SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Sir Williams"/1) | (@(roleclean,performerclean) "the Sir Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11784 matches on Author, 6982 matches on Performance Comments, 1316 matches on Event Comments, 1129 matches on Roles/Actors, and 512 matches on Performance Title.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Mother Shipton

Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder
Event Comment: Mr Colman's Night for the Fairy Prince. Charges #84. Profit to Colman #125 15s. 6d. Paid Messrs Schneider & Otto (furriers) #7 3s.; Paid Dr Arne for composing additional Music for the Fairy Prince #1 11s. 6d. (Account Book). Receipts: #209 15s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Fairy Prince

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Event Comment: Mainpiece: By Particular Desire. Receipts: #221 16s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Mother Shipton

Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder
Event Comment: Benefit for Clarke. Mainpiece: By Particular Desire. Charges #69 3s. 6d. Profit to Clarke #51 4s. 6d. plus #133 12s. from tickets (Box 308; Pit 274; Gallery 155) (Account Book). Receipts: #120 8s. (Account Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Dance: End of Play: The Old ground Young-Aldridge, Sga Manesiere

Event Comment: Benefit for Baddeley. Miss Sherry made her first appearance upon this Stage in Lady Macbeth, a Sensible Speaker pretty good voice Short Clumsy Figure met with Applause--The Farce very well receiv'd (Hopkins Diary). Afterpiece: A Farce by George Downing. Paid 6 day's salary at #82 19s. 9d., #497 18s. 6d.; Mrs Abington on Cloaths acct, #2; Mr S. French 6 days #1 10s. (Treasurer's Book). Receipts: #135 1s. 6d. Charges: #68 12s. Profits to Baddeley: #66 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Reddish, 1st time; Macduff-Aickin, 1st time; Ross-J. Aickin; Duncan-Bransby; Malcolm-Cautherly; Banquo-Packer; Donalbain-Mas. Cape; Seyton-Ackman; Lennox-Fawcet; Captain-Davies; Angus-Keen; Witches-Parsons, Moody, Baddeley; Hecate-Champnes; Lady Macduff-Mrs Reddish; Lady Macbeth-a Young Gentlewoman; 1st appearance. Vocal Parts-Champnes, Kear, Mrs Scott, Mrs Wrighten, Mrs Fitzgerald, Mrs Dorman; With a proper Dance-Daigville.
Cast
Role: Malcolm Actor: Cautherly
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Humours of the Turf

Performance Comment: Parolles-Baddeley; Sir Marmaduke Jostle-Parsons; Tipperary-Moody; Rakeit-Davies; Bully Boy-Keen; Jack Riot-J. Burton; Sir Samuel Mortgage-Hartry; Clara-Mrs Morland; Miss Heartly-Miss Platt; Jenny-Mrs Davies.

Dance: End: The Sailors Revels, as17711008

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Englishman in Paris

Cast
Role: Sir John Actor: Gardner

Dance: End: The Old ground Young, as17711030

Event Comment: The Last time of the Company's performing this season. Receipts: #85 3s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: Macbeth

Cast
Role: Malcolm Actor: Cautherly
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Lying Valet

Dance: End I Farce: The Sailors Revels, as17711008

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Padlock

Dance: End: New Dance, as17730206

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Country Madcap

Monologue: Interlude.End: True Blue; or, The Press Gang. Principal Parts-Mattocks, Reinhold, Baker, Mrs Mattocks; Dance-Aldridge

Performance Comment: End: True Blue; or, The Press Gang. Principal Parts-Mattocks, Reinhold, Baker, Mrs Mattocks; Dance-Aldridge.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Reddish; Macduff-Aickin; Duncan-Bransby; Ross-J. Aickin; Malcolm-Cautherly; Banquo-Packer; Lennox-Fawcett; Donalbain-Master Cape; Angus-Keen; Seton-Ackman; Siward-Hurst; Doctor-Wright; Captain-Davies; Fleance-Miss Collett; Hecate-Champness; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Ambrose; Lady Macbeth-Miss Younge, first time; the vocal parts-Champness, Kear, Mrs Wrighten, Mrs Hunt, Mrs Scott; And a proper dance-Sieur Daigville, others.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Like Master Like Man

Dance: IV: A New Dance-Miss Gray, scholar of Tassoni; End: Cantata of Lydia, composed by Dr Arne-Mrs Scott

