SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the Palmers"/1) | (@(roleclean,performerclean) "the Palmers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 17141 matches on Roles/Actors, 3601 matches on Performance Comments, 310 matches on Event Comments, 49 matches on Performance Title, and 0 matches on Author.
Event Comment: Mr Grist did not play better than the first night (Hopkins Diary). Paid for Women's cloaths #12; Johnston's Music Bill #15 9s. Receipts: #114 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement

Dance: II: The Merry Peasants, as17751018

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Event Comment: The Prelude The Theatrical Candidates By Desire, and for the last Time. Paid Mr Brereton on Mr G. draft #60. Receipts: #136 17s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751020

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Braganza

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lyar

Event Comment: Mainpiece: By Desire. Paid salary list #623 6s. 6d.; Mrs Cooper #1. (Treasurer's Book). [Mrs Cooper received this payment weekly hereafter in the same account with Heath and his wife. Her total #20. No further itemization will be made of the ammount.] Receipts: #124 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: May Day

Dance: III: The Merry Peasants, as17751018

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Sultan

Event Comment: Mainpiece. By Particular Desire. Paid half years Land and Window tax, #3 3s. 6d. Licensing Little Gipsey, City Manners, New Epilogue to Maid of the Oaks and Sultan #7 7s. Receipts: #198 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Sultan

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751204, but the Vocal Parts-Vernon, _Fawcett.

Afterpiece Title: The Sultan

Event Comment: Paid for suit of men's cloathes by order #9. Receipts: #270 12s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels-Blurton

Event Comment: Mainpiece: By Particular Desire. Paid Mr Garrick's note to Dr Arne #50 (Treasurer's Book). [This was an unrecorded benefit night for Bickerstaff as author of the afterpiece. See payment on 27 Feb. 1776.] Receipts: #129 9s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels, as17751220

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: Mainpiece: By Desire. The Comedy of Twelfth Night oblig'd to be deferred. Paid salary list #630 1s. 6d. Receipts: #170 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: Paid Trumpets six nights this included #6 15s.; L. Saunderson, 11 weeks salary #22; Mr Abrams paid by the late Mr Johnston #25. Receipts: #155 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: Both pieces By Command of their Majesties. Receipts: #288 5s. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Dance: IV: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: Epicoene

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman