Event Comment: Rich's Company.  
Lady Morley attended this performance: Lady Morley and two in 
the Box at 
Constant Couple.  See 
Hotson, 
Commonwealth and Restoration Stage, p. 378.  
There is no certainty that this is 
the first performance, but 
the fact that 
the play was advertised in 
the Post Man, 7-9 Dec. 1699, suggests that 
the first production may have occurred in mid-November.  
The Prologue also refers to 
the abandonment of 
Dorset Garden to "That strong Dog Sampson" (see 15 and 25 Nov. 1699).  A song, 
Thus Damon knock'd at Celia's door, set by 
Daniel Purcell, was published separately about this time.  Preface, Edition of 1700: All will join with me in Commendation of 
the Actors, and allow, without detracting from 
the Merit of o
thers, that 
the Theatre Royal affords an excellent and compleat Set of Comedians.  
Mr Wilks's Performance has set him so far above Competition in 
the Part of 
Wildair, that none can pretend to envy 
the Praise due to his Merit.  Preface to 
The Inconstant (1702): I remember, that about two Years ago, I had a Gentleman from 
France [
The Constant Couple] that brought 
the Play-house some fifty Audiences in five months.  
A Comparison between the Two Stages (1702), p. 32: 
Critick: But above all, commend me to 
the ingenious Author of 
the Trip to the Jubilee.  
Ramble: Oh Lord, Sir! you won't quarrel with that Play; never any thing did such wonders.  
Critick: Oh 'twas admirable! admirable!  I wonder 
the Town did not just 
then bespeak 
the Bays for him.  
Sullen: Nay, for ought you and I know, he may live to enjoy 'em; I assure you all 
the run of 
the Town is on his side.  
The Owl was never more esteem'd at 
Athens than 
the Trip to 
the Jubilee was here.  
Critick: Indeed I have known a Footman have a great stroak with his Lord at begging a Favour; if all 
the Footmen in Town that admire him were to club for his Preferment, I don't know what might be done.  
Ramble: 
The Footmen?  Ay, and 
the middle Gallery too, I assure you are of his side, and that's a strong Party.  
Critick: Why, I believe it, 'tis about 
the pitch of 
their Understanding; but if ever it diverted one Man of tolerable Sense I'll be hang'd.  
Sullen: I don't know who are your People of tolerable Sense, Mr Critick, but at 
the play I have seen 
the Pit, Box and Stage so crowded--and if that is not a sign