SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Sir Williams"/1) | (@(roleclean,performerclean) "the Sir Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11787 matches on Author, 6982 matches on Performance Comments, 1316 matches on Event Comments, 1129 matches on Roles/Actors, and 512 matches on Performance Title.

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Old Batchelor-W. Giffard; Belmour-Giffard; Bluff-Huddy; Vainlove-Rosco; Sharper-W. Williams; Setter-Collet; Sir Joseph-Bullock; Fondlewife-Penkethman; Belinda-Mrs Giffard; Laetitia-Mrs Haughton; Araminta-Miss Smith; Silvia-Mrs Mountfort; Lucy-Mrs Thomas.
Cast
Role: Sharper Actor: W. Williams
Role: Sir Joseph Actor: Bullock

Afterpiece Title: Flora

Performance Comment: All the Parts as usual.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17311025, but Falstaff-Gentleman who perform'd it in Harry the Fourth; Rugby-Williams; Sir Hugh-Norris; Mrs Ford-Mrs Giffard? (Daily Advertiser) or Mrs Roberts (Daily Post).

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: LLes Amants-Burney, Mrs Wherrit

Event Comment: Receipts: #132 0s. 6d. Paid Kemp #9 12s.; Meares #1 10s.; Mr Day (turner) #12 1s.; Pattinson (tallow chandler) three bills to 11 Feb., #54 8s. 8d. Was at Covent Garden Gallery with Sir Harriott to see the Jovial Crew and Duke and No Duke. I met Legyt, Piggot, Bettenson there & got home by 10 (Hailey, Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: A Duke and no Duke

Dance: Dances incident to the Opera. Likewise, a Comic Dance-Poitier Jr, Mlle Capdeville [probably The Plowman]

Performance Comment: Likewise, a Comic Dance-Poitier Jr, Mlle Capdeville [probably The Plowman].probably The Plowman].
Event Comment: By Permission. Mainpiece: Not acted these two years

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Weston, first time; Belmour-Aickin; Heartwell-Fearon; Vainlove-Baker; Sharper-Lane; Setter-Everard; Nollbluff-Williams; Barnaby-Jacobs; Sir Joseph-Whitefield; Belinda-Miss Ambrose; Araminta-Miss Platt; Sylvia-Mrs Palmer; Lucy-Mrs Whitefield; Letitia-Mrs Gardner.
Cast
Role: Nollbluff Actor: Williams
Role: Sir Joseph Actor: Whitefield

Afterpiece Title: A Trip to Portsmouth

Entertainment: Imitations, Vocal and Rhetorical-Bannister

Event Comment: Mrs Hartley being taken ill, Sir Thomas Overbury [announced on playbill of 11 Feb.] is obliged to be deferred till Monday. Receipts: #167 6s. (164.10.6; 2.15.6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant

Afterpiece Title: The Jovial Crew

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #197 9s. 6d. (141/14/0; 55/1/0; 0/14/6)

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Truemore-Vernon; Le Nippe-Dodd; Sir John Contrast-Parsons; Rashly-Bannister; Rental-Aickin; Capt. Trepan-Baddeley; Huntsman-Du-Bellamy; Serjeant Crimp-R. Palmer; Corporal Snap-Williams; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss Prudom (1st appearance this season); Peggy-Mrs Wrighten; Sophia-Miss Farren .
Cast
Role: Sir John Contrast Actor: Parsons
Role: Corporal Snap Actor: Williams

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Simson; Miss Tittup-Miss Farren .
Cast
Role: Sir John Trotley Actor: King

Dance: End of mainpiece, as17811004

Event Comment: Benefit for Mrs Waldron. Mainpiece: Written by the celebrated General Burgoyne (Tam Marti quam Mercurio), and performed near Forty Nights last season at the Theatre-Royal, Drury-Lane, with unprecedented Applause. 2nd piece: Written by O'Keeffe, set to music by Shield, and performed with unceasing Applause at the Theatre-Royal in the Hay-Market

Performances

Mainpiece Title: The Heiress

Performance Comment: Ld. Gayville-The Young Gentleman who performed Jaffier on Wednesday last [Gibbons]; Clifford-Yatesmore; Sir Clement Flint-Sadler; Blandish-Wilson; Chignon-Benson; Prompt-Simpson; Mr Rightly-Smith; Chairman-Wright; Servants-Watts, Meadows, Johnston; Alscrip-Waldron; Miss Alscrip-Mrs Waldron; Miss Alton-Miss Phillips; Mrs Blandish-Mrs Clarke; Mrs Sagely-Mrs Johnston; Tiffany-Miss Williams; Lady Emily-The Young Lady who performed Belvidera on Wednesday last [Miss Fenton]. Prologue [spoken by Gibbons]. Epilogue [spoken by Miss Fenton] .Miss Fenton]. Prologue [spoken by Gibbons]. Epilogue [spoken by Miss Fenton] .

Afterpiece Title: Peeping Tom of Coventry

Performance Comment: Peeping Tom-Benson; Harold-Price; Earl of Mercia-Smith; Hobnail-Johnston; Dumplin-Watts; Mayor of Coventry-Waldron; Emma-Miss Phillips; Mayoress-Mrs Johnston; Lady Godiva-Miss Williams; Maud-Mrs Waldron .
Cast
Role: Lady Godiva Actor: Miss Williams

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes-Smith; Polixenes-Bensley; Florizel-Bannister Jun.; Camillo-Aickin; Old Shepherd-Packer; Clown-Suett; Autolicus-Dodd; Perdita (with the Sheep-shearing Song)-Mrs Crouch; Paulina-Mrs Hopkins; Hermione-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Principal Characters by Kemble, Barrymore, Suett, Williames, Fawcett, Phillimore, Chaplin, Bannister, Miss Romanzini, Mrs Crouch, Mrs Love, Miss Cranford, Miss DeCamp, Mrs Jordan. Cast from text (J. Debrett, 1786): Richard-Kemble; Blondel-Barrymore; Guillot-Suett; Florestan-Williames; Old Mathew-Fawcett; The Seneschal-Phillimore; Pilgrim-Chaplin; Sir Owen-Bannister; Antonio-Miss Romanzini; William-Spencer; Laurette-Mrs Crouch; Dorcas-Mrs Love; Collette-Miss Cranford; Julie-Miss DeCamp; Matilda-Mrs Jordan.
Cast
Role: Old Mathew Actor: Fawcett
Role: The Seneschal Actor: Phillimore
Role: Sir Owen Actor: Bannister

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Paid Pugh, oilman, #92 3s. Afterpiece: From the French of Sedaine. The Music by the celebrated Gretry; and the Paintings by Greenwood. Receipts: #180 9s. 6d. (129.12.0; 48.9.0; 2.8.6)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward
Role: The Country Girl Actor: Mrs Jordan.

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard (1st time, with a song from the original Piece)-Kelly; Blondel-Barrymore; Guillot-Suett; Seneschal-Phillimore; Pilgrim-Chaplin; Old Mathew-Fawcett; William-Spencer; Florestan-Williames; Sir Owen-Dignum; Antonio-Miss Romanzini; Lauretta-Mrs Crouch; Dorcas-Mrs Love; Collette-Miss Cranford; Julie-Miss DeCamp; Matilda-Mrs Jordan.
Cast
Role: Old Mathew Actor: Fawcett
Role: Sir Owen Actor: Dignum

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes, Dresses, and Decorations. The Music (with a few exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. [Williamson was formely a chorus singer at this theatre; Mme Pieltain had sung at the king's in the season of 1788-89. Afterpiece in place of The Deaf Lover, advertised on playbill of 25 Feb.] "The author is very little responsible for his part of the entertainment, which he acknowledges was composed chiefly for the purpose of [the music, which] in the taste of the present day is almost the only essential part of such an entertainment" (Gazetteer, 28 Feb.). Oracle, 7 May 1791: Thas Day is published The Woodman (1s. 6d.). Receipts: #243 2s. (239.17.6; 3.4.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: [Principal Characters-Quick, Bannister, Johnstone, Blanchard, Incledon, Williamson (1st appearance in a speaking part), Cross, Mrs Martyr, Mrs Webb, Miss Huntley, Mme Pieltain (1st appearance on the English stage non-operatic]; Rest of; the Vocal Parts-Mrs Mountain, Mrs Warrell, Miss Williams, Mrs Harlowe, Miss Stuart, Miss Barnet, Mrs Watts, Miss Francis, Mrs Arnold, Mrs Davenett, Mrs Rock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Platt, Mrs Ratchford, Mrs Byrne, Mrs Goodwin; [Cast from text (T. Cadell, 1791): Sir Walter Waring-Quick; Fairlop the Woodman-Bannister; Capt. O'Donnel-Johnstone; Medley-Blanchard; Wilford-Incledon; Bob the Miller-Williamson; Filbert the Gardener-Cross; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Webb; Polly-Miss Huntley; Emily-Mme Pieltain [in text: Miss Dall (see17910310; Kitty Maple-Miss Stuart; Bridget-Mrs Cross.

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Dignum; Seneschal-Phillimore; Antonio-Mrs Bland; Guillot-Suett; Mathew-Fawcett; William-Banks; Pilgrim-Webb; Matilda-Mrs Jordan; Laurette-Mrs Crouch; Dorcas-Mrs Davis; Julia-Miss DeCamp; Chorus of Knights-Danby, Cooke, Maddocks, Lyons; Chorus of Soldiers-Fawcett, Alfred, Shaw, Dorion.
Cast
Role: Sir Owen Actor: Dignum
Role: Mathew Actor: Fawcett

Dance: In afterpiece: the young D'Egvilles, Miss DeCamp. [Included, as here assigned, in all subsequent performances.

Event Comment: [As mainpiece the playbill announces The Fugitive, "but in consequence of the indisposition of a principal performer, The Haunted Tower was substituted" (Thespian Magazine, Mar. 1793, p. 218). Kemble Mem. notes the same change.] Receipts: #128 4s. 6d. (83.2.0; 42.1.0; 3.1.6)

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: Richard Coeur de Lion

Performance Comment: As17921013, but Sir Owen-Bannister; Lauretta-Miss DeCamp; William-_; Chorus of Knights-_; Chorus of Soldiers-_.
Cast
Role: Sir Owen Actor: Bannister
Role: Matthew Actor: Fawcett
Event Comment: Benefit for Townsend and Follett. 2nd piece [1st time; M. INT 1, author unknown]: The Music entirely new, composed by Reeve. Morning Chronicle, 11 June: Tickets to be had of Townsend, No. 153, Drury-lane; of Jack Follett, at Mrs Chapman's, No. 46, Drury-lane. Receipts: #436 19s. (93.17.6; 4.6.0 Tickets: 338.15.6)

Performances

Mainpiece Title: The Woodman

Performance Comment: As17950428, but Sir Walter Waring (1st time)-Munden; Emily (1st time)-Mrs Mountain; added to Medley: With a new song by Shield-; Bridget-Mrs Watts.
Cast
Role: Sir Walter Waring Actor: Munden

Afterpiece Title: The Frolics of an Hour

Performance Comment: Characters by Munden, Haymes, Burton, Townsend, Mrs Davenport, Miss Cornelys. [Cast from text (Minerva Press, 1795): Sir Robert Race-Munden [in text: Powel]; Bob Spanker-Haymes; Thomas-Burton; Lieutenant William Easy-Townsend; Lady Brilliant-Mrs Davenport; Lucy-Miss Cornelys.
Cast
Role: Sir Robert Race Actor: Munden

Afterpiece Title: Harlequin and Faustus

Song: In the course of the EveningOld Towler-Incledon

Entertainment: In the course of the Performances: Imitations of the principal Performers of both Theatres-Townsend

Event Comment: Mainpiece: Not acted these 10 years. Afterpiece: The Scenery, Dresses, and Decorations entirely new. Receipts: #293 4s. 6d. (183.5.6; 103.0.0; 6.19.0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Feignwell-Bannister Jun.; Freeman-C. Kemble; Sir Philip Modelove-Wewitzer; Obadiah Prim-Hollingsworth; Tradelove-Wathen; Perriwinkle-Suett; Sackbut-R. Palmer; Simon Pure-Caulfield; Aminadab-Grimaldi; Gentlemen-Cooke, Trueman; Stockbrokers-Banks, Maddocks; Servant-Webb; Waiters-Evans, Fisher, Master Gregson; Mrs Prim-Miss Pope; Nancy-Miss Mellon; Betty-Miss Tidswell; Lady-Miss Chatterley.
Cast
Role: Sir Philip Modelove Actor: Wewitzer
Role: Tradelove Actor: Wathen

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Bannister; The Seneschal-Phillimore; Antonio-Mrs Bland; Guillot-Wathen; Matthew-Maddocks; William-Banks; Pilgrim-Webb; Matilda-Mrs Crouch; Laurette-Miss DeCamp; Dorcas-Mrs Maddocks; Julie-Miss Menage; Chorus of Knights-Trueman, Welsh, Peck, Dibble, Cook, Tett, Atkins, [J.] Fisher, Gallot, Walker, Bardoleau; Chorus of Soldiers-Evans, Meyers, Caulfield Jun., Denman, Fisher, Earle, Aylmer, Potts, Annereau, Willoughby; Chorus of Peasants-Banks, Butler, Garman, Thompson, Wells, Ms Arne, Mrs Bramwell, Ms Butler, Ms Chatterley, Ms Granger, Ms Jackson, Ms Menage, Ms Benson.
Cast
Role: Sir Owen Actor: Bannister
Role: The Seneschal Actor: Phillimore
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks

Dance: III afterpiece: Dance-Master and Miss Menage

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; C 5, by Richard Cumberland. Text 1st published in his Posthumous Dramatic Works, Vol. II (G. and W. Nicol, 1813); it assigns no parts, but adds George Ivey and David Duncan, acted by Caulfield and Packer. Genest erroneously assigns Sir Adam to Wewitzer and Beau Tiffany to R. Palmer. Prologue and Epilogue by the author (True Briton, 9 May). Songs by Michael Kelly, in Act I harmonized by Sir William Parsons.] True Briton, 25 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #581 15s. (294.18.6; 72.7.0; 3.17.6; tickets: 210.12.0) (charge: #213 6s. 8d.)

Performances

Mainpiece Title: The Last Of The Family

Performance Comment: Principal Characters by Dowton, Wewitzer, Bannister Jun., C. Kemble, R. Palmer, Suett, Caulfield, Packer, Miss Pope, Mrs Jordan, Miss Tidswell. [Cast from Monthly Visitor, May 1797, p. 450, and suggested by Genest, VII, 293: Sir John Manfred-Dowton; Sir Adam ap Origen-Bannister Jun.; Squire Abel-Wewitzer; Peregrine-C. Kemble; Beau Tiffany-Suett; Ned Flexible-R. Palmer; Lady Manfred-Miss Pope; Letitia Manfred-Mrs Jordan; Lucy-Miss Tidswell; unassigned-Caulfield, Packer; [but see below. Address [as Prologue]-Bannister Jun. (in the character of Sheva) [in The Jew]; Epilogue-Mrs Jordan.

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Afterpiece Title: The Children in the Wood

Song: In I: The Song [Blest were the hours], Song incidental to the Epilogue-Mrs Jordan

Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Performance Comment: Edition of 1663: Salerno-Harris; Iberio-Betterton; Filomarini-Metborn; Lugo-Smith; Arviedo-Cadiman; Corbulo-Young; Peralta-Underhill; Gioseppe-the Elder Noke; Vindex-Sandford; Decio-Mrs Gibbs; Pyramena-Mrs Betterton; Diacelia-Mrs Long; Leandra-Mrs Williams; Menanthe-the Younger Noke; Joan-Turner; Instrumental Vocal and Recitative Musick by Mr John? Banister-; the Prologue to the King-; the Prologue to the House-; the Epilogue-The Slighted Maid; Epilogue to the King-.
Related Works
Related Work: The Slighted Maid Author(s): Sir Robert Stapylton
Event Comment: The Duke's Company. The play was licensed on 26 Dec. 1663, but the date of the premiere is uncertain. The Prologue and Epilogue refer to the end of the Long Vacation, and the beginning of Michaelmas Term on 9 Oct. 1663 suggests a performance in October

