SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the Palmers"/1) | (@(roleclean,performerclean) "the Palmers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 17141 matches on Roles/Actors, 3601 matches on Performance Comments, 310 matches on Event Comments, 49 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Witches

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Jealous Wife

Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: The Witches

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Witches

Dance: II: Comic Dance, as17621210

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Witches

Performance Comment: As17621211 *uõÓdl TThe Farmer's Return. As17621115.
Event Comment: Benefit for a Public Charity, The Lock Hospital (Cross Diary)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Musical Lady

Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder

Dance: IV: Comic Dance, as17621210

Event Comment: By Command of their Majesties. King & Queen (Cros s Diary)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Witches

Performance Comment: As17621211, but The Principal Witches-Miss _Young.
Event Comment: MMr Garrick Richard. The Play dress'd in the habits of the times (Cross Diary)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Event Comment: Tomorrow, Never acted there, The Two Gentlemen of Verona, from Shakespear

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Witches

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Witches

Event Comment: [This year was published, John Geere's Serious Consideration on Plays , Games and other Fashionable Diversions, showing the sinfulness and dangerous tendency therof (47 pp.).

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Genii

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: Elvira

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Elvira

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Discovery

Afterpiece Title: High Life below Stairs

Performance Comment: As17621110, but Kingston-Moody [1st appearance since the half-price Riots]..
Event Comment: As frequenters of the Theatre have often complained of the interruptions in the performances occasioned by a crowded stage at the Benefits-the Performers will have no building on the stage, nor take any money behind the scenes being willing to forego that advantage, for the sake of renderin the representations more agreeable to the Publick [a front-page notice for Drury Lane Theatre in the Public Advertiser this day]

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Witches

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Witches

Dance: II: The Dutch Dance, as17630217

Performances

Mainpiece Title: The Jealous Wife

Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: Old Maid

Performance Comment: As17630117, but Cope-King; Old Maid-Mrs Daly, 1st appearance there.

Dance: II: The Dutch Dance, as17630217

Song: End: Vernon, Miss Young