Event Comment: [Mainpiece advertised this night with New Scenes, Dresses, and Decorations. The Public Advertiser in a column entitled Theatrical Intelligence reviews Cleonice at length, concluding: "On an improbable incident hinges the whole plot! The last Act is particularly unpleasing. Mr Barry is very aukwardly situated every Time he comes on, which seems to be merely to sermonize-Upon the whole, Cleonice appears to be that kind of play which deserves neither extravagant praise nor very severe censure. The Prologue commenced on the hacknied Subject of abusing Sentimental Comedy, and serv'd to deceive us by informing us, that we were to see an original Play. The Epilogue. was well imagined and happily express'd. It was most excellently deliver'd by Mrs Bulkley."

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Event Comment: CCross: Mr Garrick first play'd Jaffier very fine-G: Applause. Genest, IV, 237: Barry's figure was pleasing and commanding in Pierre beyond description; but in a critical view he was not suited to the character. Receipts: #195 (Cross); #190 11s. 6d. (Powel)

Event Comment: Benefit for Mr Delane. He did not publish a Bill 'till after Mr Barry's Day [see 10 March] (Cross). Tickets and places to be had of Delane, in Broad Court, the upper end of Bow St., Covent Garden, and of Hobson, at the stage Door. On Thursday next, by Particular Desire, the last new comedy call'd The Foundling. Receipts: #156 (Cross); house charges, #60 (Powel); cash, #91 14s.; tickets, #62 15s. (Clay MS)

Event Comment: TThe Fair Penitent is deferr'd, on account of Mr Barry's Indisposition, till tomorrow. Receipts: #110 (Cross); #95 (Powel)

Event Comment: Benefit for Barry. Pit and boxes laid together, and Front and Side Boxes built on Stage [see 7 March]. Tickets to be had at Mr Barry's, the corner of Bow St., Covent Garden. Mr Garrick first play'd Iago (Cross). [He had played it in Dublin 28 Feb. 1746.] Receipts: #289 (Cross); house charges, #60 (Powel)

Event Comment: Benefit for Blakes. Tickets at his house in Cranbourne Alley, Leicester Fields, and of Hobson at the stage door. Being positively the last time of [Barry's] performing Macbeth this season. Receipts. #140 (Cross); house charges, #63 (Powel)

Event Comment: N.B. The Play of Hamlet is deferr'd on account of Barry's Indisposition. Paid Mr Arne on Acct. #10 10s. (Treasurer's Book). Receipts: #50 (Cross); #62 8s. (Treasurer's Book)

Event Comment: Benefit for Barry. Last time of performing mainpiece this season. N.B. A New Tomb will be made use of, so modell'd as to prevent any obstruction to persons sitting on the stage, from seeing the performance. Pit and boxes will be laid together. Amphitheatre on stage. Servants admitted to keep places. Tickets at Mr Barry's in Bow St., Covent Garden and at Stage Door

Event Comment: [The customary notice refusing admittance of Gentlemen to the Orchestre-see 7 Oct.-appears in connection with all subsequent performances and will not be noted further this season.] We are assured the report industriously spread of Mr Barry's having quitted the English Stage, and being engaged this winter in Dublin, is entirely groundless. Receipts: #80 (Cross)

Event Comment: Receipts: #96 6s. [Barry's 1!3 came to #5 8s. 8d. (Account Book). This night plus receipts from 1st performance of The Prophetess gave the house a balance in the black for the first time since 16 Dec. 1757.

Event Comment: Receipts: #115 8s. 6d. Barry's 1!3 of profits came to #11 16s. 2d. Paid Mr Pollar for making 10 wishers [?] for the dances, 10s. Paid Mrs Paddick #1 6s. for sundries incident to Dioclesian (Account Book)

Event Comment: Receipts: #124 17s. Barry's 1!3 of profits came to #14 19s. Miss White entered from the 4th Inst. 4 days at 3s. 4d.-13s. 4d. Paid Mrs Griffith for Flowers, a sash, and work for the dancers, #4 15s. Also paid her for a Crown and Garter for King Lear, 7s. One pair ear rings for Miss Condill #4 4s. Bought 3 1!2 doz. wax candles at 3s. per dozen, #5 8s. 6d. (Account Book)

Event Comment: Receipts: #140 17s. Barry's 1!3 of surplus came to #20 5s. 8d. The Renters were this night increased to 17 by purchases of one share each by Robert Randoll, Margaret Randoll, and John Powell. Paid Mr Arne for composing the Music in Dioclesian, #26 5s. (Account Book)

Event Comment: Mainpiece: By Desire. Last Time of performing it. Receipts: #153 14s. 6d. Barry's 113 of surplus came to #24 11s. 6d. Paid George Lambert (scene painter) 3 months' salary #25. The following additional Renters came in this night at 1 share each: Thomas Fludyer, John Calcraft, Charles Lanoe, and Samuel Berkeley. Richard Vincent Sr bought in at 2 shares (Account Book)

Event Comment: Being the last time of performing till the Holidays. Receipts: #119 5s. Rec'd 10 nights' rent from Mr Handel's Oratorios at #25 per night, #250, plus #2 2s. for Coals used for the Oratorios. Barry's 1!3 of the surplus this night came to #13 1s. 8d. Paid 54 Old Rentners' interest on 54 shares for Handel's Oratorios at 1s. 8d. per share, or #5 8s. per night, for 10 night, #54. [Mrs Lecuss came in as a regular renter for 1 share.] (Account Book)