Processionv to the Christening of Princess Elizabeth. Afterpiece: Representation of the Engagementv, as 14 Oct. [In mainpiece the playbill omits Lord Sands, but "Sands Hollingsworth, Baddeley ill" (Powell).] Powell, 17 Oct.: Chaplet rehearsed at 10 [see under 16 Oct.]; Drummer at 11; Roman Actor at 12 (order to be dismissed by Mr Kemble); 18 Oct.: Haunted Tower rehearsed at 10; Wedding Day at 12. Receipts: #307 6s. (227.18; 77.6; 2.2)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Glorious First of June

Event Comment: Ode: In two Parts. Principal Instrumental Performers as 20 Feb., but omitted: Bridgtower, Archer, Mahon, Lavenu, Napier, Simpson. Mr Ashley is exceedingly concerned that he is under the necessity of informing the Public that the Anthem [The Anthem that will be performed at the Chapel Royal, St. James's, on the Nuptials oF his Royal Highness the Prince of Wales and the Princess Caroline of Brunswick, composed by Handel, to conclude with the Hallelujah Chorus from The Messiah (advance playbill of 25 Feb.)] advertised for this Evening is necessarihy postponed until the Royal Marriage shall have taken place

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Performance Comment: As17950220, but Leader of the Band-_.

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Angels ever bright-Miss Parke (Theodora); He measureth, He Layeth the beams-Bartleman (Redemption); Total eclipse-Kelly; O first created beam-Chorus (Samson); O had I Jubal's lyre-Miss Poole (Joshua); Every day will I give thanks-Nield (Chandos? Anthems); The Lord shall reign-Chorus; Sing ye to the Lord-Miss Parke; The horse and his rider-Double Chorus (Israel in Egypt).
Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Thetis Actor: Mme Prevost
Role: The Masque commences with the View of A Grove Actor:
Role: the Genii of the Morn Actor:
Role: the Graces Actor:
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: the Temple of Jupiter Actor:
Role: the Destinies Actor:
Role: arise from the Sea in their Watry Car Pluto Actor:
Role: together with Rhadamanthus Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: accompanied on the Harp Actor: Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Mainpece: In Act I the Cardinal's Banquet. In Act II the Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Receipts: #211 1s. 6d. (150.5.0; 58.4.6; 2.12.0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Peeping Tom

Cast
Role: Mayor of Coventry Actor: Wathen
Event Comment: [2nd piece in place of The Mysterious Husband, advertised on playbill of 2 Jan.] 3rd piece: Credits as 21 Dec. 1795; Harp as 30 Dec. 1795. [These were included in all subsequent performances.] Receipts: #272 4s. (257.15; 14.9)

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Cast
Role: The Bellman's Chaunt Actor: Rees
Role: Midge the Miller Actor: Street
Role: Dialogue Ballad Actor: Robin Hood, the Tanner
Role: The Witch of Sherwood Actor: Mrs Martyr
Role: Song by the Damsel Actor: Mrs Clendining
Role: Song by the Earl's Daughter Actor: Mrs Serres
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Role: Song by the Old Knight Actor: Munden
Role: Song by the Witch Actor:
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Midge the Miller Actor: Street
Role: The Sheriff and Arthur Actor: o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: o' Actor: Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: Harlequin appears as a Beggar Boy Actor: is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: and appoints Harlequin as his Guide and Protector Actor: the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the Moving Grove Actor: the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: the story of Robin Hood and the Tanner Actor: the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-
Role: The Cryer's Chaunt Actor:
Role: intended Bride Actor: Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: brings on a dead Buck as a present to Arthur Actor: the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Porter enters with Box Actor: Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Marian taken by Arthur is forced into it Actor: the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: which changes to the Town Stocks in which they are Actor: Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: The story of the Pindar of Wakefield Actor: the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: Robin and his pursuers in full chace Actor: the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: and the Count discovered Actor: Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-
Role: Pigmies Actor: Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-
Role: the Grand Dance of Warriors in the Field of Actor:
Role: Story of the Curtal Fryar Song Actor: Bowden
Role: Nottingham Market Actor: Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: Arthur Actor: o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: o' Actor: Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: Bradley by a Lanthorn of Fire Actor: The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-
Role: attended by the Bridemen and Maids Actor: a Morrice Dance-
Role: the Marriage of Allen and Martha Martha's song Actor: Mrs Mountain
Role: Harlequin changes the Cottage to a Ship Actor: a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: which he changes to a cart Actor: and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: and the Scene to a Plough Field Actor: a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: A Landscape changes to a Stile Actor: Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: Archers to Trees Actor: the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: the Death of Robin by Arthur Actor: o'-Bradley and his Men. Scene VII
Role: The renovation of Robin by the Witch of Nottingham Actor: Mrs Martyr
Role: Clouds with Angels supporting Wreaths Actor: which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn
Role: Dialogue Ballad Actor: Robin Hood, the Tanner
Role: The Witch of Sherwood Actor: Mrs Martyr
Role: The Bellman's Chaunt Actor: Fawcett
Role: Song by the Damsel Actor: Mrs Clendining
Role: Song by the Earl's Daughter Actor: Mrs Serres
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Role: Song by the Old Knight Actor: Munden
Role: Song by the Witch Actor:
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Performance Comment: The Sailor's Carousal; or, Saturday Night at Sea As17980528, but added: The Medley of Lovers-Munden; Jack at the Windlass-_; Farewell to Old England dear Mary adieu-_.

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman