SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Kings Mate"/1) | (@(roleclean,performerclean) "the Kings Mate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2650 matches on Performance Comments, 2635 matches on Performance Title, 1596 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: 1st Time at this Theatre. [Prologue by George Colman, elder.] Receipts: #241 19s. 6d. (237.5.0; 4.14.6)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King (1st appearance on this stage); Orlando-Holman (1st appearance in that character); Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Corin-Thompson; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Oliver-Davies; D. Frederick-Gardner; Charles-Cubitt; Jaques-Harley (1st appearance in that character); Caelia-Miss Chapman; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Pope.

Afterpiece Title: Bon Ton

Performance Comment: Sir John Trotley (with the original Prologue)-King; Lord Minikin-Bernard; Colonel Tivy-Davies; Jessamy-Macready; Mignon-C. Powell; Davy-Quick; Lady Minikin-Miss Chapman; Gymp-Mrs Platt; Miss Tittup-Mrs Mattocks.

Dance: End I: Divertissement-[See17891002]; End: Tamborine Dance, as17891021

Event Comment: [Playbill of 2 Dec. states, correctly, that mainpiece was "2nd time these 16 years." In it the playbill assigns Sir John Melvil to Farren, but "Macready was the substitute for Farren" (World, 28 Nov.).] Receipts: #192 8s. 6d. (189.12.6; 2.16.0)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Bon Ton

Dance: As17891021

Event Comment: By Command of Their Majesties. To prevent Confusion Ladies and Gentlemen are requested to send their Servants to keep Places by Half past Four o'Clock. God save the King was sung "by the performers and by the audience five times: twice on the entrance of the King and Queen, once after the Play, twice after the Farce" (World, 19 Dec.). And see 23 Apr. 1790. Account-Book: In the Pit of this Night 525 Persons, this is the greatest Number ever remembered to be in at any One Time. R. P. [i.e. Richard Peake, sub-treasurer]. Receipts: #290 11s. 6d. (279.13.0; 9.18.6; 1.0.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Dance: As17891204

Event Comment: By Command of Their Majesties. Mainpiece: Not acted these 4 years [not acted since 11 Nov. 1784]. Receipts: #409 13s. 6d. (407.4.6; 2.9.0)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Chaplet

Dance: As17891231

Song: In III: song-Duffey

Event Comment: Mainpiece [1st time; T 5, by William Hayley. Text 1st published in his Hayley, Three Plays (Chichester: For T. Cadell and W. Davies, 1811). Prologue and Epilogue bY the author (World, 31 Jan.)]: With new Dresses and Decorations. Receipts: #205 4s. 6d. (191.17.0; 13.7.6)

Performances

Mainpiece Title: Eudora

Afterpiece Title: Harlequin's Chaplet

Dance: In afterpiece: Additional Dances (1st time)-Byrne, Mrs Goodwin, the two Miss Simonets

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Performance Comment: Overture (Occasional Oratorio)-; Oh! first created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Sga Storace (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; Oh! Had I Jubal's lyre-Miss Hagley (Joshua); Jehovah crowned-Reinhold; He comes!-Chorus (Esther); Angels ever bright and fair-Sga Storace (Theodora); Welcome mighty King-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest harmony-Mrs Crouch (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Kelly (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: As17900219

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; What though I trace-Miss Poole (Solomon); Happy if still they reign in pleasure-Chorus (Time and Truth); He layeth the beams of his chambers-Sale [Ezio]; He smote all the first@born of Israel-Chorus (Israel in Egypt); Come ye smiling hours-Miss Poole (Nabal); Softly rise-Harrison; Ye southern breezes-Chorus (Solomon by Boyce); Let the bright Seraphim-Miss Cantelo; Let their celestial concerts all unite-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Hark! 'tis the Linnet-Miss Dall (Joshua); Hence loath'd melancholy!, Come come thou Goddess-Saville (L'Allegro); What Passion cannot Music raise?-Miss Mahon (Dryden's Ode); No more to Ammon's God and King-Chorus; Virtue my soul shall still embrace-Harrison (Jephtha); Hear Jacob's God-Chorus (Samson); O magnify the Lord-Miss Cantelo (Chandos? Anthems); Kings shall be thy nursing fathers-Grand Chorus (Coronation? Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: From harmony-Harrison, Chorus (Dryden's Ode); Hush ye pretty warbling choir-Miss Mahon (Acis and Galatea); Like a bright Cherub-Miss Cantelo, Saville, Harrison (Gideon); With thee the unsheltered moor-Miss Cantelo (Solomon); No more ye infidels, Behold ye nations-Saville; Lord of Eternity, O Baal-Chorus (Deborah); Chastity thou cherub bright-Harrison (Susanna); Haste thee Nymph-Saville, Chorus (L'Allegro); God save the King (Coronation Anthems)-.

