SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Two Princes"/1) | (@(roleclean,performerclean) "the Two Princes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1792 matches on Event Comments, 1368 matches on Performance Title, 972 matches on Performance Comments, 418 matches on Author, and 0 matches on Roles/Actors.
Event Comment: GGeneral Advertiser, 28 Sept.: We hear that Mr Lacy, Master of his Majesty's company of Comedians at D.L. has applied for leave to raise 200 men in defence of his Majesty's person and government, in which the whole company of players are willing to engage. [See 7 Oct.] On Saturday Night the Audience at the Theatre Royal in Drury Lane were agreeably surpris'd by the Gentlemen belonging to that House performing the Anthem of God Save our Noble King. The Universal Applause it met with being encored with repeated Huzzas suffciently denoted in how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of Papal Power. [See also Daily Advertiser, 30 Sept. The newspapers at this time run a three phrase slogan in bold face type vertically in the margins: No Pretender. No Popery. No Slavery, accompanied by two more phrases staring boldly from the bottom margin: No Wooden Shoes! No Arbitrary Power!]

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

Event Comment: Mainpiece Written by Shakespear. On Monday next The Recruiting Officer, The whole receipt of the house to be subscribed to the Veteran Scheme at Guildhall. [This advertisement was carried on the two following days.]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: M Mechel, Mlle Mechel

Song: V: The Subscription-Lowe

Event Comment: With a new Farce of two Acts...Written by the Gentleman who plays the Part of Lothario. The Play and Entertainment being both so long we shall positively begin at exactly six o'clock. 3s., 2s., 1s. [Usual concert notice.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fortunate Adventurers or The Successful Lover

Event Comment: By Desire of the Officers of the two Regiments of the Tower Hamlets. Gentlemen and Ladies who had tickets for Mr W. Hallam's Benefit of Richard III and could not come then, Mr Hallam hopes they will come tonight, and their Tickets will be admitted

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Flora

Song: Brett

Dance: As17460101

Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Performances

Mainpiece Title: Henry Vii

Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

Performance Comment: [No characters.] First soprano-Signora Francesina; Tenor-Beard; Bass-Reinhold (Deutsch, Handel, pp. 629-30.); With a newConcerto on the Organ-.
Event Comment: Benefit Cooke. Mainpiece: At the desire of several Ladies of Quality. Two rows of Pit will be laid into the boxes. Ladies desired to send their servants by three o'clock

Performances

Mainpiece Title: Ladys Last Stake

Afterpiece Title: Phebe

Dance: I: New Grand Ballet-Cooke; II: Drunken Tyrolese-Cooke; V: Louvre, Minuet-Cooke, Sga Campioni

Event Comment: The Subscribers to the Opera are desir'd to send their Silver Tickets on Saturday next, and the three succeeding Days of Performance, to the Opera Office, where a Half Guinea Ticket extraordinary will be delivered to each, or a proportionable Part of Money return'd as Equivalent for four representations, which the Season already too far advanced, cannot admit of being exhibited, thro' the absolute Necessity there was of postponing the proper Time of beginning the Opera. Forty-Two Representations are past

Performances

Mainpiece Title: Antigone

Event Comment: MMr Picq entered from Saturday last at 2 Guineas per week certain; Mr Matthews entered ditto at 30s. per week. Mr Granier for his Christmas performance #5 5s.; Mr Forrest, attorney, on account #100 (Account Books, Egerton 2268). We hear there is now in rehearsal a Farce of two acts call'd Miss in her Teens; and will be acted soon after the Holidays.-General Advertiser. Receipts: #77 1s

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Royal Chace

Event Comment: To the Author of the General Advertiser, Sir: I have frequently observ'd particular Notice has been taken in your paper of particular Merit, I hope therefore you'll allow room for this short Epistle--I am a great Lover of Public Diversions, especially such as can agreeably amuse, or afford the highest Mirth, without offense to Sense of Decency; Of this kind are the two new dances compos'd by Salomon, and perform'd by him, Mr Cook, Mr Muilment, Madem Violette, Sga Padouana, and the young little Salomon, and others. To say they are excellent in their way is barely doing 'em justice; but in these Dances they may be said to have excell'd themselves. The first, tho' a kind of Serious Pastoral Ballet afforded the Audience great Pleasure; and I believe never did three dancers in a Pas Trois, altogether equal the Execution of Sg Salomon, Madem Violette, and Mr Cook; there was an Elegance peculiar to herself that shone thro' her whole performance. The other Entertainment is the representation of a Fair, to which People of all degrees and nations are suppos'd to resort, it may not improperly be stil'd a very High Piece of Low Humour; and caused as much laughter and applause as the strongest Farce ever produc'd, without offending the Modesty of the Ladies. We have had many performers from abroad, but Sg Salamon and Violette so inimitably express their characters in this entertainment, that I think they excel what we have hitherto seen; and very much deserve the Encouragement of the Town, I am, &c

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Anatomist

Song: III: Lowe

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: This Day is Publish'd The Roman and English Comedy consider'd and compared. With Remarks on the Suspicious Husband; and an examen into the Merits of the present Comic Actors by S. Foote, Esq. This day is publish'd in Two Volumes a Companion to the Theatre or a View of our most celebrated dramatic pieces. In which the Plan, Characters and Incidents, of each are particularly explained. Interspersed with remarks Historical, Critical, and Moral. Price Bound 6s. Printed for J. Nourse, at the Lamb, over against Katherine St. in the Strand

Performances

Event Comment: Written by Shakespear (Daily Post). The Whole concluding with an Epilogue of Thanks wrote by Mr Paget, and spoken by him and the two children (Daily Post). Benefit Paget. Stage and Front Boxes 3s. Pit and First Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Henry Iv

Afterpiece Title: The Tragedy of Tragedies or The Life an Death of Tom Thumb the Great

Performance Comment: Tom Thumb-Paget's/other/son first time on any stage.

Dance: As17461126, but Hornpipe-Williams

Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Event Comment: On Monday next, As You Like It, with Dancing by the Two Mademoiselle Auretti's, 1st time of their appearing on that stage. Receipts: #160 (Cross); #118 6s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Miss in Her Teens

Event Comment: [The Afterpiece had been advertised on two previous days to be the Royal Chace; or, Merlin's Cave.

Performances

Mainpiece Title: The Country Lasses

Performance Comment: As17471219, but the part of Aura to contain the Original Sheep Shearing Song-.

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Performance Comment: Chasseur Royal-Beard; Merlin-Leveridge; Jupiter, in the character of Harlequin-Lun; Pluto (Punch)-Granier; Neptune (Pantaloon)-Dupre; Pan (Scaramouche)-Vandersluys; Hercules (Brighella)-Delagarde; Apollo (Mezzetin)-Villeneuve; Mars (Leander)-Desse; Doctor-Bencraft; Colombine-Mrs Dunstall; Pierot-LaLauze.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Performance Comment: With a new additional Scene-; in which will be introduce'd two new characters; the Part of Fribble to be perform'd by the Author of the scene; after which an Epilogue- in the Character of Fribble.

Dance: To conclude with: Country Dance called The Whim-

Event Comment: Benefit for Mr Giffard and Mrs Giffard. Mainpiece [by Thomas Baker]: Not acted these 15 years. [See 11 July 1738.] At the Desire of several Ladies of Quality. Afterpiece: A Farce of Two Acts never performed before, taken from a Comedy of the Celebrated Mr Otway. Tickets to be had of Giffard at No. 11 in Craven's Buildings, Drury Lane, and at the stage door

Performances

Mainpiece Title: Tunbridge Walks Or The Yeoman Of Kent

Afterpiece Title: The Soldiers Fortune

Song: III: O Beauteous Queen Enclose those eyes, Come Ever Smiling Liberty-Mrs Storer; V: the 4th Cantata of Mr Stanly (in the character of Anacreon)-Beard

Event Comment: Benefit for Beard. Afterpiece: A Masque of Music, reviv'd, in two Interludes, preform'd at the end of the 3rd and 5th Acts. Written by Colley Cibber. Servants will be allow'd to keep Places on the stage, which (for the better accommodation of the Ladies) will be form'd into an Amphitheatre, illuminated and enclos'd, as at an Oratorio. Tickets for Boxes and Stage to be had of Beard at his house in Red Lyon Square, and of Page at the Stage Door. Ladies desired to send servants to keep Places by three o'clock (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Venus and Adonis

Event Comment: Benefit for Mr and Mrs Dunstall, Mrs Lampe and Miss Young. Mainpiece: Not acted these 3 years [see 4 Feb. 1746]. Tickets to be had at Lampe's, the Sign of the Holy Lamb, Drury Lane, near Long Acre; at Dunstall's in Hunt's Court, Castle St., Leicester Fields; and at the Stage Door. Afterpiece: Words by Shakespeare, Music by Lampe

Performances

Mainpiece Title: The Fair Quaker Of Deal Or The Humours Of The Navy

Performance Comment: Worthy-Ryan; Sir Charles-Giffard; Flip-Dunstall; Beau Mizen-Cibber; Arabella-Mrs Dunstall; Rovewell-Gibson; Easy-Storer; Cribbige-Anderson; Purser-Paget; Belinda-Mrs Bland; Jenny Private-Miss Young; Jiltup-Miss Copen; Advocate-Miss Ferguson; Barmaid-Miss Haughton; Sailors-Morgan, James, Collins, Bencraft; Fair Quaker-Mrs Hale; In II, the Famous Song of Ninety Two-Beard; In III, Hornpipe-Oates.

Afterpiece Title: Pyramus and Thisbe

Performance Comment: Pyramus-Beard; Moonshine-Roberts; Lion-a Gentleman; Thisbe-Mrs Lampe; the whole to conclude with the Last New Dance call'd Foote's Vagaries-.

Song: I: Duet-Mrs Lampe, Miss Young; IV: Myself I Shall adore by Handel-Mrs Lampe

Event Comment: Benefit for Marten and White (Treasurer). Afterpiece: A farce in Two Acts [Anonymous] never acted there before. [See 14 Jan. 1743, at lif.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Drums Demolishd or Bickerstaffs Unburied Dead

Song: I: Go Rose-Beard; II: Ah Se Amanti Fasti Mai, Felice Belve-Miss Faulkner; IV: Come Ever Smiling Liberty, Tis Liberty-Miss Faulkner

Event Comment: This Day open'd for the Summer Season at the New Wells, Shepherd's Market [near Hyde Park corner]...the usual Diversions after which will be presented Gratis, etc. The Doors to be open'd each day at Two o'Clock. We hear, that the Opera La Semiramide Reconosciuta (in which Signora Cassarini is to act the part of a King) will be performed but twice (General Advertiser)

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Harlequin Fortune Teller

Entertainment: Italian Fireworks-as perform'd in the Opera House in the Haymarket

Event Comment: The 172nd and last performance of the season (Cross). This was the end of the season, having played 171 nights. Rec'd by the forfeits of the Band of Musick, which used formerly to be given the treasurer, #22 9s. 2d. Rec'd ditto from the actors, #15 1s. 2d. So that they did receive, as appears by their own books, the first season of Mr G-k's commencing manager, the sum of #21,044 15s. 2d., which I shall carry forward to the receipts of the next season (Powel). [N.B.: Powel's analysis of expenses and profits is based on a two-year income and concludes in June 1749. Cross's visual estimate of the value of each night amounts to #25,741. If one subtracts, however, the difference between the estimate on benefit nights and the actual house charges received, a sum of #4,796, Cross's estimate of total income from box receipts amounts to #20,945.] Receipts: #170 (Cross); #163 13s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Double Disappointment

Dance: III: Tambourine-Anne Auretti; V: Dutch Dance, as17471128

Event Comment: There has been sometime in rehearsal the Emperour of the Moon, alter'd into two acts, which will be perform'd on Monday next, with the Music, New Dances, Scenes, Machines and other Decorations. Receipts: #140 (Cross); #130 9s. 6d. (Powel)

Performances

Afterpiece Title: The School Boy

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None