Performances

Mainpiece Title: The Step mother

Performance Comment: Edition of 1664: Sylvanus-Sandford; Filamor-Bettertun; Adolph-Young; Tetrick-Underhill; Fromund-Price; Crispus-Smith; Capito-Metborn; Gracchus-Lovell; Sergius-Rob. Noke; Pontia-Mrs Williams; Caesarina-Mrs Bettertun; Violinda-Mrs Davies; Brianella-Mrs Long; The Prologue to the King- at the Cockpit at White-Hall; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Related Works
Related Work: The Step-Mother Author(s): Sir Robert Stapylton
Event Comment: The King's Company. The date of the premiere is not known. Although the play was not entered in the Stationers' Register until 6 Oct. 1671, a reference in the Dedication to a Lenten performance suggests that it appeared about this time. A song, A wife I do hate, with music by Pelham Humphrey, is in Choice Ayres and Songs, The Fifth Book, 1685

Performances

Mainpiece Title: Love In A Wood Or St Jamess Park

Performance Comment: Edition of 1672: Prologue-; Ranger-Hart; Vincent-Bell; Valentine-Kinnaston; Alderman Gripe-Lacy; Sir Simon Addleplot-Wintersell; Dapperwit-Mohun; Christina-Mrs Boutell; Lydia-Mrs Betty Cox; Lady Flippant-Mrs Knepp; Mrs Martha-Mrs Farlowe; Mrs Joyner-Mrs Cory; Mrs Crossbite-Mrs Rutter; Lucy-Mrs Betty Slade; Isabel-Mrs James; Leonore-Mrs Cartwright; Epilogue-Dapperwit.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is some uncertainty as to whether this is the premiere, but another performance on 15 Jan. 1674@5 and its entry in the Stationers' Register 13 Jan. 1674@5 suggest that this was probably the first performance

Performances

Mainpiece Title: The Country Wife

Performance Comment: Edition of 1675: Prologue-Mr Hart; Horner-Hart; Harcourt-Kenaston; Dorilant-Lydal; Pinchwife-Mohun; Sparkish-Haynes; Sir Jasper Fidget-Cartwright; Mrs Margarey Pinchwife-Mrs Bowtel; Mrs Alithea-Mrs James; Lady Fidget-Mrs Knep; Mrs Dainty Fidget-Mrs Corbet; Mrs Squeamish-Mrs Wyatt; Old Lady Squeamish-Mrs Rutter; Quack-Schotterel; Lucy-Mrs Cory. [Edition of 1668: Epilogue spoken by Mrs Knep.]Edition of 1668: Epilogue spoken by Mrs Knep.]
Cast
Role: Sir Jasper Fidget Actor: Cartwright
Role: Mrs Alithea Actor: Mrs James
Event Comment: The Duke's Company. The date of the premiere is not known, but a licensing date of 18 Feb. 1677@8 suggests a premiere not later than January 1677@8. It is possible, however, that this play followed Sir Patient Fancy (17 Jan. 1677@8), as the licensing date of Timon follows that for Sir Patient Fancy. Part of the music for Timon was composed by Louis Grabu and was published, without the singers' names, in Choice Ayres and Songs, 1679. Downes (Roscius Anglicanus, p. 37): Timon of Athens, alter'd by Mr Shadwell; 'twas very well Acted, and the Musick in't well Perform'd; it wonderfully pleas'd the Court and City; being an Excellent Moral

Performances

Mainpiece Title: The History Of Timon Of Athens The Man hater

Performance Comment: Edition of 1678: Prologue to Timon-; Timon of Athens-Betterton; Alcibiades-Smith; Apemantus-Harris; Nicias-Sandford; Phaeax-Underhill; Aelius-Leigh; Cleon-Norris; Isander-Percival; Isidore-Gillo; Demetrius-Medburne; Dephilus-Bowman; Old Man-Richards; Poet-Jevon; Evandra-Mrs Betterton; Melissa-Mrs Shadwell; Chloe-Mrs Gibbs; Thais-Mrs Seymour; Phinias-Mrs Le-Grand; Epilogue-.
Cast
Role: Timon of Athens Actor: Betterton
Event Comment: The King's Company. The date of the first performance is not known, but the fact that the play was entered in the Term Catalogues in February 1681@2 and advertised in The Loyal Protestant, 7 March 1681@2, suggests a premiere in December 1681. A certain performance on 14 Jan. 1681@2 may indicate, however, that the play did not have its first performance until that month. A song for this play, Retired from mortal's sight, set by Henry Purcell, is in Choice Ayres and Songs, 1683

Performances

Mainpiece Title: The Ingratitude Of A Common wealth Or The Fall Of Caius Martius Coriolanus

Performance Comment: Edition of 1682: Prologue by Sir George Raynsford-; Epilogue-Valeria.
Cast
Role: Sir George Raynsford Actor:
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: Rich's Company. The date of the first production is not known, but the fact that the play was advertised in the Post Boy, 2-4 May 1699, suggests that the premiere occurred not later than early April

Performances

Mainpiece Title: Love Without Interest Or The Man Too Hard For The Master

Performance Comment: Edition of 1699: Prologue-Jo. Hains; Prologue-Mr Powel; Epilogue-Mr Penkethman with a Halter about his Neck; Wildman-Powell; Trulove-Mills; Sir Fickle Cheat-Bullock; Jonathan-Penkethman; Wrangle-Johnson; Sobersides-Newth; Lurcher-Kent; Eugenia-Mrs Kent; Letitia-Mrs Verbruggen; Honoria-Mrs Rogers; Jenny-Mrs Wilkins.
Cast
Role: Sir Fickle Cheat Actor: Bullock
Event Comment: Betterton's Company. The date of the first performance is not known, but Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 309, speculates that James Brydges' attendance at lif this day may have been prompted by his seeing this new play, as he stayed longer than he often did at a theatrical performance. The comedy was certainly acted before 12 March 1699@1700. James Brydges, Diary: I went to ye play in Lincolns inn fields, where I met Sr G. Coply, who set me down after it was ended (Huntington MS St 26). Downes, Roscius Anglicanus, p. 45: The Way of the World, a Comdey wrote by Mr Congreve, twas curiously Acted; Madam Bracegirdle performance her Part so exactly and just, gain'd the Applause of Court and City; but being too Keen a Satyr, had not the Success the Company Expected

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Edition of 1700: Fainall-Betterton; Mirabell-Verbruggen; Witwoud-Bowen; Petulant-Bowman; Sir Willful Witwoud-Underhill; Waitwell-Bright; Lady Wishfort-Mrs Leigh; Millamant-Mrs Bracegirdle; Mrs Marwood-Mrs Barry; Mrs Fainall-Mrs Bowman; Foible-Mrs Willis; Mincing-Mrs Prince; Prologue-Mr Betterton; Epilogue-Mrs Bracegirdle.
Event Comment: [Downes lists this performance for Sunday 23, a very unlikely day for an offering at Court. Since both dl and lif were closed on Monday 24 and since the dl advertisment for Tuesday 25 refers to dances performed "last night" at St. James's, Monday 24 seems the probable date.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Betterton; Sir Hugh-Dogget; Page-Verbruggen; Ford-Powell; Caius-Pinkethman; Host-Bullock; Mrs Page-Mrs Barry; Mrs Ford-Mrs Bracegirdle; Ann Page-Mrs Bradshaw [Downes, p. 47].Downes, p. 47].
Cast
Role: Sir Hugh Actor: Dogget

Dance: duRuel, Cherrier, Mrs duRuel