Music: End II: As17900219; End I: Miserere Mei Deus-, composed by Sg Gregorio Allegri, in the Year 1650, from an authentic Copy brought from Italy by Greatorex. A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night

Performance Comment: A Translation of this Work (the 51st Psalm in English) will be printed in the Books of the Night.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17891106, but Shylock-King (1st appearance in that character at this theatre); Lorenzo (with songs)-Davies; Salanio-Evatt.

Afterpiece Title: Bon Ton

Dance: As17891106

Performances

Mainpiece Title: The Crusade

Afterpiece Title: Lovers' Quarrels

Event Comment: 2nd piece [1st time; CO 2, by John O'Keeffe. Text 1st published in O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798)]: The Overture and new Music composed by Dr Arnold. The Scenery designed and painted by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Liar

Afterpiece Title: The Basket Maker

Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Event Comment: Afterpiece: Not acted these 2 years. To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. [These were included in all subsequent performances.] Receipts: #265 14s. (217.12; 45.10; 2.12)

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Fox; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Bois-Benson; Orlando-Kemble; Adam-Moody; Touchstone-King; Rosalind (with the Cuckoo Song)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Mrs Williames.

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Pasticio Ritornello-Dubois; Interpreter-Baddeley; Under Prompter-Maddocks; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Hagley, Mrs Bland, Miss DeCamp; Characters of the Tragedy: Lord Burleigh-Phillimore; Governor-Wrighten; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Chris. Hatton-Waldron; Master of the Horse-Alfred; Beef@eater-Williames; Justice-Packer; Son-Suett; Constable-Fawcett; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Barnes; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Cast
Role: Master of the Horse Actor: Alfred

Song: In V: a song-Miss Hagley

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: Don Juan

Cast
Role: Masaniello Actor: Fairbrother
Role: Waiter Actor: Fairbrother

Dance: As17901026

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 25 Apr. 1791]. Afterpiece: Not acted these 3 years. [Prologue by George Colman, elder.] Receipts: #195 8s. (156.4.0; 32.17.6; 6.6.6.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Bon Ton; or, High Life above Stairs

Performance Comment: Lord Minikin-Dodd; Sir John Trotley (with the original Prologue)-King; Colonel Tivy-Barrymore; Jessamy-R. Palmer; Davy-Suett; Lady Minikin-Miss Pope; Miss Tittup-Miss Farren; Gymp-Mrs Williames.
Event Comment: Mainpiece: Not acted these 3 years. Receipts: #268 7s. (245.2.0; 22.4.6; 1.0.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Song: In III: song-Williames. [This was sung, as here assigned, in all subsequent performances, except on 3 Mar. 1791.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Spoil'd Child

Event Comment: Mainpiece: Not acted these 3 years. [Kemble Mem.: Miss Farren refused to act this night because she didn't like her Dress. Mrs Goodall play[ed] the Widow Bellmour for her.] Receipts: #118 18s. (73.17.0; 40.3.0; 3.5.6; tickets not come in: 1.12.6)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Don Juan

Cast
Role: Masaniello Actor: Fairbrother
Role: Waiter Actor: Fairbrother

Dance: As17901026

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: The Fairy Favour

Cast
Role: Clown Actor: Fairbrother

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: The Fairy Favour

Cast
Role: Clown Actor: Fairbrother
Event Comment: ["When the Commemoration of King Charles's Death [on 30 Jan.] falls on a Sunday we always act on Monday. "This occurred for the first time, at both dl and cg, on 31 Jan. 1785. Previously, when 30 Jan. was a Sunday, both theatres had observed the commemoration on Monday 31 Jan. In mainpiece the playbill retains Kemble as Faulkland, but "Mr Benson read FaulklandR for me [this because Kemble was detained returning from Bath to London]" (Kemble Mem.).] Receipts: #231 7s. (180.12.0; 50.1.6; 0.13.6)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Fairy Favour

Cast
Role: Clown Actor: Fairbrother

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Performance Comment: PART I. Overture (Occasional Oratorio)-; O first Created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you Walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tall-Spence (Ptolomy); Abraham enough-Miss Broadhurst (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Miss Davies (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the children of Israel-Chorus; Sing ye to the Lord-Miss Davies; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: PART II. Ye sons of Israel-Chorus; O had I Jubal's Lyre-Miss Hagley (Joshua); Jehovah crown'd-Reinhold; He comes-Chorus (Esther); Angels ever bright and fair-Miss Davies (Theodora); Welcome mighty king-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest Harmony-Mrs Crouch, Chorus (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Spence (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

Event Comment: Benefit for King [who is named in the Account-Book, but not on the playbill]. Receipts: #296 17s. (255.10.0; 39.6.6; 2.0.6; tickets: none listed) (charge: #114 3s. 3d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Critic

Cast
Role: Master of the Horse Actor: Alfred