SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Kings Mate"/1) | (@(roleclean,performerclean) "the Kings Mate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2650 matches on Performance Comments, 2635 matches on Performance Title, 1596 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "[Henderson] stands before me with the muster of his recruits legible in his eye, and I hear the fat and chuffy tones by which he added humour to the ludicrous terms of the poet's description . . . The bursts of laughter he excited by this, which he did not hurry, but seemed mentally to enjoy, as the images rose in succession, were beyond measure delightful. He made his audience for the time as intelligent as himself" (Boaden, Siddons, I, 124-25). Receipts: #170 15s. 6d. (168/8/6; 2/7/0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: The Son-in-Law

Dance: End of Act II of mainpiece, as17811101

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: The Deserter

Dance: End of mainpiece St. David's Day, as17820427

Song: End of Act II of mainpiece Cease, gay Seducers; End of Act III Tally Ho, both by Mrs Martyr

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Dance: End of Act II of mainpiece, as17821009

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Musical Lady

Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Bar at aria; or, Sancho Turn'd Governor

Performance Comment: Sancho Panca-Quick; Duke-Cubitt; Manuel-Palmer; Pedro-Thompson; Recorder-Booth; Gardener-Swords; Tailor-Kennedy; Oyer-Painter; Thin Man-Newton; Don Quixote-Gardner; Lady Tereza Panca-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Miss Stuart; Mary the Buxom-Mrs Wilson .
Cast
Role: Mary the Buxom Actor: Mrs Wilson
Event Comment: Mainpiece: Written by Wycherley, altered by Garrick, and perform'd very often last season, at the Theatre-Royal, Drury-Lane, with great applause. Afterpiece: Never acted here. Peeping Tom is obliged to be deferred till Monday next

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Benson; Sparkish-Simpson; Belville-Hill; Countryman-Watts; Servants-Meadows, Johnston; Harcourt-Yatesmore (who perform'd Glenalvon [in Douglas]; 2nd appearance); Lucy-Mrs Clarke (1st appearance); Alithea-Miss Phillips; Miss Peggy (the Country Girl)-A Young Lady (1st appearance on any stage [unidentified]) .unidentified]) .
Cast
Role: Alithea Actor: Miss Phillips

Afterpiece Title: The King and the Miller of Mansfield

Performance Comment: The King-Smith; The Miller-Watts; Lord Lurewell-Wilson; Joe (with a song in character)-Price; Dick-Curtis; Margery-Mrs Johnston; Kate-Mrs Clarke; Peggy-Mrs Williams .
Cast
Role: The King Actor: Smith
Role: The Miller Actor: Watts

Song: In the course of the mainpiece a plaintive Pastoral Song, unaccompanied by the orchestra, by the Young Lady; End of Monologue a duett from Robin Hood by Price and Miss Phillips

Monologue: 1786 06 28 End of mainpiece Parents and Children; or, The Chimney-Sweeper and Bricklayer by a Young Gentleman (1st appearance on any stage [Gibbons (see 5 and 19 July)])

Event Comment: Benefit for Mrs Webb. Morning Chronicle, 17 July: Tickets to be had of Mrs Webb, No. 22, corner of Broad Court, Bow-street, Covent Garden. "Old Jack, instead of appearing with all that easy, flowing, negligent facetiousness which the poet has so inimitably pourtrayed, assumed the part of moral solemnity, and every joke was delivered with a sort of sententious dignity that destroyed its natural impression" (General Advertiser, 22 July)

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Poor Vulcan

Event Comment: "The leaving Percy untaken up [by Falstaff, in V.iv of mainpiece] was an improvement. The best acting was that of Mrs Pitt" (World, 6 Nov.). Afterpiece: With new Music, Scenes, Machinepy, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many assistants. To conclude with the Representation of the inside of a Nabob's Palacev. Books of the Songs to be had at the Theatre. Receipts: #199 0s. 6d. (193.16.0; 5.4.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Enchanted Castle

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Poor Vulcan

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1790]. Paid Say for Tallow Candles last Season #88 6s. 3d. "That beautiful and best drawn character that the world ever saw, Sir John Falstaff, was mangled by Ryder. He substitutes savageness to jollity, and stiff mimicry to the natural debauchery that should hang as easily on Sir John as the Roomy mantle he moves in...Lewis gave us more the manner of the pretty man of fashion than of a dissipated hero" (Prompter, 4 Nov.). Receipts: #168 1s. 6d. (164.12.6; 3.9.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Don Juan

Dance: As17890916

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Poor Soldier

Song: End II: The Lamp Lighter (written and composed by Dibdin)-Reeve; End IV: The Doctrine of an Israelite (written by Collins, author of The Brush) sung in character-Reeve; End: a favorite song a Gentleman (1st appearance on any stage)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Picture of Paris

Cast
Role: Catherine Actor: Mrs Webb

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The First Part of King Henry the Fourth

Afterpiece Title: Oscar and Malvina

Music: As17911122

Event Comment: Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the Office of the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 21 Nov.]. Receipts: #231 12s. (129.9; 35.14; 3.9)

Performances

Mainpiece Title: At King's The School For Scandal

Afterpiece Title: All The World's A Stage

Song: III: a song-Dignum

Event Comment: Paid 7 constant Carpenters #2 2s.; 4 Scenemen #5 7s.; The World for Advertisement #1 10s. Receipts: #238 5s. 6d. (166.13.6; 69.11.0; 2.1.0)

Performances

Mainpiece Title: At King's The Rivals

Afterpiece Title: No Song No Supper

Event Comment: [In afterpiece the playbill assigns Euphrosyne to Mrs Crouch, but "illness prevented, and Mrs Bland...undertook the part" (Thespian Magazine, Nov. 1792, p. 125). Mrs Crouch is also listed as one of the Bacchants.] Receipts: #225 8s. 6d. (167.5.6; 57.7.0; 0.16.0)

Performances

Mainpiece Title: At King's The Clandestine Marriage

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Benson; Brothers-Banks, Bland; Chief Bacchanals-Kelly, Dignum, Sedgwick; The Lady-Mrs Ward; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Bland; Bacchants-Mrs Bland [sic], Miss DeCamp; Sabrina-Mrs Bland [sic]; Pastoral Nymph-Miss Barclay.
Cast
Role: Brothers Actor: Banks, Bland
Role: The Lady Actor: Mrs Ward
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: Mainpiece: Written by Colley Cibber; With Alterations. Not Acted these 12 years [acted 10 May 1784]. With new Scenes, Dresses and Decorations. Receipts: #275 19s. 6d. (194.3.6; 78.19.0; 2.17.0)

Performances

Mainpiece Title: At King's Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: At King's The Fugitive

Afterpiece Title: Richard Coeur De Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Sedgwick; Seneschal-Phillimore; Antonio-Mrs Bland; Guilliot-Suett; Matthew-Fawcett; William-Banks; Pilgrim-Webb; Matilda-Mrs Crouch; Lauretta-Miss Barclay; Dorcas-Mrs Edwin; Julie-Miss Menage; Chorus of Knights-Danby, Cooke, Maddocks, Lyons; Chorus of Soldiers-Fawcett, Alfred, Shaw, Dorion.
Cast
Role: Matthew Actor: Fawcett

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

Event Comment: [In afterpiece the playbill retains Sedgwick, but he "being ill, his part in the Farce was given to Caulfield" (Thespian Magazine, Dec. 1792, p. 150).] Receipts: #162 1s. (107.11; 52.16; 1.14)

Performances

Mainpiece Title: At King's The Wonder

Afterpiece Title: The Prisoner

Cast
Role: Theresa Actor: Miss DeCamp
Event Comment: Mainpiece: Not acted these 7 years [not acted since 21 Apr. 1784. Mrs Bateman is identified in Kemble Mem.]. Receipts: #201 1s. 6d. (156.7.6; 41.11.0; 3.3.0)

Performances

Mainpiece Title: At King's The Chapter Of Accidents

Afterpiece Title: Tit for Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder
Event Comment: Anna [advertised on playbill of 26 Feb.] is deferred for a few Days, at the Request of the Authoress, in order to amend those passages which prevented the Piece from receiving throughout that unanimous Applause with which the Audience honoured the Four First Acts. [But Anna was not repeated.] Receipts: #316 12s. (253.16; 56.12; 5.18; tickets not come in: 0.6)

Performances

Mainpiece Title: At King's The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish (with a song)-Dodd; Belville-Whitfield; Footman-Webb; Countryman-Jones; Alithea-Mrs Ward; Miss Peggy-Mrs Jordan; Lucy-Mrs Edwards.
Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Matthew Actor: Fawcett

Performances

Mainpiece Title: At King's As You Like It

Performance Comment: Duke-Aickin; Frederick-Packer; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Boys-Benson; Orlando-Barrymore; Adam-Moody; Touchstone-King; Corin-Waldron; Sylvius-Bland; William-Burton; Rosalind (with the Cuckoo song)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Mrs Edwards.
Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald

Afterpiece Title: The Prisoner

Cast
Role: Theresa Actor: Miss DeCamp

Song: V: a song-Mrs Bland