SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Duke of Lorrain"/1) | (@(roleclean,performerclean) "the Duke of Lorrain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1162 matches on Performance Comments, 1039 matches on Event Comments, 402 matches on Author, 334 matches on Performance Title, and 3 matches on Roles/Actors.
Event Comment: The Duke of York's Players acted at Oxford during this month. See M. Summers, The Playhouse of Pepys, p. 127, and Nicoll, Restoration Drama, p. 306

Performances

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony

Event Comment: Downes, Roscius Anglicanus, p. 31: Note, About the Year 1670, Mrs Aldridge, after Mrs Lee, after Lady Slingsby, also Mrs Leigh Wife of Mr Antony Leigh, Mr Crosby, Mrs Johnson, were entertain'd in the Duke's House

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15

Performances

Mainpiece Title: The Gentleman Of Venice

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 15

Performances

Mainpiece Title: The Sophy

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15. The play was not printed, and the only source of information concerning it is in Downes, Roscius Anglicanus, p. 30: The Woman made a Justice: Wrote by Mr Betterton: Mrs Long, Acting the Justice so Charmingly; and the Comedy being perfect and justly Acted, so well pleased the Audience, it continu'd Acting 14 Days together: The Prologue being spoke to it each Day. [It is possible that this date represents the premiere, since Saturday was frequently a day on which plays were first acted, but there is no certainty on this point.

Performances

Mainpiece Title: The Woman Made A Justice

Performance Comment: The Justice-Mrs Long; Prologue-.
Cast
Role: The Justice Actor: Mrs Long
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15

Performances

Mainpiece Title: The Gamester

Event Comment: The Duke's Company. The date of the premiere is not known. Although the play was not in print until 1671, it was acted on 9 May 1670 and again at Dover on 19 or 20 May 1670. Downes (p. 29) placed the comedy among the plays of 1669, but the presence of Mrs Johnson (who, according to Downes, p. 31, did not join the company until 1670) and the performances in May 1670 suggest that the comedy was first given in the spring of 1670. Downes (pp. 29-30): The Play being Singularly well Acted, it took 12 Days together

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15

Performances

Mainpiece Title: She Would If She Could

Event Comment: On this day arrived in London the news of the death of the King's sister, the Duchess of Orleans, which occured on 20 June 1670. According to The Bulstrode Papers (I, 144), 25 June 1670: The players are silenced dureing this tyme of sadness. [Probably acting ceased for at least six weeks, the customary period for silencing the companies when the Court went into full mourning. Nevertheless, the Duke's Company may have been permitted to act at Oxford. See Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies XIX (1943), 366-67.

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16. Whether this is the premiere is not known. A song, Amintas that true-hearted swain, with music by John Bannister, is in Choice Ayres, Songs, and Dialogues, 2d. Ed., 1675. Downes, Roscius Anglicanus, p. 34: The Jealous Bridegroom, Wrote by Mrs Bhen, a good Play and lasted six Days; but this made its Exit too, to give Room for a greater. The Tempest. Note, In this Play, Mr Otway the Poet having an Inclination to turn Actor; Mrs Bhen gave him the King in the Play, for a Probation Part, but he being not us'd to the Stage; the full House put him to such a Sweat and Tremendous, Agony, being dash't, spoilt him for an Actor

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performance Comment: Edition of 1671: Prologue-; Epilogue-a Woman; King-Westwood [ThomasOtway, however, played it the first night]; Philander-Smith; Alcippus-Betterton; Orgulious?-Norris; Alcander-Young; Pisaro-Cademan; Fallatius-Angel; Cleontius-Crosby; Gallatea-Mrs Jennings; Erminia-Mrs Betterton; Aminta-Mrs Wright; Olinda-Mrs Lee; Isilia-Mrs Clough.
Event Comment: The Duke's Theatre. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 12, 16

Performances

Mainpiece Title: She's Jealous Of Herself

Event Comment: The Duke's Company. The date of the premiere is not known, but the play was entered in the Stationers' Register, 18 Nov. 1670, and was probably performed not long before that date. Preface: The misfortune it had in having some of the Parts ill and imperfectly performed, as also the laying down of it, the sixth day of its being presented, when the Audience was very near as considerable, as the first day it was Acted, as also an intermission hitherto occasioned by the long absence of some principal Actresses, could not but prejudice the esteem it gain'd

Performances

Mainpiece Title: The Women's Conquest

Performance Comment: Edition of 1671: The First Prologue. Enter-Angel, Underhill, . Enter Noakes; The Second Prologue-personated like Ben Johnson rising from below.; The Third Prologue-; Tysamnes-Harris; Bassanes-Young; Foscaris-William? Smith; Andrages-Crosby; Toxaris-Standford; Alvanes-Cademan; Araxis-Norris; Draxanes-Adams; Eumenes-Westwood; Parisatis-Mrs Betterton; Mandana-Mrs Long; Statyra-Mrs Johnson; Clarina-Mrs Shadwell; Melvissa-Mrs Dixon; Doranthe-Mrs Lee; Cydanene-Mrs Lilborne; Renone-Mrs Wright; Epilogue-the Queen of Amazons.
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard, but the entry does not specify the day. See VanLennep, "Plays on the English Stage", p. 16. The play was not published until 1706, and the cast in an edition of that year represents one for performances nearer the date of publication. There is no indication of the date of the premiere

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Event Comment: The Duke's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 73

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: and two Boxes for H. Prince of Orange. See VanLennep, "Plays on the English Stage", p. 16

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16

Performances

Mainpiece Title: The Tempest

Event Comment: [The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 16-17. This performance may have been the premiere. Shadwell, in his Preface, implies that it was acted six days. As Saturday was a day frequently chosen for a first showing and as the play was certainly given again on 14 Dec. 1670, the sequence of performaces which follow in this Calendar is based on the assumption that Saturday 10 Dec. 1670 was the first day, Wednesday 14 Dec. 1670 the fourth day of acting. The Preface: This Play...came upon the Stage with all the disadvantages imaginable: First, I was forced, after I had finish'd it, to blot out the main design of it; finding, that, contrary to my intention, it had given offence. The second disadvantage was, that notwithstanding I had (to the great prejudice of the Play) given satisfaction to all the exceptions made against it, it met with the clamorous opposition of a numerous party, bandied against it, and resolved, as much as they could, to damn it, right or wrong, before they had heard or seen a word on't. The last, and not the least, was, that the Actors (though since they have done me some right) at first were extreamly imperfect in the Action of it.... This of mine, after all these blows, had fall'n beyond Redemption, had it not been revived, after the second day, by her [Mrs Johnson's (?)] kindness (which I can never enough acknowledge) who, for four days together, beautified it with the most excellent Dancings that ever has been seen upon the Stage. This drew my enemies, as well as friends, till it was something better acted, understood, and liked, than at first

Performances

Mainpiece Title: The Humorists

Performance Comment: Prologue-; Epilogue-. [Edition of 1671: Prologue Written by a Gentleman of Quality. No actors' names. Epilogue. [The dancer referred to in Shadwell's Preface may well have been Mrs Johnson.]Edition of 1671: Prologue Written by a Gentleman of Quality. No actors' names. Epilogue. [The dancer referred to in Shadwell's Preface may well have been Mrs Johnson.]
Event Comment: The Duke's Company. This performance is on the L. C. lists. See VanLennep, "Plays on the English Stage", p. 17

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. The source of this performance is the diary of Jeffrey Boys. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 17-18: The Schoole of Complements

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18. It should be noted that this performance falls on a Friday in Lent; there is no indication as to whether this is the premiere

Performances

Mainpiece Title: The Amorous Prince; Or, The Curious Husband

Performance Comment: Edition of 1671: The Prologue-; No actors' names. Epilogue-Cloris, Guilliam?.
Cast
Role: The Prologue Actor: