SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Kings Mate"/1) | (@(roleclean,performerclean) "the Kings Mate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2650 matches on Performance Comments, 2635 matches on Performance Title, 1596 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Kennedy and Miss Smith. [Prices 3s., 2s., 1s.] Tickets at Kennedy's, No. 2 Lambeth St.; at Miss Smith's, next door but One to the Old Playhouse in Ayliffe St.; King Harry's Head, Red Lyon St., and at the Taphouse of the Wells

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: By Desire,a Hornpipe, Wooden Shoe Dance-Banberry

Event Comment: Benefit Muilment. Tickets to be had of him at the Angel in King-Street, Covent Garden; and of Hobson at the stage door

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Double Disappointment

Song: I: Lowe; III: Lowe

Dance: II: Grand New Dance-Muilment, Miss Mechel; IV: Muilment; V: By Particular Desire, a Ball Dance call'd The Louvre, concluding with a Minuet-Muilment, Miss Mechel

Event Comment: Benefit Gluck, composer of the operas at the King's Opera House in the Haymarket. Pit and Boxes together Half a guinea, Gallery 5s. 6:30 p.m. Tickets at Prince of Orange Coffee House in Haymarket

Performances

Mainpiece Title: A Concert

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Performance Comment: As17460117, but Mrs Day-Mrs Cross; A New Occasional Prologue on the Duke of Cumberland's Defeat of the Rebels-Cibber.

Afterpiece Title: May Day; or, The Merry Milkmaids of Islington

Performance Comment: To conclude with a Rural Dance in Honour of Flora-after the manner of the Ancients.

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: The Subscribers to the Opera are desired to take notice, that upon Saturday Morning Next, there will be a general Rehearsal of the New Opera call'd Anibale in Capua, upon the stage of the king's Theatre in the Hay Market, agreeable to the printed proposals. The Doors will be open'd at Ten, and the Rehearsal will begin at eleven precisely. No person whatever to be admitted without a subscriber's ticket. Attendance will be given this and every Day 'till the Operas begin, at the Office in the Haymarket, from ten in the Morning, till three in the Afternoon, in order to take in Subscriptions, and deliver out tickets.--General Advertiser

Performances

Event Comment: By His Majesty's Command (General Advertiser). Present The King, The Duke and The Princess Amelia (Account Books, Egerton 2268). Receipts: #169 4s. 6d

Performances

Event Comment: By Command. Present The King, Prince and Princess of Wales, The Prince George, Prince Edward and Prince William, and the Lady Augusta (Account Books, Egerton 2268) Receipts: #103 18s. 6d

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Quin; Iago-Ryan; Cassio-Cashell; Roderigo-Woodward; Brabantio-Gibson; Lodovico-Rosco; Montano-Havard; Emilia-Mrs James; Desdemona-Mrs Cibber.
Cast
Role: Othello Actor: Quin
Event Comment: Present the King and Princess Amelia (Account Books, Egerton 2268). Receipts: #72 0s. 6d

Performances

Mainpiece Title: Measure For Measure

Event Comment: By Command. Present the Prince and Princess of Wales. Gifts to King's Footmen #2, 2s.; Chairmen #2 2s.; Prince of Wales' Footmen #1 1s.; Chairmen #1 1s.; Princess of Wales' Footmen #1 1s.; Chairmen #1 1s.; the Duke's Footmen #1 1s.; Chairman #1 1s. (Account Books, Egerton 2268). Receipts: #185 18s. 6d

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Quin; Hastings-Garrick; Dumont-Ryan; Jane Shore-Mrs Pritchard; Alicia-Mrs Cibber. The other parts as usual.

Dance: [Mentioned in the Account Books, Egerton 2268, but not in the General Advertiser.]

Event Comment: Present the King, The Duke and Princess Amelia. Paid Mrs Campioni for 16 day's salary at #3 10s. per week #9 5s. 8d. Receipts: #99 18s. 6d

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Royal Chace

Dance: As17461231

Event Comment: Both pieces By Command. Present The King, The Duke, The Princess Amelia. Paid Quin on Acct. #42. Receipts: #184 4s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Miss in Her Teens

Event Comment: By His Majesty's Command (General Advertiser). Present The King and The Princess Amelia. Rec'd by overcharge in Woodfall's Bills Jan. 14: 5s. and 17 days at 1s. per day of Miss in Her Teens: #1 2s. Receipts: #188 5s

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Benefit Muilment. Tickets to be had of Muilment at the Angel, a Linnen Drapers in King St., Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: Salomon, Sga Padouana, Muilment, the Mechels, Salomon's son

Event Comment: Benefit Mills. For the Entertainment of the Grand Master, and the rest of the Fraternity of the Antient and Honourable Society of Free and Accepted Masons. Three rows of the Pit will be rail'd in for Masons only. Those brethren who intend to accompany the Grand Master to the play, are desir'd to meet his Lordship cloath'd at the Rose Tavern the corner of Bridges street, Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17470209, but Prologue to the Masons-Mills; Epilogue (as a Mason's Wife)-Mrs Mills.
Cast
Role: Prologue to the Masons Actor: Mills

Afterpiece Title: The Double Disappointment

Performance Comment: As17470410 but The Whole to conclude with Long Live Great George our King-.

Song: I: On on my dear Brethren-Lowe; III: Come let us prepare-; IV: (At the particular desire of the Grand Master,) Song upon the account of Free Masonry-Mr Coustos (who was long confin'd in the Inquisition in Portugal; and with the greatest resolution underwent torture Nine Times without either renouncing his Religion, or having the secret of Free Masonry extorted from him; Daily Advertiser); V: a Duette-Mrs Clive, Mrs Mozeen

Dance: II: A Wooden Shoe Dance-Leviez, Villette

Event Comment: Benefit Vaughan and Evans [Box-Keepers]. Their profits from this night unspecified. Charges #70. Each was paid #10 in full for attendance on Boxes this season. Rec'd of Baron Schutz by Mr Lawrence for the King's Account #70

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: The Lying Valet

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Double Disappointment (Cross)

Performance Comment: As17471017 [The bill lists The Devil to Pay.]

Performances

Mainpiece Title: The Suspicious Husband

Dance: III: Dutch Dance, as17471128

Event Comment: We hear the King will be at the Opera (news column, General Advertiser)

Performances

Mainpiece Title: Lucius Verus

Performances

Mainpiece Title: Jane Shore

Dance: Cooke, the Aurettis, Mathews

Performances

Mainpiece Title: The Provoked Wife

Dance: Cooke, the Aurettis, Mathews, Mrs Addison

Event Comment: CCross: Great Threatning being among ye Lords the managers to prevent tumult gave out as follows. [They gave out King Lear to be the next performance.] Receipts: #174 13s. (Powel)

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Dance: As17480227

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: Benefit for Signora Galli. Composed by Handel. Signora Galli will sing the Part of Alexander, with all the original songs of Senesino. [As Senesino created this role in 1726, the piece performed tonight may be Handel's, not Lampugnani's; see kings, 15 Nov. 1743 and Deutsch, Handel, p. 647.

Performances

Mainpiece Title: Roxana

Event Comment: Benefit for Barry. Pit and Boxes laid together, and Stage, for better accommodation of the Ladies, will be form'd into Front and Side Boxes. Tickets to be had of Barry at the corner of Bow St., and of Hobson at the Stage Door. [This month was printd The Town, a Satire by Wm. Kenrick, with especial attack upon Garrick and Garrick's plays. In Miss in her Teens, he boasts the strange pretense, To satire Coxcombs, while he murders sense." Kenrick is one of the few who criticizes Garrick (p. 21) for playing a low character Abel Drugger, rather than a king. He yields indirect praise to Janeton Auretti by blaming the town for cheering her dance, while neglecting the players: @Yet if Janeton shakes her slender feet@How loud the thunder clatters through the Pit.@ Prologue intended to have been spoken on the Revival of The Distress'd Mother, for the Benefit of Mr Barry, but omitted through some misunderstanding. Written by Mr Rolt, printed in Gentleman's Magazine, March 1748, p. 134.] Receipts: #270 (Cross); house charges, #60 (Powel); cash, #80 3s. 6d.; tickets, #118 5s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Orestes-Barry for first time; Pyrrhus-Delane; Hermione-Mrs Pritchard; Andromache, with the original Epilogue-Mrs Cibber; Pylades-Havard; Phoenix-Winstone; Cleone-Mrs Ridout; Cephisa-Miss Minors.

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances