SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Kings Mate"/1) | (@(roleclean,performerclean) "the Kings Mate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2650 matches on Performance Comments, 2635 matches on Performance Title, 1596 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Performance Comment: Donald-Gray; Jockey-Clarke; Kate-Miss Wheatley; Old Woman-Mr Graham (from the Theatre Royal Edinburgh, 1st appearance on this stage).

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Event Comment: [The playbill assigns Claudius to Packer, but "Archer, on the sudden indisposition of Packer, put on the robes of majesty, which seemed to sit sufficiently easy upon him" (Monthly Mirror, Sept. 1799, p. 175.] "The agitation of Hamlet in the course of the Play which he prepares to try the King, and his violent transports on gaining the certainty of his uncle's villainy by the effect of the piece were strongly characterized" (Morning Chronicle, 20 Sept.). Receipts: #330 17s. (245.19; 84.14; 0.4)

Performances

Mainpiece Title: Hamlet

Performance Comment: Claudius-Archer; Hamlet-Kemble; Polonius-Dowton; Horatio-Holland; Laertes-C. Kemble; Rosencrantz-Clarke; Guildenstern-Trueman; Osrick-Palmer; Priest-Webb; Marcellus-Surmont; Bernardo-Wentworth; Francisco-Evans; Ghost of Hamlet's Father-Barrymore; Grave@diggers-King, Sparks; Players-Maddocks, Ryder; Gertrude-Mrs Powell; Ophelia-Miss Biggs (1st appearance in that character); Actress-Miss Tidswell.

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Deserter of Naples

Afterpiece Title: St

Song: End: the following songs illustrative of the Whims and Sports of Bartholomew Fair: Raro Raro-Delpini; The Wind blew fresh and fair-Townsend; By the gaily circling Glass-Linton; a New Song (composed by Walsh, and written in Commemoration of His Majesty's Providential Escape [from assassination; see dl, 15 May])-Incledon

Event Comment: [Mrs King was from the Stamford theatre.

Performances

Mainpiece Title: The Heir At Law

Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: My Grandmother

Performance Comment: Vapour-Farley; Gossip-Suett; Souffrance-Caulfield; Sir Matthew Medley-Davenport; Woodley-Trueman; Waiter-Chippendale; Servant-Atkins; Charlotte-Miss Gaudry; Florella-Mrs King (1st appearance on this stage).
Cast
Role: Sir Matthew Medley Actor: Davenport
Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: King Lear

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: King Lear

Event Comment: The United Company. This performance is on the L. C. list, 5@148, p. 145. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: King Lear

Event Comment: The United Company. This performance is on the L. C. list, 5@149. p. 368. See also Nicoll, Restoration Drama, p. 352. The Prologue, separately printed, bears a licensing date of 16 Nov. 1689, and is reprinted in Wiley, Rare Prologues and Epilogues, pp. 276-77. Huygens, 15 Nov. 1689 OS (translation): The King, who had been at the comedy, at the birthday of the Queen-mother, which had been played at Whitehall, did not come home until twelve o'clock (Journal van Constantijn Huygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 205)

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q & a Box for ye Maids Honr Edward 3. See also Nicoll, Restoration Drama, p. 352

Performances

Mainpiece Title: King Edward The Third

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids Honr K Arthur. See also Nicoll, Restoration Drama, p. 352. Luttrell, A Brief Relation, II, 331: The queen and queen dowager went this evening to the play of Mr Dryden s opera. [See also the reference to this play under January 1691@2 above.

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Performances

Mainpiece Title: King Arthur

Event Comment: Not Acted [there] these five Years. At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Henry The Fourth; Part I With The Humours Of sir John Falstaffe

Dance: Cherrier

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Henry The Fourth, Part I

Song: As17041123

Dance: As17041023

Performances

Mainpiece Title: King Henry The Fourth, Part I

Song:

Dance:

Event Comment: [This play was advertised on 1 May, not later, as "Not Acted these Four Years," but the performance may have been deferred by the apparent closing of the theatres until after May Fair.

Performances

Mainpiece Title: King Henry The Eighth; With The Fall Of Cardinal Wolsey

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Henry The Ivth, Part I; With The Humours Of sir John Falstaff

Dance: As17051201

Song: Italian songs by Bononcini and best Masters, an English song by Purcell-Mrs del'Epine

Performances

Mainpiece Title: King Henry The Ivth, Part I

Song: As17051016

Music: Flute Music,with The Echo-Gasperini, duRuel

Dance: duRuel, Cherrier, Mrs Moss, others

Event Comment: Not perform'd these Five Years

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Music: With all the Original Musick by the late Mr Henry Purcel-Leveridge, Hughs, Ramondon, Mrs Lindsey, the Boy

Dance: As17060110

Performances

Mainpiece Title: King Arthur

Music: Composed by Henry Purcell

Dance: Proper dances-duRuel, Mrs duRuel, Cherrier