Event Comment: Benefit for Miss Barsanti. [Actually the New Occasional Prelude occurred here for the 20th time.] Charges #69 8s. 6d. Profit to Miss Barsanti #1 10s. 6d., plus #146 18s. from tickets (Box 367; Pit 279; Gallery 133) (Account Book). Receipts: #70 19s

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Musical Lady

Performance Comment: Young Mask-Dyer; Old Mask-Quick; Freeman-R. Smith; Rozin-Thompson; Lady Scrape-Miss Pearce; Laundress-Mrs Pitt; The Musical Lady-Miss Barsanti, first time.
Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder

Dance: End: The Irish Lilt, as17721028

Monologue: 1773 5 10Before the Play (Seventeenth Time): New Occasional Prelude. As 19 Jan., but Author-Quick

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Thomasand Sally

Event Comment: [Before the performance this evening Macklin came to the audience in person with a sheaf of newsclippings in his hand and belabored his detractors, falsely accusing Reddish and Sparks from Drury Lane as leading a planned coalition against him. The play went on with applause, but affidavits sworn under oath by both Sparks and Reddish the following day, brought the dispute to such a head in the newspaper that a riot occured the night of 18 Nov., when Macklin did Shylock (since Colman would not risk Macbeth after 13 Nov.) and announcement was made by Colman that Macklin had been dismissed. See 23 Oct.] Receipts: #152 11s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17731023, but A Dance of the Furies-Fishar. [See dl 27 Nov. 1764.]See dl 27 Nov. 1764.]
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Englishman in Paris

Cast
Role: Sir John Buck Actor: Gardner
Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17731106, but Dance of the Furies-_; Macbeth-Smith; Vocal Parts-Reinhold, +Owenson.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Country Madcap

Song: End: The song of Mad Tom [will be sung in character-Reinhold. [See17740408]

Dance: After Song: The Merry Sailors, as17731007

Event Comment: Benefit for Smith. By Particular Desire. Afterpiece: Taken from The Jovial Crew. Part of pit laid into boxes. Send servants by 4 o'clock. Paid Mr Grimaldi's draft on Mrs Adams #100 (Treasurer's Book). Receipts: #291 9s. 6d. Charges: #68 18s. Profits to Smith: #212 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Reddish; Duncan-Usher; Donalbain-Everard; Fleance-Mas. Pulley; Seyton-Griffiths; Hecate-Legg; Lady Macduff-Miss Sherry; Lady Macbeth-Mrs Yates; Banquo-Packer; Doctor-Wright; Witches-Parsons, Moody, Baddeley; Ross-Aickin; Malcolm-Cautherly; Lenox-Fawcett; Angus-Keen; Seward-Hurst; Captain-Davies; Vocal Parts-Legg, Kear, Carpenter, Blanchard, Mrs Scott, Mrs Love; In Act IV, a Dance of the Furies-.
Cast
Role: Malcolm Actor: Cautherly
Role: a Dance of the Furies Actor: .
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Ladies Frolick

Entertainment: End: the Favourite Interlude, Linco's Travels-, with Particular remarks on London; Linco-King; Old Woman-Mrs Bradshaw

Event Comment: Mainpiece: Not acted there these 2 years. [See 29 April 1774.] The new Musical Entertainment call'd The Weathercock is deferr'd till Saturday

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin; Macduff-Clarke; Duncan-Hull; Malcolm-Wroughton; Banquo-Aickin; Lenox-L'Estrange; Seyton-Thompson; Hecate-Reinhold; The Witches-Dunstall, Mrs Pitt, Quick; the Vocal parts-Mattocks, DuBellamy, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Mrs Lampe, Mrs Jones.
Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: St Patricks Day

Event Comment: Mainpiece: Acted but once there. [Although it was advertised for 9 Nov., at foot of 8 Nov. bill.

Performances

Mainpiece Title: The Mans The Master

Performance Comment: As17751103, but Don Fernando-Wilson , first time; A Song-introduced into Mrs Mattocks ' Part; Isabella-Miss Leeson; a Dance-the charactersintroduced into Act III.

Afterpiece Title: The Padlock

Dance: End: The Pilgrim, as17750927

Performances

Mainpiece Title: The Mans The Master

Afterpiece Title: Midas

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Padlock

Performance Comment: As17751005, but Leander-Davies , first time; Leonora-The Young Lady who performed the Little Gipsy (Miss Abrams); Mungo-Fawcett.
Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman