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We found 2650 matches on Performance Comments, 2635 matches on Performance Title, 1596 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940312but added: Mrs Bland. Leader as17940312ART I. God save the King (CORONATION ANTHEMS). He layeth the beams. O had I Jubal's Lyre (JOSHUA). Let me wander (L'ALLEGRO). Gird on thy sword (SAUL). Deeper and deeper; Waft her Angels (JEPHTHA). Let the bright Seraphim, accompanied on the trumpet by Hyde (SAMSON). For unto us (THE MESSIAH). PART II. Ye sons of Israel (JOSHUA). Why do the Nations (THE MESSIAH). What tho' I trace (SOLOMON). Welcome! Welcome! (SAUL). Mad Bess (Purcell). Concerto on the violin by Giornovichi. Pleasure my former ways (TIME AND TRUTH). O magnify the Lord. Tears such as (DEBORAH). Hallelujah for the Lord (THE MESSIAH). PART III. Lord, remember David. Heart the seat of soft delight (ACIS AND GALATEA). He gave them hailstones (ISRAEL IN EGYPT). Why does the God of Israel sleep [SAMSON]. See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Harrison, Miller. Leader as17940312ART I. Overture (ESTHER). Awake the Trumpet; Honour and Arms (SAMSON). Lord to thee (THEODORA). Total Eclipse; O first created Beam (SAMSON). Every day ([CHANDOS] ANTHEMS). Fell rage (SAUL). Fix'd in his everlasting seat (SAMSON). PART II. How excellent (SAUL). Who trusts in God; Prophetic Vision (OCCASIONAL ORATORIO). Shall I in Mamre's (JOSHUA). The smiling dawn (JEPHTHA). Shake the Dome (SOLOMON). Concerto on the violin by Giornovichi. I'll proclaim [ESTHER]. Holy! Holy! (REDEMPTION). From the Censer (SOLOMON). PART III. When his loud Voice (JEPHTHA). From mighty Kings; Sound an Alarm; We hear (JUDAS MACCABAEUS). Fair Rosalie (composed by Dignum). As from the power (DRYDEN'S ODE) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

Performances

Music: End of Part II Eighth concerto of Corelli

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .

Performances

Music: End of Part II 1st concerto, Op. 3, composed by Geminiani, by G. Ashley

Event Comment: Account-Book, 29 Mar.: Received from Ashley Oratorio Rent #52 10s. [this amount paid for each of the 11 nights of the oratorio season, being a total of #577 10s.)

Performances

Mainpiece Title: A Grand Selection Of Sacred

Music: Principal Vocal Performers, Leader, Organ as17940307ART I. As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live

Performance Comment: As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live .
Event Comment: Mainpiece: The Overture, Chorusses and new Musick by Dr Arnold, The Dresses, Scenes and Decorations entirely new. The Scenes painted by Greenwood, Marinari, and their Assistants. Powell: Mountaineers rehearsed at 10; Wedding Day at 12. [Fialon and Aumer were from king's.] Receipts: #185 (131.17.6; 49.16.0; 3.6.6)

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Octavian-Kemble; Virolet-Barrymore; Killmallock-Moody; Roque-Aickin; Muleteers-Sedgwick, Dignum, Bland, Bannister; Lope Tocho-Parsons; Goatherds-Trueman, Packer, Jones, Burton; Bulcazin Muley-Bensley; Ganem-Caulfield; Pacha-R. Palmer; Ali Beg-Phillimore; Sadi-Bannister Jun.; Zorayda-Miss Heard; Floranthe-Mrs Goodall; Agnes-Mrs Bland; Chorus of Guards-Powell, Stannard, Hawkins, Nigh, Knights, Henderson, Aberdein, Rawle, Creed, Burbage; Chorus of Muleteers-Sedgwick, Dignum, Bannister, Bland, Danby, Welsh, Lyons, Maddocks, Reynoldson, Annereau, Atkins; Chorus of Goatherds and Villagers-Master Welsh, Dorion, Dorion Jun., Brown, Denman, Fisher, Webb, Bardeleau, Miss Leak, Miss DeCamp, Miss Menage, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Redhead.
Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: No Song No Supper

Dance: End II: a New Dance by J. D'Egville, in which-Fialon, Aumer will make their 1st appearance on this stage

Performance Comment: D'Egville=, in which-Fialon, Aumer will make their 1st appearance on this stage.
Event Comment: By Command of Their Majesties. "God save the King was repeated by command of the audience no less than six times in the course of the evening; Rule Britannia was not forgotten" (London Chronicle, 27 Nov.). Account Book: Paid the Yeomen of the Guard #2 2s.; Their Majesties' Servants #3 17s. 6d. Receipts: #493 15s. 6d. (490.9.6; 3.6.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Hercules and Omphale

Cast
Role: notes that the Principal parts Actor: Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Mountaineers

Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: Lodoiska

Cast
Role: The Horde Actor: _Bourk, Roffey
Role: Sebastian Actor: Fairbrother

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Drummer

Event Comment: Principal Instrumental Performers-C. Ashley, Bridgtower, Archer, Harvey, Sarjant, Mahon, Boyce, Cantelo, Parkinson, Taylor, J. Sharp, Lavenu, Napier, Simpson, the Flacks, Purney, Seutze, Gwilliam, Monro, Wood, Warren, Woodham, Francis, M. Sharp, &c. Organ by J. Ashley. Double Drums by R. Ashley. The Chorusses will be numerous and compleat, and the Orchestra will consist of upwards of Two Hundred Performers. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places to be taken, and Tickets for the Boxes may be had of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. [This performance was originally advertised to take place at the Pantheon, Oxford-street, but "The routed Host of Harmonists, driven from their new works in Oxford-road, hastily encamped last night [at Covent Garden]. Their performance...went off as might be expected from a scanty band, thus collected, without any previous rehearsal" (Morning Herald, 21 Feb.). The Pantheon had been destroyed by fire in January 1792. Work on its reconstruction had only recently been begun, and Was still not completed. It was reopened with a masquerade on 9 April 1795, the "usual licenses being now fully renewed and established" (Morning Herald, 9 Apr.).

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Linton, Bartleman, Miss Parke, Miss Poole; Leader of the Band-G. Ashley.

Afterpiece Title: Grand Selection 1

Performance Comment: Zadock the Priest-Chorus (Coronation Anthems); Overture (Esther)-; The Dettingen te Deum-;, in which Holy Holy Lord-.
Cast
Role: Zadock the Priest Actor: Chorus
Role: The Dettingen te Deum Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Gentle Airs-; accompanied on violoncello-C. Ashley (Athalia); Fall'n is the foe-Chorus (Judas Maccabaeus); He was eyes unto the blind [Redemption]-; Lord of Eternity-Chorus; Behold the nations-; O Baal=-Chorus (Deborah); Tune your Harps [Esther]-; He smote all the first born-Chorus (Israel in Egypt); What though I trace-Miss Parke (Solomon); He gave them hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Happy Iphis (Jephtha)-; My arms, Sound an alarm, We hear-Chorus (Judas Maccabaeus); O magnify the Lord [Chandos Anthems]-; Hear Jacob's God-Chorus (Samson); What's sweeter than the new@blown rose (Joseph)-; I feel the Deity within-; Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); From mighty Kings-Miss Parke (Judas Maccabaeus); Gloria Patri-Chorus (Jubilate).

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: 4th concerto of Avison-; O gentle maid-Mrs Hindmarsh; Around let acclamations ring-Chorus; Reviving Judah-Burdon; Bless the true church-Chorus (Athalia); Softly rise-Kelly (Solomon, by Boyce); Mad Bess-Miss Parke (Purcell); Kings shall be thy nursing fathers-Chorus (Coronation? Anthems).
Event Comment: Benefit for Incledon. 2nd piece [1st time; M. INT 1]: Scene, A View of the British Fleet. Morning Chronicle, 14 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #467 12s. 6d. (191.7.0; 3.19.0; tickets: 272.6.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Performance Comment: in which: O why to be happy (composed by Shield)-Incledon, Bowden, Linton; Blow high blow low (composed by Dibdin)-Bowden; The Little Sailor Boy-Fawcett; Our Laws Constitiution and King (composed by Shield)-Bowden, Incledon; The Land of Potatoes-Johnstone; The Death of Admiral Benbow-Incledon; Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton; To conclude with Rule Britannia-.

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Performance Comment: As17941003, but Antonio-Munden; The Page (with a song)-Mrs Clendining (1st appearance in that character); Marcelina-_; Agnes-_.
Cast
Role: The Page Actor: Mrs Clendining

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Performance Comment: Principal Musical Characters-Townsend, Linton, Street, Williamson, Miss Kirton, Mrs Castelle, Mrs Arnold, Miss Stuart, Mrs Norton, Miss Leserve, Mrs Masters, Mrs Clendining. [Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Rock

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Event Comment: The Company will be apprised at the doors as soon as the audience part of the Theatre is full. "When the curtain drew up for the new ballet, ladies [were] at the wings sitting...[and] several hundred gentlemen occupied the back of the stage, so that the beautiful scenery which had been prepared for the ballet lost all its effect" (Oracle, 22 Feb., which also states that the part of Roxalana was danced by Mme Hilligsberg). [Didelot and 1st appeared at the former king's theatre on 8 Dec. 1787.

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Come ever smiling-Miss Leak (Judas Maccabaeus); It must be so-Sale; Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha); Now heaven-Miss Parke; Lord what is man-Miss Parke (Semele); Every day will I give-Kelly (Chandos? Anthems); Then round about-Chorus (Samson); O worse than death-Mme Mara; Angels ever bright-Mme Mara (Theodora); The Mighty power-Chorus [Athalia].Athalia].
Cast
Role: Then round about Actor: Chorus
Role: The Mighty power Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Gentle airs-Nield (Athalia); Ye men of Gaza-Miss Leak (Samson); The trumpet's loud-Kelly, Chorus [Dryden's Ode]; Sweet bird-Miss Parke; accompanied on the violin-G. Ashley (L'Allegro); Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); Lord remember David-Mme Mara (Redemption); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction and Chorus-; Ye sons of Israel-byChorus (Joshua); Tears such as tender-Bartleman [Deborah]; O let eternal honors-Miss Parke; From mighty Kings-Miss Parke (Judas Maccabaeus); Softly rise-Nield; accompanied on the bassoon-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Mad Bess-Mme Mara (composed by Purcell); The horse and his rider-Double Chorus (Israel in Egypt).

Music: As17960219

Event Comment: Under the Patronage of Their Royal Highnesses the Duke and Duchess of York. Benefit for Roselli. Tickets, 10s. 6d. each, to be had of Roselli, No. 6, King-street, St. James's-square

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

Event Comment: A New Opera (1st time [in London; 1st performed at Florence, 1793, as La Confusione nata dalla Somiglianza; ossiano, I Due Gobbi]); the music by Portogallo. [Viganoni had 1st appeared at the former king's Theatre throughout the seasons of 1781-82 and 1782-83.

Performances

Mainpiece Title: I Due Gobbi

Performance Comment: Principal Characters-Viganoni (1st appearance at this theatre), Morelli, Sga Fabrizzi. [Larpent MS 118 lists the parts: Rosignolo, Pandolfo, Lucindo, Trastullo, Costanza, Rosaura, Lisetta.]Larpent MS 118 lists the parts: Rosignolo, Pandolfo, Lucindo, Trastullo, Costanza, Rosaura, Lisetta.]

Dance: End I: Divertissement-[, as17960310 End Opera: Le Bouquet- [see17960305

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: As17960302but Principal Vocal Performers-another Miss Fletcher (from +Birmingham).

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Honor and Arms-Bartleman [Samson]; Wise men flattering-Miss Leak [Judas Maccabaeus]; Lord of Eternity-Chorus; O Baal-Chorus (Deborah); Hush ye pretty warbling-Miss Parke [Acis and Galatea]; Disdainful of danger-; Pious orgies-Mme Mara (Judas Maccabaeus); From the censer-Chorus (Solomon).
Cast
Role: From the censer Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Sound an alarm-Kelly (Judas Maccabaeus); How willing-Bartleman (Samson); See the conqu'ring hero-Chorus; March (Judas Maccabaeus)-; What tho' I trace-Miss Parke [Solomon]; O God who in thy heavenly hand-Chorus [Joseph]; Happy Iphis-Master Elliot [Jephtha]; Mad Bess-Mme Mara (Purcell); Kings shall be thy nursing fathers-Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March (Saul)-; Joys in gentle strains-the Miss Fletchers [Athalia]; Awful pleasing being-Miss Leak [Joshua]; From harmony-Chorus [Dryden's Ode]; Let the bright Seraphim-Miss Parke [Samson]; O liberty-Kelly; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); The Soldier tir'd-Mme Mara [Dr Arne]; Gloria Patri-Grand Chorus [Jubilate].Jubilate].

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performance Comment: End: Collins's Ode on the Passions-Wilkinson.

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Mate Actor: Townsend
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Young Standen; Grizzle-Powel; Ghost-Bowden; Doodle-Haymes; Noodle-Townsend; Arthur-Munden; Huncamunca-Mrs Clendining; Glumdalca-Mr Richardson; Dollalolla-Mrs Martyr.

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

Performance Comment: ] [from The Days of Yore-Mrs Clendining; Harp-Weippert.
Event Comment: 3rd piece: Taken from New Hay at the Old Market [by George Colman, ynger; i.e. its 1st scene, with alterations]. "Caulfield's imitations of Aickin, Suett, King and Dignum are exact even to astonishment -of the rest we do not think much" (Monthly Mirror, July 1796, p. 185)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Bannister Jun.; Young Random-Caulfield; Scruple-Davies; Old Random-Aickin; Roundfee-Suett; Quirk (1st time)-Wathen; Carney-Burton; Peery-Usher; Tiptoe-R. Palmer; Lady Dunder-Mrs Hopkins; Mrs Peery-Mrs Booth; Harriet-Mrs Kemble; Kitty-Mrs Gibbs.
Cast
Role: Quirk Actor: Wathen
Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger
Event Comment: [Afterpiece in place of The Wedding Day, advertised on playbill of 28 Oct.] Ballet: (1st time), composed by Giacomo? Gentili [with music by Giuseppe Capelletti]. Receipts: #325 19s 6d. (222.15.6; 101.11.0; 1.13.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Who's the Dupe

Ballet: End: The Scotch Ghost; or, Little Fanny's Love. The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey

Performance Comment: The Lady of Dunblain-Mlle Parisot (By permission of the Proprietor of the king's Theatre); Jamie-Gentili; Glaude-Dubois; Saundy-Master Menage; Donald-Whitmell; Elpsa-Mrs Brooker; Fanny (with a Hornpipe)-Sga Bossi delCaro; Hornpipe-Sga Bossi delCaro; Villagers-Banks, Butler, Garman, Nicolini, Roffey, Thompson, Wells, Ms Barrett, Ms Bourk, Ms Brigg, Ms Byrne, Ms Daniels, Ms Thompson, Ms Haskey.