SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Countesses of Darlington and Sturember"/1) | (@(roleclean,performerclean) "the Countesses of Darlington and Sturember")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 121 matches on Performance Comments, 51 matches on Performance Title, 51 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Author [of mainpiece]

Performances

Mainpiece Title: Albina, Countess Raimond

Cast
Role: Westmoreland Actor: Digges

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: Albina, Countess Raimond

Cast
Role: Westmoreland Actor: Digges

Afterpiece Title: Tony Lumpkin in Town

Performances

Mainpiece Title: Albina, Countess Raimond

Cast
Role: Westmoreland Actor: Digges

Afterpiece Title: The Son-in-Law

Event Comment: Benefit for the Author [of mainpiece]

Performances

Mainpiece Title: Albina, Countess Raimond

Cast
Role: Westmoreland Actor: Digges

Afterpiece Title: Tony Lumpkin in Town

Event Comment: Benefit for the Author [of mainpiece]

Performances

Mainpiece Title: Albina, Countess Raimond

Cast
Role: Westmoreland Actor: Digges

Afterpiece Title: The Flitch of Bacon

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 24-26 June 1697, suggests that it was probably first acted not later than May 1697, and there is no specific indication of a premiere earlier than May. In Songs Compleat, 1719, the music for one song is attributed to Croft

Performances

Mainpiece Title: The Intrigues At Versailles; Or, A Jilt In All Humours

Performance Comment: Edition of 1697: Prologue-; Duke de Sanserre-Betterton; Guillamour-Verbruggen; Count de Brissac-Boen [Bowen]; Count de Fiesque-Hudson; Count de Tonnere-Bowman; Sir Plunder Bosies-Underhill; Countess de Sanserre-Mrs Bracegirdle; Countess de Brissac-Mrs Bowman; Madam de Vandosme-Mrs Barry; Daubroy-Mrs Willis; La Busque-Mrs Lawson; Grossiere-Mrs Leigh; Epilogue-Mrs Barry (as in a fret).
Cast
Role: Madam de Vandosme Actor: Mrs Barry
Event Comment: The opera ofoperas deferred by indisposition of a principal performer

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Queen Elizabeth-Mrs Horton; Essex-Marshall; Southampton-Hewitt; Burleigh-Cory; Raleigh-Richardson; Countess of Rutland-Miss Hollyday; Countess of Nottingham-Mrs Mullart .

Afterpiece Title: Cephalus and Procris; With Harlequin Grand Volgi

Performance Comment: Cephalus-Stopelaer; Procris-Mrs Clive; Aurora-Mrs Mullart; Neptune-Turbutt; Sea Gods-Lally Sr, Lally Jr; Tritons-Boval, Davenport, Olbeldiston, Topham; Syrens-Mrs Walter, Mrs Davenport, Mrs Delorme, Miss Mears; Delia-Miss Palms; Noble Venetian-Hewson; Italian Bravo-Mullart; Colombine-Mrs Walter; Miller-Boval; Harlequin Grand Volgi-Le Brun; Pierot-Davenport; Mandarin Gormogons-Lally Sr, Topham, Boval, Lally Jr; Chinese Guards-Jones, Burnet, Warwell, Bethun; Gardeners-Lally Jr, Topham; Gardeners' Wives-Mrs Davenport, Mrs Delorme .
Event Comment: Benefit Paget. Tickets at Mr Paget's, Tobacconist, near the Castle Tavern, Fleet-street

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Essex-Walker; Southampton-Hale; Burleigh-Paget; Sir Walter-Ridout; Countess of Nottingham-Mrs Buchanan; Queen Elizabeth-Mrs Hallam; Countess of Rutland-a Gentlewoman, but see17341009 .

Afterpiece Title: The School Boy

Music: Handel's Water Musick, with Preamble on Kettle Drums by Benj. Baker

Dance: Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Tambourine by Glover and Miss Rogers

Performance Comment: Richmond Maggot by Le Sac and Miss Rogers. Tambourine by Glover and Miss Rogers .
Event Comment: Afterpiece: By Desire. With New Habits, Scenes, Machines, and other Decorations

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Essex-Milward; Elizabeth- Mrs Butler; Southampton-Mills; Burleigh-Havard; Countess of Rutland-Mrs Mills; Countess of Nottingham-Mrs Roberts.

Afterpiece Title: The Burgomaster Trick'd

Performance Comment: All the Characters by Lilliputians. Burgomaster-Master Ferg; Harlequin-Master Holman; Boor Servant-Master Hamilton Jr; Scaramouch-Master Brooks Jr; Colombine-Miss Wright; Country Lads and Lasses, Tabor, and Pipe-Master Hamilton Sr, Master Brooks Sr, Master Harper, Master Case, Miss Cole, Miss Morrison, Miss Edwards; with The Shepherd's Mount-all the Characters (likewise performed by Lilliputians).
Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Event Comment: Afterpiece: A New Pantomime Entertainment. [Apparently not published. Author not known.] The Musick, Scenes, Machines, and other Decorations entirely New

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Essex-Milward; Queen Elizabeth-Mrs Butler; Southampton-Mills; Burleigh-Havard; Countess of Rutland-Mrs Mills; Countess of Nottingham-Mrs Roberts.

Afterpiece Title: Robin Goodfellow; or, The Rival Sisters

Performance Comment: Robin Goodfellow-Master W. Hamilton; Glowworm-Miss Edwards; Puck-Master Holman; Cobweb-Master J. Hamilton; Moth-Master Burgess; Mab-Miss Cole; Mustard Seed-Miss Morrison; Peas Blossom-Miss Saunders; Oberon-Master Ferg; Titania-Miss Wright; Harlequin-Lun Jr; 1st Colombine-Miss Mann; 2d Colombine-Mrs Chetwood; Squire Freehold-Beard; Father to Colombines-Pelling; Damask-Woodburn; Bawble-Gray; Porter-Leigh; Mrs Muslin-Miss Thynne; Maid-Miss Wilson; Old Woman-Ray; Marrowbone-Baudouin; Artichoke-Rector; Spinnage-Carney; Mrs Marrowbone-Miss Jones; Mrs Artichoke-Mrs Bennet; Mrs Spinnage-Mrs Vallois; Apricote-Liviez; Mrs Apricote-Mrs Walter; Mrs Taffata-Miss Thompson; Slouch-Macklin.
Cast
Role: Father to Colombines Actor: Pelling

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Earl-Cushing; Queen Elizabeth-Mrs Bambridge; Burleigh-Paget; Southampton-Lee; Sir Walter Raleigh-Furnival; Lieutenant-Blakey; Countess of Nottingham-Mrs Cushing; Countess of Rutland-Mrs Hallam.

Afterpiece Title: The Debauchees

Cast
Role: Father Martin Actor: Paget

Song: Brett

Dance: As17451028

Event Comment: Mainpiece: A Tragedy [by Henry Brooke]. New dressed in the habits of the times. This tragedy was wrote by Mr Brooks and performed some years ago at Dublin. The first four Acts went off heavy, the last very well--Miss Mowat made her first appearance in this Piece at Drury Lane--Prologue by Mr Murphy heavy. Epilogue by Mr Garrick, great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Actors only: Sheridan, Holland, Davies, Packer, Ackman, a young Gentlewoman (1st appearance); Mrs Kennedy, Mrs Pritchard. With a new Prologue, and Epilogue. Essex-Sheridan; Southampton-Holland; Cecil-Davies; Queen Elizabeth-Mrs Pritchard; Countess of Rutland-Miss Mowat; Countess of Nottingham-Mrs Kennedy; Raleigh-Packer; Lt of Tower-Ackman; New Prologue-Sheridan; Epilogue-Mrs Pritchard (Winston MS 9).
Cast
Role: Southampton Actor: Holland
Role: Countess of Rutland Actor: Miss Mowat

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Barry; Southampton-Reddish; Cecil-Packer; Raleigh-Hurst; Lieut. of Tower-Ackman; Queen-Mrs Hopkins; Countess of Nottingham-Mrs Reddish; Countess of Rutland-Mrs Barry.
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Related Works
Related Work: Horace Author(s): Katherine Philips
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 31 Dec. 1685: Yesterday was acted The Committee. The King and Queen were there and all the whole Court went to see it, but coming a little after it was begun [I] could not get any roome (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 100). Bridget Noel to the Countess of Rutland, ca. 6 Jan. 1685@6: [Last Wednesday] my Lady Exeter engaged us to goe to a play with her...which was a Commity. The King and Queen was at it, and the house as full as ever I saw it (ibid.)

Performances

Mainpiece Title: The Committee

Event Comment: Peregrine Bertie to the Countess of Rutland, 31 Dec. 1685: Last night was a masque at Mr Oldfield's in Soho Square, there was a great deale of very good company (ibid.). [Bridget Noel, writing to the Countess of Rutland, ca. 6 Jan. 1685@5, refers to a musicale, but her letter leaves unclear whether she refers to the same one Peregrine Bertie discusses (ibid.).

Performances

Mainpiece Title: Concert

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Performance Comment: Harlequin-Francisque; Leandre-Le Sage Sr; Doctor-Dessessars; Geronte-Verneuil; Pierot-Malter; Scaramouch-Cochoy; News Cryer-Dubuisson; Rare-Show Man-De Lisle; Marinette or Countess Leonora-Mrs Malter; Isabella-Mrs Mimie; Colombine-Mrs Francisque .
Cast
Role: Leandre Actor: Le Sage Sr

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

Performance Comment: The Frolick, as17341226 (latter in Daily Advertiser only) .
Event Comment: Benefit Delane. Mainpiece: Not Acted these Fifty Years. At the Desire of several Ladies of Quality. Written by Shakespear

Performances

Mainpiece Title: King Henry The Sixth, Part I

Performance Comment: Talbot-Delane; Gloucester-Ryan; York-Stephens; Dauphin-Hallam; Anjou-Bridgwater; King Henry-A. Ryan; Bedford-Johnson; Winchester-Chapman; Suffolk-Walker; Exeter-Aston; Somerset-Hale; Warwick-Rosco; Salisbury-Lyon; Young Talbot-Stevens; Vernon-Bencraft; Basset-Anderson; Sir William-Arthur; Burgundy-Ridout; Alanzon-Salway; Margaret-Mrs Ware; Countess of Auvergne-Mrs James; Joan, la Pucelle-Mrs Hallam.
Cast
Role: Basset Actor: Anderson

Afterpiece Title: Flora

Dance: TTwo Pierrots-Nivelon, Lalauze; Scots Dance-Glover, Mlle Roland, Tench, Desse, Mrs Moreau, Miss Cantrel

Event Comment: Benefit Mrs Giffard. Mainpiece: Written by Shakespear, And never performed since his Time

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Honest Yorkshireman

Song: s 25 Sept., but Gentleman-_%

Dance: As17410918; with Les Bergiers-Froment, Mme Duvall, first time on this stage

Event Comment: Mainpiece: Written by Shakespear. Never acted there before. Receipts: #90. Daily Advertiser, 23 Jan.: Last Night Shakespear's Play of All's Well was acted for the first time at Drury Lane, to a numerous Audience, with universal applause; but Mrs Woffington being indisposed, it is deferr'd

Performances

Mainpiece Title: All's Well That Ends Well

Song: I: See from the Silent Groves-Beard; III: A Duet-Beard, Lowe

Dance: II: A Concerto, as17420105; IV: The Italian Peasants, as17411205

Event Comment: Never acted there before

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: Bickerstaff's Unburied Dead